The measurements were taken "in-room" at 12ft. The mic was placed on a tripod and faced towards the sub.
I acutally was taken aback at why the RSW didn't perform better. I talked to a few people who have the rsw, and they confimed my results. I moved that heavy RSW 10-15 times, to get what I got out of it. I was very pleased with the musical output of it, kick drums were crisp, and transients very clear. The rsw and HGS had very similar quality, but not below 30hz.
Testing procedure:
A mono output from a laptop running 10hz-100hz sweeps was plugged into the sub woofer. The gainw as set at 75% on the woofer. The volume was raised little by little until I could hear the sub start to give up. There is a clear point where the distortion becomes noticible. I backed it off a little bit to where the distortion was no longer noticible, then took the SPL measurements.
It should be noted that all the subs were driven to this point. If the test range was moved up say from 30hz-120hz instead of the 20hz many of the subs would have performed much better. Home theater has content well below 30hz and I felt this wouldn't be fair to the consumer. It's much harder for subs to play that lower ocate cleanly, and loud.
If I had to pick a purely musical sub, I would pick the RSW.
If I had to pick a musical sub that would sound great in hometheater I would pick the HGS.
If I had to pick a hometheater sub that would sound great musically I would pick the SVS.
I personally have a hometheater room upstairs that is dedicated for that. I also have a setup in the living room for music. I would put the SVS upstairs and the RSW downstairs.
I usually listen to my movies around 100db, I want a sub that will keep up with my KLF 30's. The svs did that, and did it clean.
Remeber that no matter how technical you are, every person hears and percieves sound differently. Listen to the subs, and make you decision.
Brian Weatherhead
Secrets of Home Theater