Installation with the 1802 was a breeze. It doesnt have the bells and whistles of some other receivers, but what it does have is good. No adjustable crossover frequency is bad. However, even if it was adjustable, I would not change it from 80hz. I think 80 hz is perfect for the speakers I'm getting.
So on to the RB-3's.... They are so crystal clear! I love them. They don't go as low as my promedia 4.2's, but then again, the RF-7's barely go as low as my 4.2's. You really need a dedicated subwoofer to bring out the lows. But let me stress again that the clarity on these babies are incredible. You can definitely pick up all the nuances of the artist's recording. I listened to a live concert cd and after the song's the gradual increase of the crowd's applause is something you have to behold to fully appreciate. It sounds so "live" And they play loud, really loud, but that's pretty much assumed. I could not distort them at 80 percent volume playing korn. Much louder and fuller sounding than promedias could ever imagine to be. (without the low lows)And if you have a 2802 or higher model receiver, then they'll be even louder. The only thing I've noticed is that when you put the receiver bass gain on maximum (playing a bass heavy track only) with volume around 70 percent, you get some port noise on the back of the speakers. Mated with a good subwoofer (anything less than a 10 inch would not do these speakers justice) the RB-3's would be virtually impossible to distort even under very high volume listening. With that said, keep in mind the RB-3's and RB-5's are bookshelf monitors, and they do that extremely well. Accurate, clear, and powerful. They are not meant to drive rock concerts, but they can make your ears, nose, and eyeballs bleed if you want it to. I promise. I am dying to get my subwoofer and surrounds.
-UP
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I love you Aki Ross!