Conductor

Yes, I still have them. Lots of inquiries, but so far no commitments.

Galesburg, Il.

Room is not an issue. I no longer have appropriate corners,(its a long sad story) so I am going back to my first love...Altec A7-500W's (Magnificents). 16 ohm alnico. Cornwalls would be my second choice, tho.

Hey, I thought the plant looked good there. It's fake, of course. No water was allowed near these speakers.

another pic

I've lost the corners for my Khorns. Sniff. I'm going to sell them now, and want to offer them to the members of this forum first. They are '85 KCBR's with AK2 networks. Real beauties in like-new condition. First $2000 takes them. You must come get them. Email for more information, pictures, feedback, etc, if you are serious about buying a great pair of Khorns. West central Illinois

"It is said an eastern monarch once charged his wise men to invent a sentence, to be ever in view, and which should be true and appropriate in all times and situations. They presented him with the words, 'And this, too, shall pass.' How much it expresses! How consoling in the depths of affliction! -Abraham Lincoln You just gotta hang in there. Strength, Youth, Time, Love, Hope, and Prayer will prevail.

By all means, if you have the means, go with the Klipschorns. Take the time to build the false corners and you will be rewarded. Solid corners, that the Khorns fit tightly into is a must, as well as a medium to large size room, if you want the wonderful bass that the Khorns are famous for. It (the bass) is tight, deep, and accurate. In a word, thrilling. It is not the deepest at 35 Hz, but unless you are pipe organ freak, thats low enough. Its a strong 35 Hz. I NEVER feel the need to augment the bass. I have heard Cornwalls. They sound similar to the Khorns, but they are not Khorns. Khorns are special. They just sit in their corners and smirk, as if to say "Throw it at me you audiophile *******, I'll give it right back, and if you dont like what what I'm putting out, then get some decent electonics. I can handle anything you can afford, you pretentious *****. I've been doin' this **** for 55 years. Now put some good music on and sit down and shut up. None of that rap stuff either. Not that I can't handle it. It just sucks" Mobile is right about using tube amplification.

Klipschorns don't image!! I think mine do. I have mine 11 feet apart and set into a "bay" in the front of my living room. The short wall's length exactly matches the sides of the Khorns. In other words, they just fit. Although the short walls are short, they are sturdy, and bass does not suffer. The long side walls of the room are then another 5 feet or so away from the Khorns, and the room is 25 ft deep to the rear with a cathedral ceiling running from 7' high at the khorns front wall to 10' in the center of the room. I sit about 6 or 7 feet from the plane of the speakers and hear great depth, height, width, and separation of sound. Some live rock recordings from this nearfield position give an impression of the performer's being on a stage slightly above my head. When listening to Nick Drake's 'Pink Moon', the piano solo seems to be coming straight from my left side as if I could look to my left well beyond the speakers and see a piano. When listening to some small jazz combos, it seems as if I am at a front row table in a club (such as Bill Evans Waltz for Debbie). When listening to some classical recordings, the tympani are in my front yard. Is this not imaging, or am I missing something?

Alan, I know by reading your posts, both here and at the Asylum, and reviewing your website's jazz list, that you are into the west coast stuff and have a vast collection of most of the artists on the west coast labels. I find it interesting that you make no mention of Andre Previn and his trio jazz on the Contemporary label. I have taken a great interest lately in the music of Andre Previn and his Contemporary recordings. Cant get enough. My favorites are "King Size" "Like Previn" and "My fair Lady" (I know that this is technically a Shelly Manne record, but its a Previn record to me) I also like "Duet", on Columbia. What are your thoughts on Previn? I know you must have scads of his records as well those of other artists on Contemporary that he plays on.

Chris, You are absolutely right about the Khorns "disappearing". Mine look as if the belong there in their corners as if they had always been there. Like they were are part of the woodwork. They definatey are out of the way. ------------------ Talkin' 'bout... Hey now! Hey now! Eico Eico uday. Jockamo feeno ai nane. Jockamo fee nane.

While reading this thread it occurs to me that there are not just two basic types of audiophiles as I had thought (right brain dominated and left brain dominated), but a third type in which the right brain and left brain have kicked the **** out of each other and have cancelled each other out. To paraphrase R. King: Can't you Klipscheads get along? Can't you Klipscheads just get along?

Surf's up, Dude!

If anyone is looking for some really sweet 6sn7's, I have some 1945 vintage Sylvania CHS-JAN 6SN7W black base, short bottle chrome domes for sale. These are among the best sounding 6sn7's in the universe (depending on your circuitry, tastes, hearing, etc). Those who have already bought some are quite happy with them. I have several dozen left. Stock up now kids, at a well-below-dealer price. I have, as Mr. Fudd would say, many dozens of these World Cwass World War II Wonders Wemaining. I will even attempt to match pairs or quads for mutualconductance with my B&K 747 tester (a free service provided with love for Klipsch Forum members) http://cgi.audiogon.com/cgi-bin/cl.pl?accstube&1035817228&2&3&4&

Dire Strait's first album. Dylan "Blood on the tracks". Paul Simon "There goes rhymin' Simon" Supertramp "Breakfast in America" Little Feat "Dixie Chicken" Gerry Rafferty "City to City" All sound great sounding LP's on my Khorns.