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Posts posted by laurenc319
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hi,
I've been listening to my 1979 Cornwalls with my Wright mono 3.5s
for the past couple of weeks. The Corns were updated with type B
crossovers from BEC. I always thought they were a bit on the
bright side and am thinking of rope caulking the squaker.
Tonight I hooked up my EICO HF-81 to the Cornwalls and started to
listen. Still a bit on the bright side. Turned the treble control
from 12 to 11 oclock, and ..... BINGO ... sonic bliss. Solid
bass, lush midrange and highs right on.
Tone controls.. the audiophiles joke, more in the signal path,
more caps and resistors and etc. Well let me say this little cult amp
sounds just right with the treble at 11 oclock.
Compared the the 2a3's in general the EICO pp EL-84's are
slightly more mellow and lush. Not as exacting as the 2A3s, not as
precise but in every way I can think of, they are just as enjoyable.
good listening ,
Larry
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hi,
That's a great job packing. I have bought and shipped astronomy stuff in the past, optics and mounts.
I pack the scope in a box and it's surrounded bubble wrap and
then by 1 " styrofoam cut to fit. This box goes inside
another box with 2" styrofoam lining all sides and then is completely
wrapped in plastic packing tape. So far I've had no problems.
Larry
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hi
"
Come on now folks this a nice young man is trying to get some help. Cut the boy some slack."
I agree, he's beyond his years when it comes to things to do with audio
Larry
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hi,
If my wife wasn't so p***d at me I'd buy the preamp. Compare it to
my 6SN7 based AES AE-3 and keep the one that sounds better.
But as things stand now I'd have to fed ex it to a drop box
or get in really big trouble.
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hi,
Cyottee said
"I had my LaScalas in my dorm room... and my EV's
I'll bet that's where you got your handle
How's your quest going for a high powered ss amp.
The flea powered wrights are just right for me. Thanks.
Larry
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hi Crazytubepower,
I have Forte's and Cornwalls, I drive the Fortes with a 80 watt tube amp and I drive the
cornwalls with a 3.5 watt 2a3 SET amp. Both are good. Guess which
I like better. The Corns. More lifelike, bigger soundsage, more
impact and just more musical. Get a pair of Corns for
around 800 dollars and see what you hear !!! If you don't
like them you can sell them at no loss of dollars. But I'm betting
you'll keep them.
The man I bought the Cornwalls from used them in his college dorm
room. Now that's a small room. He liked them so much he bought
another pair and built a third pair.
The speakers you mention are all great, but very high efficiency
speakers let amps work in there best zone of power,
the first few watts.
good listening,
Larry
I built my first amp 49 years ago and it still works
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hi,
For those who may be interested here's a long review of the Wright 2a3 amps on audio asylum
http://www.audioasylum.com/cgi/m.pl?forum=tubes&n=17828&review=1
A good apprasial imho. I have Forte I's driven by a Cary SLI-80 amp and Cornwalls I's driven by the Wrights and an AES preamp.
I listen to the Wrights every chance I get. I'll play a cd on the
Forte's and then play the same on the Cornwalls and am astounded
by the additional transparency of the music. Everything the
review says is true, I've experienced the same, agree with the
reviewer and can wholehaeartedly endorse these amps.
good listening,
Larry
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hi,
Sombody ougtht to snap these up. Both are amazing componets giving high quality sound at a very good price.
Larry
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hi,
Try this one
Enigma MCMXC a.D. cd, the last cut Back to the Rivers of
Belief
Larry
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hi,
For about 500 to 800 dollars get a rebuilt Eico, Scott or Fisher amp. Great value for the money.
Larry
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Hi,
Do you know how lucky you guys are ? Good music, good friends , good food and drink. Can it get any better ??
good listening
Larry
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hi,
"
hi,
"
Coytee said 4. "Capable of snapping my pants with bass response"
I'm sure this is impossible, unless you are just kiddin"
Ahhh.. no, I've had my pants snapped more then once, as a matter of fact they almost fell off once
Larry"
an addendum
I was drinking some sour mash at the time ( That's from TN not KY right
), can't be sure how much the sour mash had to do with it, but I swear
it was the Cornwalls and a heavty ss amp
Larry
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hi,
"
Coytee said 4. "Capable of snapping my pants with bass response"
I'm sure this is impossible, unless you are just kiddin"
Ahhh.. no, I've had my pants snapped more then once, as a matter of fact they almost fell off once
Larry
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hi,
"Duke...simmer down, let's wait to hear the results. I value the DOC's
opinion. I know you area Chorus fan. That's great. In fact, we need
more Chorus owners to chime in more often as I think the Chorus doesn't
get the "chatter" it deserves. In fact, the Fortes need more chatter
as well."
I have the Forte's (1982) as well as the Cornwalls (1979). Both are great. The Cornwalls are just a little bit better.
good listening,
Larry
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hi,
I understand where your coming from. I have a high current ss power amp (
soundcraftsman 230 watts/channel .. it plays for 45 seconds after you
turn it off ).i hook ot up wheni want to rock me and the walls.
My thoughts as per your described needs
.. Lots of power and high current
.. Not to expensive, unless you listen outside the " walls" a lot
.. don't know how a Peach will match to anything, my AES AE-2 with 20 db of gain can really heat up the soundcraftsman
.. I guess you need a tuby ss amp to mate with Khorns
.. Bass is the trump card of high current ss amps
.. don't know about imaging with various ss amps, the Soundcraftsman does ok
.. most of them are quite
Look at this
http://cls.audiogon.com/cgi-bin/cls.pl?ampstran&1134139945
I believe ADcom has a good rep and the price is right .. sounds like it can handle low impeadence loads
Larry
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hi,
He bends over backwards for people. Too bad he's such an ahole.
no he's not, he just has strong opinions which he's entitled to
An expert is a person who avoids small error as he sweeps on to the grand fallacy. -- Benjamin StolbergAn expert is a person who almost learned from all of his mistakes. --- Me
to be gender neutral here, the shes make no mistakes. -- not me
good listening
Larry
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Hi,
Just curious ,,,, what kind of mod ?
Larry
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hi,
Max thinks the other two dogs are good lookers. Max has a brother Gus.
Both Bernese Mountain Dogs. A great breed, big and lovable.
Larry
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Hi all,
I just purchased a pair of Wright WPA 3.5 Mono amps from a forum
member, Coytee and they arrived Saturday. Coytee, btw, is a great
person to deal with. We had a nice telephone conversation. That's one
of the benefits of this forum that goes unpublished and certainly a plus for being a member here.
Ok, having pp tube amps and a ss amp, I wanted to experience the set
sound with my 1979 Cornwalls. I have a AES AE-3 preamp with
upgraded caps and nos Sylvania 6SN7WGT's. The Wrights have nos
RCA 5Y3's, Jan Phillips 6SN7GT's and RCA dual plate 2A3's. The
Cornwalls are in a 30 x 20 foot room with a rugged floor and a tile
ceiling. I've been listening to jazz. Patricia Barber... the cool
album, Khan Jamal ... Passion Warrior album, Stanely Turrentine ..the
Sugar album as well as assorted Davis and Coltrane.
These amps btw are dead quite .. no audible hum, ... none.
I was worried about the sound levels I be able to reach with the 3.5
watts of flea power. No problem at all. It will not shake
the room, but I can play it LOUD with no problem, loud enough to
sit in the next room an listen, loud enough to listen to it upstairs.
BTW it sounds great out of the room. I have not tried rock or
complex symphonic pieces, but on jazz this amp does not run out of
steam.
I was worried about the bass. The Light My Fire cut by Patrica
Barber is loaded with bass. Well with these amps it's there and
very real sounding and convincingly there. Yes the pp 80 watts
of the Cary or 230 watts of the ss amp has more punch, but these amps
are very capable in the lower end. The bass lines accompanying
her vocals is right on.
Ok let's push the amps and see what happens. Playing now is
Enigma MCMXC a.D. cd, the last cut Back to the Rivers of
Belief. It starts with a closely miked kick drum and some
high percussion. The chimes, bells and tympani are amazing.
Each is a succinct PING, not PPing or a PINGG, just a PING. The
male voice is well displayed,quite separated and nicely imaged against
the driving kick drum and high percussion. the driving bass
line lacks some punch ... no wall shaking here, need more watts for
that, but the fundamental sound is there.
