gartenman
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Posts posted by gartenman
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Robi, the Fastrac mouth is roughly 7"x14". I do not think they will fit in your current project. BTW, they are coming along nicely.
I like how you kept the drivers in close proximity, I am sure they are going to soound great.
Here is a garage sale link to my horns. http://forums.klipsch.com/forums/p/118648/1197153.aspx#1197153
Dave Harris, Gothover@aol.com
I got these from Dave and they sound awesome in my Cornwalls! Excellent craftsmanship!!
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most welcome! Gary
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That said, I agree on Teles not being my faves in most other apps. I've heard Teles in Cary and other modern gear and HATED them. My vintage McIntosh exploits are a specific "gear/speaker/tonality" combo that I really love....I basically ignored Joe on this one, because vintage doesn't seem to be much his "bag" (and MC30's certainly aren't). Joe's after "wide open/unveiled/unrestrained", and in many respects I find some of his advices on 6DJ8 worthwhile, but we definitely part ways on Mac....and 12AX7s in general. I like 12AX7 preamps AND 6DJ8 preamps too, but for different reasons, just as I like vintage AND modern approaches each for thier different reasons.
well said!
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musicstack.com....awesome selection, great price, honest sellers
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Thansk for the help, 'preciate it. I will have to crack open the Jolida and check inside.
pm sent
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Gary, I'm looking for for some single tubes for my preamp. I need something that is extremely quiet, and I'm wanting to get that warm, tubey vintage sound. I'm running a Tung-sol in the center position, with Groove Tubes on the left/right (3 tube preamp with 6x4 rectifier tube). I've tried new EH tubes and a Sovtek 12AX7LPS, and I'm not liking either. I'm thinking I need to go vintage. Any suggestions?any 12AX7 tubes laying around
i may, what are you looking for?
Gary
pm sent
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Notice from the sig that we have very closely related equipment. I need to study your tube selection for a bit.from what i've been told preamp tube changes will make the biggest sonic change...hope this helps
I have Tercel / