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On 3/27/2020 at 5:33 AM, dirtmudd said:

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On 3/27/2020 at 6:41 PM, dirtmudd said:

 

 

back in 77-78 my neighbor handed me... those 4 albums...

 

I was already aware of d.s.o.t.m..

 

but out those 4.. fragile stood out the most...

 

heart of the sunrise and some self medication.. and that was it !

 

 

 

24 minutes ago, BigStewMan said:

Mike ... you can't be a trader ... we're YES men.  😀

 

 

I'm on the road to red

 

 

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@dirtmudd   ok, the music at last both videos from King Crimson are better, even when I haven´t finished to see the long one completely ...

 

@Dave1290  A Type

 

You may continue without me now, it's 4.30 a.m. Tuesday morning. From Wednesday I have to work again, then you are among yourselves. I only have time on weekends.016.gif

 

 

 

 

 

 

 

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26 minutes ago, MicroMara said:

Eric Clapton is already 75 years old. Isn't today his birthday?       0046.gif

 

@dirtmudd   I just can't deal with King Crimson, I don´t understand their music and  I cannot share it .....0036.gif

 

 

 

Their not for the faint of heart...

 

Listen to the Fripp

 

 

Sacred Songs is American singer/songwriter Daryl Hall's first solo album. It was produced by guitarist Robert Fripp, who also played on the album.

 

 

1977, Hall and Fripp reconnected while Hall was writing songs for his solo debut; Hall drafted Fripp as producer and guitarist. Hall wrote all the songs, except "Urban Landscape", (a 'Frippertronics' solo), and "NYCNY" for which Fripp wrote the music and Hall the lyrics, and which appeared also on Fripp's Exposure (1979) only with different lyrics as "I May Not Have Had Enough of Me but I've Had Enough of You".

Sacred Songs was recorded in a span of three weeks, with most of the songs initially recorded with Hall singing and playing piano alongside Fripp's guitar work, followed by overdubs by Hall & Oates' regular touring band. Hall insisted on working with his own band rather than with the Los Angeles session musicians who had played on Bigger Than Both of Us (1976), the previous fifth Hall & Oates album. Although the session players were uniformly excellent musicians, Hall felt their performances were hampered by a disconnectedness from the songs. The album was originally intended to be part of a loose trilogy of sorts with Peter Gabriel's 1978 second album and Fripp's Exposure (1979), all of which Fripp produced.[2]

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To go back to less conventional and less commercial discs, music will not please everyone, because it is not easy music to listen to. I have an original bought in 1983 the day of its release, near mint and in original plastic sleeve ;)

 

https://www.discogs.com/fr/Various-40-Days-40-Nights/release/716932

 

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:)

 

 

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37 minutes ago, MicroMara said:

@dirtmuddRobert Fripp is a musical genius, thanks for the tip, I have to look quickly where I can buy them in Germany. 109.gif

And Brian Eno, formerly Roxy Music, and then of course as a solo artist is a well known name to me 

 

 

@Dave1290    023.gif

 

 

or this 

 

https://burningshed.com/index.php?route=product/search&filter_name=fripp&deactivate_filter_category_id=92&filter_sub_category=true

 

https://m.facebook.com/burningshed

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1 hour ago, dirtmudd said:

Just ordered and bought in Germany

Robert Fripp    "Exposure "

Robert Fripp & Brian Eno " No Pussyfooting "

King Crimson " In the court..... " Japan Edition

King Crimson " Live in Toronto No. 20th. 2015 "

 

017.gif   & 010.gif   ...until weekend

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this is my favorite era ..

 

of the mighty Crim..

