Marvel

How large a room are you planning on having them in and how loud? That would be the determining factor, really. It will work, and should work pertty well. I used my JBL 4311 studio monitors (all direct radiators) for stage monitors at my chuch once. Blasted loud enough for the choir to hear some tracks and live instruments, so they could sing along. They are still fine, and the Heresies can do a better job at it. Now... if you want to put that mic in front of a Frnder Twin.... Bruce

The FH-1 is approx 30.5W x 25H x 24D 58-500Hz.

****"ducts".....I wonder how to do that! Find some heavy cardboard tubes or some pvc pipe from Home Depot/ Lowe's, the inside diameter the same as the port diameter. Glue on the inside of the cabinet, so the port is now longer and not just the depth of the front baffle.

Uh, Thebes...the subject line says they are from 71. Very nice. Welcome to the forums!

Once I came to realize that... no matter how good you think you are, you can find someone on the street that can just blow you away with their ability and talent... I could just relax and play. Do the best I can and enjoy it. What a relief. I don't have to impress anyone. And neither do you, Bill. If it is too much work (beyond the practice), you will stop. Have fun with it.

My son put a pair of Bob's tweeters in his Heresies, and it prompted me to put a set in my LaScalas. A very nice improvement. Bruce

My sentiment, too, Dean. I do think the Chorus IIs rock pretty well, but the LSIIs, being fully horn loaded with the newer cabinets.... Wow!

I think for a center it would be interesting to hear Erik Forker's scaled down LS, using a 10 inch driver. He put an Edgar design 300Hz tractrix on top.

Dare I say, "Top notch"? I had trouble with the 6922 tube in my BBX that I got from JWC in the summer. Crazy oscillation and weird noises. I tried some I had in my Dynaco ST-70 mod, and they were even more erratic. Mark suggessted to somone else that they just get one of the EH 6922 tubes, so I tried one as well. For $12, I wouldn't be out much. I can now hear the hiss from the BBX, but just barely. As soon as the music starts it is gone. I guess I am saying that you can probably put up with the noise. Will the noise floor drop if you turn down the gain some on the Crown? Then up the output on the pre a bit to compensate. Bruce

Hmmmm... another company has been making them specifically for guitarists for a while now. http://www.tonetubby.com/

I didn't know you were THAT old...[:^)]

chops, Where you been? You and your bro. have both been a little scarce on here. Crossing those guys at 900 would help make them last a lot longer. Bruce

Sssshhhhhhhhhh!!!! Careful fini... you could end up on the list....[:#]

Dean is honest... very honest. []

tc, Since I was wrong about the beryllium, etc. (you know dennis always sets me straight), perhaps he can give a definitive answer. I'm not digging at dennis, I just don't know the answer. [:|] Bruce

Bob, Your oak veneering looks absolutely top notch, too. Very nice. My own HIIs sit here in black lacquer, and will probably remain so, but it sure is tempting. I have a built from scratch set of cabinets in the works, so I will get to try some veneering of my own on them. Bruce

Pull the crossovers out of the cabinets and doublecheck all the connections. I don't know the makeup of the Chorus xover, but you may just have a bad connection. Make sure ALL the connections are good. You will probably need to replace the capacitors in the crossovers, and they do deteriorate over time, and those are getting on in years. Bob Crites can probably help with those as well, and you can find him on this forum. Chris Munson (PopBumper) also has replacements, but maybe not for the earlier models. Bruce

People weren't making berylium diaphragms when Altec stopped making those. The 'T' as a lighter weight aluminum diaphragm, and gives a higher end freq. response. They were replaced by the 'B' diaphragms, and those drivers also had a loading cap on the back, and could handle increased power. At least that is what I have read elsewhere. I think Great Plains Audio has some info on this topic posted somewhere on their website.

It's still a journey, Maron, even if it goes down...

The Horn Monos are great amps. What were you running in them for output tubes? I'm curious about how you like the amps, and not necessarily in comparison to the 299. Bruce

This may sound weird, but do you happen to have any solder flux? Or solder with a high rosin content? Put some flux on the joint and then heat it up again. It can do wonders. Or add new, clean solder to the joint and then remove it all.

That is so true. I have LaScalas at home, and found I like the bass better on them that on the Cornwalls I heard in Indy this past summer. The Cornies seemed 'boomy' to me. Not as tight as the LS. I would perhaps like to try some Cornwalls in my own house, for a better comparison, though.

I like the red... and give them a [Y]!!! Looks like a room you actually can live in. A lot of us don't have the space for a dedicated HT or plain 2-channel room. Congrats on the the nice outcome. Bruce

What would make it great is the wonderful company. I could eat worms and rocks with Dee and his family and be perfectly contented. Of course, I'd bring the wine! . . . . . excellent wine, shots of tequilla (we had relatives originally from south of the border there), and a lovely pear tart, and cherry pie! I am sure the wine was excellent. The wine you sent to us was superb, and Barbara enjoyed it so much. Even my semi-wine snob sister-in-law thought so. Just saying thanks really isn't enough, fini, but it's about all I can do. Maybe I can find another console for you...

It's interesting, since they don't advertise as being a Klipsch dealer.