I am moving closer and closer towards some sort of horn solution and have been vacillating from Ed Schilling's "The Horn", a Fostex 208Sigma in a Jericho Horn, building some Voight Pipes...or the traditional Cornwalls, of course.
I still sit here with my ProAc Minitowers (which are damn good although a bit problematic with more challenging material and low wattage). I am currently divided between the use of a few tube amps of different character after dumping my last solid state monoblocks a year ago. Besides the beloved EICO HF-81 and an ASUSA EL-34 UL amp, I do most of my listening with a pair of Welborne Labs 2A3 Moondogs coming in at around 3.5w with the MagneQuest DS-025 transformers.
Every now and then, when the mood strikes, I stare for a bit at the Klipsch Cornwalls online; indeed, that Mitja Borko review of the Cornwall IIs is almost too much food for thought. Well, now there is a pair of Cornwall I's within driving distance... making them a bit harder to ignore. This speaker has always intriqued me.
I need some loons on here with SET and Cornwall experience that also have had exposure to other dynamic speakers of fine pedigree. Ultimately, listening is the real answer, but before I set out on the 12 hours of round trip hell, I was hoping for some thoughts.
Are these beasts going to have too much blare? Brightness? Harshness? I know the dynamics will be there in spades but was looking for other thoughts on the matter. Will they work in a medium sized room? And on a technical note, these Cornwalls are factory finished black over birch. Has anyone on here attempted to REMOVE the paint to reveal the wood?
Musical tastes range from Coltrane, Sonny Rollins, Ornette Coleman, Bill Evans, Erik Dolphy, Sarah Vaughan, Billie Holiday to the multitude of Independent label offerings from my sordid years in bands and a college radio station. In other words, from great stuff to complete racket...
Any and all info/insight is gladly appreciated.
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This message has been edited by mobile homeless on 10-06-2001 at 09:19 AM