 

the devastating performance

of 21st csm .. is of legendary proportions !

https://www.dgmlive.com/tour-dates/367

 
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Ever wanted to know what happens after the edit on the storming Asbury Park or the fade out on that contemplative solo on Easy Money? Well now you can find out![endtease] Presented uncut for the very first time using unreleased mixes from the multitracks without Eddie Jobson overdubs (as on USA), the power of this gig is tangible. Despite the internal politics and tensions of the period, the band taps into a ferocious energy that never stops burning. Wetton is especially inventive, infusing the material with a brutal force. At the other end of the sonic spectrum Fripp’s sparkling clarity produces a consistently powerful performance that must rank amongst his very best. From the grumbling rasp of LTIApt2 through to the ecstatic demands for an encore, this is a classic Crimson show in every respect. Indispensable.
King Crimson
Casino Asbury Park United States

AUDIO SOURCE: Multitrack

DGM AUDIO QUALITY

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AVERAGE CUSTOMER RATING

 
 
 
 
TRACK
TIME
01
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Walk On
00:09
02
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Larks' Tongues In Aspic Pt II
06:24
03
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Lament
04:21
04
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Exiles
07:16
05
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Improv: Asbury Park
11:42
06
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Easy Money
11:07
07
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Fracture
11:02
08
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Starless
15:50
09
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21st Century Schizoid Man
 
09:33
 
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KC19740628AsburyPark6 - Mike Dowd

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KC19740628AsburyPark8 - Mike Dowd

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KC19740628AsburyPark13 - Mike Dowd

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KC19740628AsburyPark3 - Michael Black

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KC19740628AsburyPark2 - Michael Black

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KC19740628AsburyPark1 - Michael Black

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USAcover -

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KC19740628AsburyPark5 - Dave Reininger

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KC19740628AsburyPark11 - Mike Dowd

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KC19740628AsburyPark10 - Mike Dowd

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KC19740628AsburyPark12 - Mike Dowd

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KC19740628AsburyPark7 - Mike Dowd

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KC19740628AsburyPark9 - Mike Dowd

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KC19740628AsburyPark6 - Mike Dowd

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KC19740628AsburyPark8 - Mike Dowd

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KC19740628AsburyPark13 - Mike Dowd

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KC19740628AsburyPark3 - Michael Black

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KC19740628AsburyPark2 - Michael Black

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KC19740628AsburyPark1 - Michael Black

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BROWSE SHOWS WITH PHOTOS

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Written by Bogdan Patrascu
    
Dazzling
I found myself slightly turning up the volume with each track and could thus feel how the “flying brick wall” was approaching my position. It hit me at full speed as I reached Starless and then into Schizoid Man. I will call this “extreme music”. Just give me more of that, please!
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Written by Moses Gordon
    
Amazing
Much has been said about this lineup of Crimson, Fripp’s quote about the "flying brick wall" comes to mind but this show is different. This show exudes sheer force and power. It is by far the best recording of the Wetton era and one of the best Krimson live recordings ever.
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Written by Jordan Clifford
    
Easy Money alone is worth it
I understand why some people prefer the edit of "Asbury Park". However, it sounds like after the USA cut ends it goes into an entirely different improv, as if it’s 2 different attempts, all within the same track. The last 4 minutes aren’t as solid and it sadly peters off with no real close, but it’s still great! I’ll take it! It’s still one of the most excellent examples of KC improv ever. But the real revelation here (since our lives were already changed by "Asbury Park" in USA) is what comes after the edit on "Easy Money" WOW Honestly, it’s the best "Easy Money" I can think of ever hearing. It’s SO amazing. If it were a separate track labeled itself an improv it would stand alone like that too. It’s a really incredible display of the power of this group. I’d pay 10 dollars just to hear another "Easy Money" like this. There must have been more, it has so much potential for expansion.
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Written by Matt George
    
a question
I have this show on compact disk when it was released 5 years ago, and played it in my car for the first time the day it arrived in the mail, hotly anticipating the full versions of the improv and Easy $$.  The latter was outrageous, given that I am a fan of any Crimso use of the Hohner Pianet, also Fripp’s psychotic sustained fuzz guitar solo; but poor David Cross seems to gotten a little lost in the beginning of the improv.  He hits a couple of bad notes on the mellotron as the piece begins to unfold.  Otherwise, a good concert. One question: did Fripp make any announcements to the audience that night?  The concert is pure music, with no Fripp banter.  Can anyone who might have been there remember if Robert Fripp said anything into the mic that night, and, if so, what did he say? Thank you in advance.
 
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