I was not worried about the highs or mids and had no need to be. It's
there in spades. Female voice, male voice, piano, sax, all of it is
there precisely defined, no mush, no midrange bloom . Each instrument
is separated from the other and imaged from left to right and front to
back in an amazing manner. No hole between the speakers ( placed 10
feet apart) at all. It's just there just like it should be.
If you get the idea I like the Wright's your right. I like them a lot. I also like my other amps a lot.
I've used the Cary SLI-80 in the 50 watt Triode mode for about 3 weeks,
the Soundcraftsman ss with the AES pre and a ss preamp for about
a week and the EICO HF-81 for 3 days before I hooked these up to the
Cornwalls. They all sound different. The ss amp with the tube pre
is going to be placed with the B&W's, the Cornwalls don't need the
power. The ss can play loud, very very loud with gut shaking bass. It
does not image as well and the mids and highs are shrill on the
Cornwalls.
The EICO Hf-81 is a great old Williamson design 14 watt pp EL-84 amp
which shows itself very well. I have no criticisms of it. Compared to
the Wrights is has a little more bass. The mids and highs are not as
well defined and a little softer. But all in all it has a first class
sound, very sweet and inviting and easy to listen to.
The Cary in the triode mode is great. It has the power to control
the 15" woofers and give back slamming bass while at the same time
having a glorious midrange and etched highs. Compared to the
Wright's the the highs are a touch, just a touch less well
defined and slightly rolled off. The major difference between the
two is imaging. The Wright seems to have greater front to back
depth.
I know there are strong opinions about SETs on this forum. To the
pros... I agree with you. To the cons.. while SET amps do have some
shortcomings ( bass slam, high volume) the advantages of SETS ( mids,
highs, imaging) are hard to deny,
You can get an idea about them from reading this forum, but to any who
is wondering what they are all about you need to listen to them and
find out for yourself.
Larry
ps: does any one have experience with Sophia Electric Princess 300b 2.5 volt Mesh Plates for 2a3 amps ?
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Hi,
I've got a matched pair of slightly used solid gray plate
Tungsol 6550's I use with my Cary SLI-80. Wonderful tubes. I paid 300
dollars for them. I wonder how much better if any the Genlex KT-88's
are ? 10 times better ? I doubt it .... I doubt they
are " better " at all, just different. What some people pay for status
tubes just amazes me.
Larry
BTW, that's one advantage of ss, no tubes to buy ever. But tube rolling is fun, isn't it.
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hi,
I use both.
With my Forte's a Cary SLI-80 in the triode mode. Great sound.
With my Cornwalls a EICO HF-81 or a AES AE-3 preamp with a ss
Soundcraftsman power amp. The EICO is delicate with beautuful midrange.
The tube preamp & ss amp is just as articulate and has much
more bass slam ( not unexpected with 230 watts/ch ). Next in line for
the Corns are a pair of Wright Sound Labs 2a3 monoblocks.
Larry
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hi,
You like what you like. What sounds best to you listen to.
I have a ss amp (Soundcraftsman 230w/channel at 8 ohms) that I
was going to sell. I hooked it up to a AES AE-3 preamp with nos
Sylvania 6SN7WGtT's brown base and guess what .... I'm keeping
it. It's prior problem ... a lousy pramp.
Larry
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hi all,
Thanks for the replies. The quest goes on. I guess I'll have to try an
listen to some of these set amps. There are dealers in York and
Philadelphia areas which will be a well worth it two, two hour
drives for me. Your comments are very helpful.
Larry
Tone controls, good or bad ??
in 2-Channel Home Audio
Posted
hi,
":
A piece of equipment that has tone controls is not necessarily flat
when the controls are at 12 o'clock anyway. So, certainly, adjust them
to where they sound best. The signal runs through the controls anyway,
even if they are set flat.
The purist approach is not to use tone controls, no matter what (this
is assuming the equipment has them). But it does seem too extreme,
doesn't it, to listen to an overly bright recording and not to touch
the tone controls to compensate for it.
Time to sell the Wrights "
No, I'll not sell the Wrights, they do too many things
right, I'll either caulk the squakers or look for a vintage
preamp with tone controls. It will be fun to do both and
compare. Anyone got a rebuilt Dynaco preamp ?
Larry