I couldn't agree with you more. I don't have the most expensive of set-ups. But I took the time to play with EQ to get the sound I like. When comparing what I hear to what's being said on-line I would have to disagree with the the people who say Klipsch lacks bottom end. Bass is full without drownning out the rest of the sound track. It doesn't take much to get the shutters shaking. I remember watching Pacific and turning it up to -25 on my reciever. My thighs started to shake while I was sitting down! The same is true with hiphop-which can be bass heavy-music that I listen to. I remeber being at a friends house listening to music. He spent roughly as much money on his gear as i have on mine, so we're in the same ball park. Actually just on bookshelf speakers, which is what we compared he spent more. The bass to me seemed to muffle other notes. When we tried my recently purchased RB-61's I could actually hear the singer licking her lips or tongue moving getting ready to sing. I knew right then and there what is meant by clarity. I guess you can make same comparison to running a high compresion engine on regular low octane gasoline. Sure it'll move, but not the way it was designed to.
This statement or "overview of opinions" is incorrect. That is a common trap the audiophile world falls into - "Klipsch are for (X Type) music". I find that nothing could be further from the truth.
People who sample/try Klipsch fall into a number of "traps". They fail to understand the nature of the tools they are using - and yes, these speakers are "tools". If one does not understand how to use them, then it is very likely that the results will be less than extraoardinary.
These "traps" can be things such as room, equipment used to drive them (and this is important too, as horns are "audio magnifiers" that magnify EVERYTHING, including the distortions), and quality of source materials on playback. I used to think that Klipsch were strong in the rock and roll realm, but had no idea how good they could be with all kinds of music until I heard them set up properly.
Now there's no accounting for taste - yes it is reasonable and expected that many will opt for other speaker choices. But I cannot tell you the sheer volume of people who throw out the idea of Klipsch because of an ill presented demo or a preconcieved notiuon that horns have to be harsh. They don't have to be.
Particularly with Heritage - Cornwall, LaScala, Belle, and Klipschorn - they are not only proper for all kinds of music, they are also nearly infinitely tweakable. A host of modifications exist - horns, crossovers, and other tweaks that address some specific issues and/or preferences. So even for the picky, picky audio freak there are a number of solutions to acheive your version of audio bliss.
ANYTHING IS POSSIBLE here.