Jump to content

Search the Community

Showing results for tags 'budget'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Klipsch Announcements
    • Klipsch News
    • Klipsch Pilgrimage 2020
    • Klipsch Website & Forum Info
  • Klipsch Museum of Audio History
    • Klipsch Museum: News & Announcements
    • Ask the Historian
    • Klipsch Museum: General Discussion
  • Klipsch Audio
    • General Klipsch Info
    • 2-Channel Home Audio
    • Home Theater
    • Subwoofers
    • Architectural
    • Klipsch Pro Audio
    • Technical/Modifications
    • Headphones
    • Personal Music Systems
    • Talkin' Tubes
    • Solid State
  • The Klipsch Joint
    • Garage Sale
    • Lounge

Calendars

There are no results to display.


Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Location


Interests


My System


See My System


Website URL


Twitter


Skype


AIM


Yahoo


MSN


ICQ


Jabber

Found 3 results

  1. Reaching out for help from anyone in the community with knowledge, advice and expertise when installing a system in a commercial restaurant space. Writing this in a beginner-friendly tone because that is where I am now. I've been a lurker taking notes who has finally convinced a friend to splurge on a sound system that will be an exciting feature of his restaurant that I'm collaborating on. A high-efficiency horn-loaded system powered by SET tube amplifiers is the path I've chosen to approach this project. The restaurant's build is almost complete, with interior finishings currently being applied. I've attached images of the floor plan and sections of the space with coloured markings for the whereabouts of the D.J. booth and speaker placement proposal for anyone interested in size and layout (yellow: booth, pink: speakers). A key with materials used is also included - there isn't much leeway to apply acoustic treatment. Maybe pyramid foam within the waffle spacing of the concrete ceiling. I also feel like the large floor to ceiling windows and wall tiles would create a lot of reflections, especially with how I'm planning to orient the speakers. I have suggested adding thick drapes to help remedy this for the owners, and there would be a few carpet art pieces hung that help in absorption as well. I'm proposing 2 budget options: Option 1 / Big-Budget Features: 2-3x pairs of Klipsch Hersey IVs - suspended or mounted on walls/columns upside down with a tilt angle. The horns would point downwards at the customers and the woofer closer to the ceiling to create a similar low-end response when placed ordinarily in a floor-standing position. The speakers will either be suspended by eye bolts and fender washers hung from a concrete beam waffle structure or mounted on french cleats on the structure's columns. They will be powered by: 2-3x Decware Super Zen Triode Amplifier would love to pair the Decware tube amps with the HIVs, but I'm concerned if they have enough oomph to drive the speakers to volume when it's a busy day at the restaurant 1x Condesa Carmen in-house analogue D.J. rotary mixer 2x Technics SL-1200MK7 Turntables 1x DAC/node streamer - undecided [BLUESOUND NODE or the AUDIOPHONICS RASPDAC an option for this budget] (DAC connected through USB or wirelessly streamed via Spotify Connect - Streamed via an iPad through a lighting cable to USB adapter or wirelessly through Spotify Connect connected via a node, respectively (streaming via chrome-cast is not an option because of its inability of gapless playback)). I've also heard that the new YAMAHA RX receivers act as streamers for Spotify Connect and other applications. Possibility of an independent DAC Schiit Modi 3+ for better sound (as subjective as that is for the setup) 1x Receiver to route all the incoming signal sources to the designated amplifiers and speakers - Need help in this department. Option 2 / Small Budget differentials: 3-4x Klipsch RP-600M II - also considering fitting them upside down with a tilt angle. The horns point downwards at the customers and the woofer closer to the ceiling to create a similar low-end response when placed ordinarily in a floor-standing position. But the 600 IIs would be mounted on the walls/columns versus being suspended from the ceiling. 3-4x Reisong A10 - I heard great things & felt they'd be a good fit for the more budget friendlier option, but I'm concerned if they have enough oomph like the Decware Zen triodes to drive the speaker in a busy day 1x Vaira Instruments RD20 in-house analogue D.J. rotary mixer There are a few missing puzzle pieces in the system due to my lack of experience, and I was hoping that anyone could kindly assist me. Looking for a receiver that will take the 3 different sources (in-house D.J. mixer output, DAC-Streamer Spotify output & guest D.J.'s controller output) and send the output signal to all the amplifiers powering the speakers. Would home theatre A.V. receivers work? I've checked the backplate of most A.V. receiver products, and they all have 'surround', 'front', 'center' labels for the different speaker outputs. I'm worried about whether each pair of speakers would get other signals - which wouldn't work in my application. I've also done my best to map out how the sound system component network would work with a resident D.J. system in a booth, guest D.J. with an external mixer, and DAC for regular musical playlist programming when there's no D.J. performing. Would love to hear everyone's advice and thoughts on how I've designed the proposed system and mapped it out. I'm not sure if I've got the number of speakers right - it's tricky since where I'm located doesn't have proper HiFi audio dealers in the country - I can't test any components. The purchasing decision must be made based on faith and expertise. As you now learned, a lot would be riding on this This project aims to bring a hi-fi experience to a population and culture that is not exposed to it and be inclusive in presenting it the best way possible with the budgets at hand. Your input would be greatly appreciated! P.S. Any thoughts of anyone who had listened to the active Superwax mini by Pitt & Giblin from Australia compared to Hersey's or other speakers from the heritage line-up?
  2. I live in Brazil, at the end of the year I'm going to Florida, and I'm intending to buy a set of 2.0 speakers. Firstly i thought about the sixes(499$), but after a few negative reviews complaining about boomy bass and requiring a really good placement (and in my room i don't have plenty space for putting them on their best position possible) I decided to look after a few others, I found the RP-160M (399$), would match with the Yamaha A-S301BL(349$), and after a few more research I found the towers RP-260F that in my country I can buy for around 800$ converted, completing 1150$, I don't work yet, so this is really a lot of money for me. Any suggestions? Should I buy the sixes? Is there a difference between the towers and the 160s that worth that difference? I do not have plans to add a sub, since my mainly objective with this set is music and games, some movies eventually. And as I said, i have a small room and live in a apartment with my parents, so I couldn't turn it up all the way.
  3. If you have any experience - good or bad - with Pangea Audio products, let's hear about it. I found a few threads on here that mention Pangea (mostly their AC power cables) but, if a glance at Audio Advisor's catalog/web site is any indication, Pangea Audio is now making everything from speaker stands to equipment racks, from power cables to interconnects. Two hallmarks seem to define the brand: a) beefy, over-engineered stuff that looks like it's the "real deal"; and unbelievably low "Budget King" pricing (likely due to off-shore production and low overhead). I, and I suspect a few of you out there, are intrigued enough to sample some of Pangea's product line. If you're a Pangea owner (for better or worse), use this thread to either talk us out of it or to give us that little shove we need to pull the trigger on a $50 power cable or a $200 equipment rack.
×
×
  • Create New...