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thackmate

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  1. Of course the Heresy was initially designed as a sound reinforcement system and for that matter so was the laScala or laScallywag as we called it. But the "Klipsch Commercial" line eventuated to be just a hard wearing black paint job of regular product in order to sell it. The Heresy was eventually ported and the MCM was developed then the KSM's then the KP600. While the consumer line grew so did the pro line. The pro line development was in one way to add creditibility to the consmer line and to research new technology that worked its way down to consumer. Now when the Pro Division split off we had a limited range of products that only a few sold well. The development was focussed directly at cinema, MI and fixed install. For fixed install the houses of worship business was the greater potential so we went for it with trap boxes, reliable flying hardware and three color options, raw birch to stain, black and the white hot selling white product. We did do a successful shot at the MI business with carpeted OSB boxes to make up for slowing sales of the painted line. This was mostly the KP2500 .... carpet version of KP250 and KP4800 sub-woofer sets. We had good success in dance clubs and that boosted sales of MWM's that got us all fired up to go after the cinema business. Clearly the cinema products and business was sold by Klipsch Inc to WWR but there was a dispute over this, (amongst many it seemed). Nevertheless we reworked the TMCM system to what it is today borrowing from KP600 and we also made the KP201 and KP250 sit flat against a wall in a downfiring box design. The cinema series was then designated the KPT prefix for Klipsch Pro Theatre. We had spent much time and energy on developing an "all round" series of systems that featured cabinets molded in polycarbonates and tested with amazing results. It had new tractrix horns and trap cabinets. There was an 8" 2-way, 12" 3-way, 15" 3-way and a compact sub. These never came to market and I still have the designs. The 8" model did actually come out under another brand that featured a strong man holding up the planet. more later
  2. Bill, a book will one day be written when I return to Australia and I will be "naming names" so to speak. But to quickly answer you I worked with everybody at Klipsch from P Wilbur and down and even married one. Most of us old school Klipsch folk are no longer with the company except for Jim Hunter amongst a few. I now live in Little Rock, AR and still have close ties to Hope. I moved from Klipsch to Community, then to EV/Midas Klark Teknik and eventually dbx/Allen & Heath until I just had enough of corporate USA and we returned to Arkansas. By the way Klipsch pro had a variety of owners ........................
  3. G'day Y'all, I will get back to this forum with more time permitting and set out the timeline, rise and fall of Klipsch Pro. But just to quickly let you know my role with pro and past with Klipsch ...... I was the distributor for Klipsch in Australia for 18 years until I moved to Hope AR in 1992. I joined Klipsch & Assoc and helped facilitate the sale of the pro "division" to WWR Technology and then moved over to work for them with an office within K&A in Oakhaven. I eventually became president of Klipsch Pro building a new production plant in Hope along the way. I led the development of most of what was the pro product line. More later but ask questions if you wish. Ian Thacker
  4. What would you like to know about Klipsch Pro really? I was there from day one and got out before the end. Ian Thacker
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