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  1. From the album: Restoration La Scala Industrial (part 1)

    This cabinet is the only one with an original 'klipsch' badge on the LF cabinet. The rest of the badges are not there anymore. I've contacted Klipsch but unfortunately these badges are not available anymore. The only available badges are the small 'V'-shape badges of Klipschorn. I've ordered these and hope to find the original ones one day...

    © Frank van Kasteren

  2. iSpotif

    Handles

    From the album: Restoration La Scala Industrial (part 1)

    <p><p>Large plastic handles on the LSI-HF cabinet.&nbsp;Small metal handles on the LSI-LF cabinet.</p></p>

    © Frank van Kasteren

  3. From the album: Restoration La Scala Industrial (part 1)

    <p><p>This is the LF section (LSI-A-LF) with serial number 106390361. The other LSI-A-LF has serial number 106390362. This means that number 0361 and 0362 are build on the 106th day (April 16) in 1993. The previous owner replaced the original banana binding posts by a professional XLR connector.</p></p>

    © Frank van Kasteren

  4. From the album: Restoration La Scala Industrial (part 1)

    <p><p>This is how my LSI looks after restoration.</p></p>

    © Frank van Kasteren

  5. From the album: Restoration La Scala Industrial (part 1)

    <p><p>This photo is made the first time I saw my Klipsch La Scala loudspeakers.&nbsp;The seller only wanted to sell both (La Scala + subs), not La Scala only.&nbsp;So now I'm the owner of more speakers than I originally had in mind ;-)</p></p>

    © Frank van Kasteren

  6. From the album: Restoration La Scala Industrial (part 1)

    <p><p>This photo is made the first time I saw my Klipsch loudspeakers. The seller only wanted to sell both (La Scala + subs), not La Scala only. So now I'm the owner of more speakers than I originally had in mind ;-)</p></p>

    © Frank van Kasteren

  7. I recently picked up a pair of Electro-Voice DH1506 compression drivers (CD) to upgrade my CF-4's. There was nothing wrong with the stock K-63's, but strong endorsements from Moray James and Alexg5775 got me wondering if the already fantastic sounding CF-4's didn't have a little room for improvement. I A/B'd the K-63 and the DH1506 and found them very close in sound. My testing was very informal and the sound was slightly better in the midrange with the DH1506. I wanted to get them measured properly to see if the diaphragms were within spec, so after a quick call to Mustang Guy I was off to the Speaker Ranch to get them measured. As usual, Craig had a better idea. I call his place the Speaker Ranch because his building is so large it's like a free range area where Klipsch speakers can wander and play freely, as loud as they want. There are fully 6 La Scalas set up in a 6.2 configuration, sometimes more. See Mustang Guy's signature for the entire list. It was around 20 or 30 last time I checked. Craig immediately grasped a 1506 which was attached to the CF-4 horn and connected it to the squacker section of the right side La Scala. Then we listened. We set up in the main LP and could hear an immediate difference, probably in favor of the DH1506. I say probably because this was NOT a controlled test, it was very much seat of the pants. We both thought the DH1506 might have been more efficient making that side a little brighter. If there was a difference, it was very little, both CD's sounded fantastic. Certainly one CD could be used interchangeably with the other and in a blind listening test you could not tell which was which. Craig took some measurements of both CD's in a very interesting way, so I think I'll stop here and let him post his comments.
  8. Up for sale are a pair of amazing La Scala industrial Splits. They are upgraded to the hilt. Fully braced cabinet using Volti kit, with grills covered in Klispch cloth. Full rewired Converted to 2way operation using fastlane audio Eliptrac 400 and Massive Monster B&C DE750... (Think big and go bigger). Crossovers are ALK AP12-500s with Orig K43s doing the heavy lifting. This are lighting fast and don’t fall down the way la scala's can when pushed. Selling for parts cost. If they don’t sell Ill turn them into my garage speakers with a Kenzie amp :-). Asking $2400 and pretty firm on it. I will assist in shipping if customer desires. I can write paragraphs about the sound but its not my nature. These sound wonderful. I had to rebalance the network when Dave Braced them for me as the Bass output increase so much. The Bass reproduction remains fast but is much fuller sounding than any la scala Ive heard... Sounding like a sub is well intergrated. The Eliptrac 400 and B&C DE750 create a sound stage stories large. Want scale... this has it in spades. Play a well recorded mix and youll be able to place the instruments in air. Justin 323-868-9722 Thanks
  9. LOOKING FOR A GURU. Does anyone have, or know of, copper or gold plated block speaker connectors that screw into the screw holes of the La Scala crossover, so you can use banana plug connectors? I know that I saw these on a old posting in the old Forum, but I can not seem to track these down. Thank you.
  10. I was wonder if those that have Bob Crite's CT-125 tweeters in their La Scalas would chime in with opinions. I am not dissatisfied with the stock K-77s just wonder if the change is worth the price (in your opinion of course) considering it as an upgrade. With my KG4s and Heresy's I put titanium tweeters in and liked it, not an option with the La Scala. Christmas is coming soon and I was thinking of asking Santa to bring me a pair
  11. I currently have a set of 1974 Cornwalls with ALK Cornscala-wall networks and a 24” Tuba THT. That I really love. I have them set up in my basement which has unfinished walls, and I have used Roxul as insulation in the walls and ceilings. The Room sounds very good. I am very much wanting to move to a completely horn loaded speaker. I have never heard a la scala or a belle or a khorn for that matter, but am pretty convinced I would like the sound based on my experience with my folded horn subwoofer. La Scalas can be had around here for 800-1000 bucks and with those what I am seeing is the desire to replace the stock mid horn (same issue as my CW). I have been watching for belles for 2 years with nothing showing up. With my recent DIY success of the THT I am thinking I can build a Belle or a La Scala and improve on it with better horns and drivers as funds improve. I read a few threads today, the bass bin of the LaScala vs the Belle, the Belle seems to be the winner as far as aesthetics and function. So I am thinking of building a Belle from scratch instead of buying a lascala and replacing most of it. I am thinking of using a Fastrac midhorn, and using the K55 Drivers, K33 woofers, K77 tweeters and the ALK networks I have in my CW to populate the belle. Ultimately if I really like the way it turns out, upgrading to the Kappa 15C woofers, B&C tweeters and a possible new 2" midrange if I can do that and allow me to return the CW to its original unmolested state. Will my ALK Cornscala-wall network allow all of these changes? Should I think about building something else? I am not really wanting to desecrate my ’74 decorator CW but want to move to a horn loaded bass. Looking at the Belle plans, everything is done in ¾” sheet. I know that the LaScala II is made out of 1” to reduce flex, is that worth doing to the belle? Maybe just the outer skin? I have CAD and could make those adjustments pretty easily. I am open to any and all criticism and recommendations, Thanks.
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