-
Posts
208 -
Joined
-
Last visited
Content Type
Forums
Events
Gallery
Posts posted by laurenc319
-
-
DrWho is correct. Outside the 2
channel forum you'll find that the vast majority of
folks prefer SS. It's just a fact of life.
That's because they don't know about tubes.
Larry
-
great amp, enjoy it !
Larry
-
hi,
I have a pair of Forte I's paired with a Cary SLI-80 kt-88 pp
amp. It's a very satisfying combination, particularly in the
triode mode. The system can seduce you with its warmth and charm,
or overwhelm you with its power and dynamics, take your pick, it
can do both.
I have a pair of Wright Mono 3.5s paired with 1979 Cornwalls . I have
never used them with the Fortes, but I would guess the sound
would be much alike. The SETs are much different.
Less bass impact for sure. More midrange and treble transparency for
sure. A more delicate sound and in some ways with some types of
music, more lifelike.
Larry
-
Hi,
from a thread on Audiogon
I agree
with the posts pointing out that a high efficiency system usually has
better dynamic contrast than a low efficiency system.
Let me try to explain why. It's a nasty little secret almost nobody talks about.
Theoretically,
a loudspeaker's output will increase by 3 dB for a doubling of input
power. In practice, this is ALMOST NEVER true. The reason is power
compression (also often called thermal compression), and its primary
cause is voice coil heating. As you increase the power going into a
voice coil, it heats up. As it heats up, its resistance increases. As
its resistance increases, more of the power going into it goes into
overcoming that resistance (heating it up still more) and less goes
into actually producing sound.
Let me give a few numbers as an
example (drawing on measurements posted by Bill Roberts on Audio
Asylum). At normal volume levels, the typical 86 dB efficient speaker
may well only give you an average of 2.5 dB increase in loudness for a
doubling of input power. So let's say you have an 86 dB efficient
speaker playing at 80 dB average volume level, and along comes a +20 dB
peak (quite common). This speaker will compress the peak and you'll
only get about +17 dB. On the other hand, a high-efficiency system (say
96 dB efficient or higher) usually has negligible power compression at
normal listening levels, and will more than likely give you the full
+20 dB that the peak calls for.
Once again, this is a
generalization - I'm sure there are exceptions, but unfortunately this
is something nobody measures and includes in their specifications.
Differences
in the power compression characteristics of the various drivers within
a speaker often cause the tonal balance to change with volume level,
with woofers typically suffering from more power compression than
tweeters and therefor many multiway systems sound dull at low volume
levels and bright at high volume levels as they've been optimized to
sound right at medium to medium-high volume levels.
On another
note, bass reflex loading only increases efficiency in the region of
the port tuning. It does nothing for midband efficiency. The reason why
bass reflex speakers are usually more efficient than sealed box
speakers is that the driver parameters most suitable for reflex loading
include a more powerful magnet system, which is what raises the midband
efficiency.
Hope this helps some.
Duke"
seems to make sense to me
Larry
-
-
only for those with 13 million dollar ears,
-
hic,
I tink it was a typo eror
-
hi,
Some other things not to do while drunk
1. propose to someone
2. get married
3. lend someone money
3a. borrow money
4. buy something
5. try and teach the town bully a lesson
6. read something written by Henry Miller
7. eat something you cooked while snockered
8. try and make sense out of this froum
feel free to add
Larry
-
hi,
a dog has a memory which is based on sensory input and not words. The
input can be sight, sound , touch or so on. Bring the dog into
the room again with the speakers playing, if it walks out ....
bad memories
Larry
-
hi,
I'm using Wright Mono 3.5s with Sophia Electric 2.5 volt 300b tubes
and nos RCA dual plate 2A3s with my Cornwalls. Both
are very involving and musical combinations. The 300b tube is a
bit warmer, the 2A3 tube a bit more detailed. With Khorns it can
only get better.
Larry
-
-
no joke, the longer it plays... the bigger the caps and transformers , more stored current to work with transients
I sure the techi types will slay this, it's just an observation I've made over many years. kind of like how much it weighs
-
this may be simplistic, but I turn the amp off and see how long it still plays. The longer the better.
Larry
-
I want two, no I don't, yes I do, yes I do
Larry
-
hi,
with my Wright Mono 3.5s and the Cornwall Is listening mostly to jazz measured 10 feet from the speakers
with a Radio Shack digital meter max levels fast recording
late night soft 65 db
late night loud 70 to 72 db
daytime soft 70 to 75 db
daytime loud 80 to 85 db
so most of the time the Wrights are well within their parameters
rocking real loud at a party with the Forte Is and Cary SLI-80 - rock not jazz and not often 95 to 105 db
good listening
Larry
-
At last, we agree! Hook 'em, baby!
Half-time. UT 16; USC 10.
But
that dough's going to insurance companies, who have employees, who earn
pay-checks, who buy things from the companies who pay premiums - and
they have shareholders, who receive, who buy things from
companies who pay premiums.
