Thanks again for the replies and advice. The second-hand Belles are selling for $2500 Cdn, which, given the current exchange rate, is about the same in US dollars. The speakers appear to be in good shape but the finish has been ruined. I'm guessing they were treated with a wood cleaner or polish that stripped the finish irregularly. I think they could be restored easily enough, so that doesn't concern me other than I wouldn't pay top dollar for a cosmetically challenged speaker. Canuck Audio Mart is the biggest online used site in Canada. It's like Audiogon, except the sellers are based in Canada. I searched for Klipsch and a few used speakers came up that lead me to believe the Belles are overprice, especially given their condition. For example... * A pair of mint K-horns circa 1975 is going for $2750 Cdn * A pair of Corrnwall IIs is going for $950 Cdn * A pair of Heresy IIs are going for $450 Cdn Given these prices and that the Belles are in much worse cosmetic shape, what would be a fair price? I'm guessing it would be substantailly less than $2500 if mint K-horns can be had for $2750. If possible I rather not sell my Naim amps. They're not perfect by any stretch, but their strengths are important to me and I suspect I couldn't beat their rhythmic qualities with a tube amp without spending a small fortune. For what it's worth, here's an excerpt from wiki on Naim Audio if you're unfamiliar with what the brand is about -- ________________
Historically, Naim components have had a strong following
from audiophiles for their presentation of pace, rhythm and timing
(PRaT). This design approach was to attempt to reproduce attributes
which were regarded by Vereker as the fundamental and universal to all
music. "Sonic attributes" such as tonal accuracy/neutrality were
relegated in importance; while spatial rendition was regarded as mere
artefacts of the modern recording studio. This approach defined what
became known as the British "flat earth" sound.
While this made for a very dynamic, upfront sound, the company's
products were occasionally criticised for lack of subtlety in
reproducing classical music, whose aficionados seemingly prefer
accurate portrayal of timbre (tonal neutrality) and a more detailed
sound. Harshness in reproducing many recordings from a digital source
was also a common criticism. Naim appears to have heeded this
criticism: the 5 series and the Reference range launched in 2002 seem
to be much more "digital friendly", although the changes have not been
wholeheartedly welcomed by those who prefer the classic sound.
________________ Thought I'd post a couple of snap shots of the room, so people would get a better idea of the acoustic space I'm trying to fill. The room is narrow and long, measuring 11 x 35 x 6.5 feet. It's carpeted and the ceiling is irregular, so it's not bright or echo-y, but it's a big space.
The Sorcerers are against the wall of the room's short dimension and my couch is little less than half of the way back along the room's long dimension. The other half of the room is where my three-year-old daughter's playroom and toys are.
As you can see, my current speakers are the exact opposite of Belles
Joe