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Marc Alexander

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Posts posted by Marc Alexander

  1. The Eminence ASD1001 seems to be the popular choice to replace the stock compression drivers. I also see where many use the ADF25 adapter.

    Are folks actually using the screw-on version of the Eminence driver? Are there advantages to increasing the throat length with this approach?
    290-525_HR_0.jpgs-l1000.jpg

    It seems like the Eminence ASD1001b could be directly mated to the horn. No?
    290-522_ALT_0.jpg

  2. I now have the Lyngdorf MP-50 SSP, Class D amplification (D-Sonic), acoustic treatments & bass traps. I got really curious how well Room Perfect could deal with horns. I have a pair of JBL Studio 580s and a friend trying to sell 4 NIB 590s. It was tempting but too expensive. I decided to start with the KSF-10.5s and see what kind of system (5.1 - 9.1) I could build with a budget limit of $1k.

     

    3e08c1aaffb4b75f6ecb6d878382537c.jpgb32978ad5206b7270adf79e2a927892a.jpg

    Now I have the KSF-10.5, KSF-8.5s, KSF-C5, SF-2s, and just acquired a pair of SF-3s. The SF-3s were essentially given to me because the woofers didn't play on one tower. I went to test them this morning and immediately spotted the problem. 3b214c741284c35d19623b5ff6de5713.jpg The shorting bars are missing! Otherwise, it plays just fine.

     

    Now, I want to replace the aluminum compression drivers as described in this thread.

     

     

    • Haha 1
  3. 20 years ago I was nearing graduation and shopping for my first real system. I visited the Good Guys to checkout a highly regarded (for the $$) set of Energy Towers. I wasn't blown away… not until I heard the Klipsch KSF-10.5s. I knew I had to have them.

    A year later I pre-ordered the Kenwood VR-2090 AVR. I had to sacrafice the KSF-10.5s for 8.5s to afford the KSW-15. I ended up with 8.5s, S5s, C5, and the 15" sub. The Kenwood couldn't handle all 5 speakers (these really should be rated 6Ω nominal). It only had pre-out for the center and surrounds so I added a H/K 5800. At that time it was the best sound I had experienced at home or in the theater (I was living in Huntsville, AL).

    I moved back to California in 2005 into an apartment (I had to start saving money for a house). I sold everything and got close to what I paid for the Klipsch. In the apartment I wanted something sleek. I liked the DefTech Mythos design (my uncle had a 7.1 Mythos setup) but my curiosity led me to the Mirage Omnisat v2s. I have been rocking Mirage ever since and have a 9.1.6 layout with the flagship Mirage OMDs up front.

    For movie dynamics, there is nothing else like horns & compression drivers. After running into the KSF-10.5s I bought them for nostalgia. I only use them to test components including amplifiers (SS & tube) due to their transparency.

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