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After the self-inflicted difficulties with installing my Crites crossovers, I was a little hesitant about tackling the titanium diaphragms. But the instructions on Bob's website were pretty clear and I have a multimeter handy to test the connection. Finally I took the plunge and I'm glad I did -- once I started it took around 15 minutes to replace both! I noticed a little extra clarity and a clearer soundstage after installing the crossovers. The titanium diaphragms took the process to a whole new level: it is the aural equivalent of cleaning a dirty window. Everything is brighter and sharper, not just the highs. Cymbals sparkle and stand out: Freddie Hubbard's trumpet on 1970's Red Clay is so clear you can hear him hitting the spit valve. The Ti upgrade definitely makes the speakers less forgiving: badly recorded material goes from tinny to nails on a blackboard as every bit of distortion is reproduced with painful fidelity. But the glorious improvements on good recordings well worth $54/pair + shipping. I must admit that this has me wondering about titanium midrange diaphragms. On another forum I saw Moray James commenting on how much Ti midranges improved his system and Klipsch's current Heritage lineup uses Ti midranges, but I'm not sure where I would purchase these. (Critesspeakers.com also has a very helpful tutorial on changing the midranges on a Heresy, but I believe he only has phenolic midrange diaphragms). But for now I'm simply going to bask in the glory of these improvements and give Bob Crites thanks once again for making my world a more musical place.