If the economy started out with
$1MM, and you shuffled all the money around into premiums, attorneys -
whatever example you want - in the end, the same $1MM is in the
economy.
Yes but 2.4 % is nonproductive, it's going around in circles supporting the tort system, not the economy.
It's late here in PA. I'm going to watch the game and go to bed. You can have the last word.
A good debate. Thanks for being civil.
good listening
Larry
-
Cyotee,
Does the Niles enable you to switch between amps without turning the
amp not in use off ? I thought it was a bad idea to keep a tube
amp on without a speaker load attached to it.
Larry
-
I don't think it's incorrect reasoning. For example.
We all pay for liability insurance, auto, homeowners, and if we own a
business or are a professional for corporate insurance or professional
malpractice insurance. The higher premiums means less disposable income
to spend on goods or services and less money to stimulate the economy.
In the case of a small business less money to distribute to the
employees as income or benefits or less employees.
The rising insurance rates corporations are experiencing are passed on
to consumers in the form of higher prices. Goods and services
cost more, demand is decreased when prices are high and therefore less
goods and services are produced. Corporations don't grow as fast
and less jobs are produced. Corporations become less competitive
compared to foreign corporations, which don't incur these nonproductive
costs, and thus sell less on the world markets .... less growth
& fewer jobs.
Insurance does not cover all of corporate liability and reserves are set
aside to cover the cost. Less money therefore for R&D and product
innovation and less growth. Less money for dividend distributions
to shareholders. Less money to stimulate the economy.
A corporation which experiences a large class action settlement or
threat of one ( take the drug company Merk as an example )
usually experiences a decline in stock values. 50% of Americans
own stocks. Again a loss of income and less disposable income to
stimulate the economy.
Lower stock prices for a company means the company has a diminished
ability to raise capital for growth or R&D. Less corporate
growth and fewer jobs.
BTW Texas is ahead 16 to 7. I'm with you on this one.
Larry
-
"Golly! You mean 2.4% of our GDP is just sucked right out of the economy"
The short answer to that is yes. Everyone pays the price. For the
economy it's a negative feedback system. It doesn't matter if
it's me or some who won a judgement against me who has and spends
the money. The dollars are fed into the economy and the economy is
paying a 2.4% premimum to run.
The price paid is 1000 dollars a person. An average family of 4 with an
average income of 68000 dollars with 75% (51000 dollars) of that
as disposable after all taxes are paid pays $ 4000 more for the same
good and services then if the tort system was nonexistant.
That's 8% of their disposable income.
That's too much,
Larry
-
lots if interesting info in these charts, particularly the one entitled " Where's the Money "
http://www.forbes.com/archive/forbes/2002/0513/090chart.html
58% of torts dollars go to someone other then the tort victim
It seems to me the system is broke and needs fixing.
Larry
-
Tort lawyers don't create wealth, they just redistribute it. I
becomes
a cost to the rest of us that pay for it by paying higher prices
for goods and services as the cost of litigation is passed
on.
The amount of wealth that seems in our country compared to the rest of
the world, excessive. The cost of torts is project to
be 2.4 percent of our GDP in 2005. That's more then
1000 per person per year.
The injured in our society deserve to be compensated. It's up to all of
us through our legislative system to determine if we as a society want
to continue to keep paying at this level. I for one think the
cost is too high.
Larry
-
Hi,
Guess the average cost per person per year in the US of Tort litigation
10 dollars
50 dollars
100 dollars
250 dollars
500 dollars
1000 dollars
2500 dollars
The answer is here
http://www.ncpa.org/iss/leg/2002/pd050802g.html
and here
Now tell me tort litigation is not a drag on our economy
Larry
-
Hi,
Sophia Electric 2.5 volt 300b mesh plates are a wonderful tube. Best
mids I've heard so far with my Wright Mono 3.5s. The RCA dual
plates are my other favorites.
Larry Citro
-
hi,
Just 5 that's difficult, some that have not been mentioned yet
Bill Evans : The Bill Evans Trio at the Village Vanguard 1961 original trio with bassist Scott LaFaro
Miles Davis: 'Round About Midnight 1955 1956 . Miles, Coltrane, Red Garland, Paul Chambers and
Philly Joe Jones
John Coltrane: A Love Supreme 1964 Coltrane, McCoy Tynor, Jimmy Garrsion and Elvin Jones
Monk: The Complete Prestige Recordings, cd# 3, Monk, Davis, Milt Jackson, Percy Heath & Kenny Clarke
Terrance Blanchard: Flow Blanchard, Brice winston, Lionel
Loueke, Herbie Hancock, Derrick Hodge, Kendrick Scott, Gretchen Parlato
& Howard Drossin
That's my picks for today, they probably will change tomorrow
good listening
Larry
Blondes -vs- Brunettes Blue -vs- Brown eyes
in 2-Channel Home Audio
Posted
The answer is simple. Because men are genitically programmed to enjoy
and equipped to have p***ing contests and we can't, for the
most part, help ourselves.
Larry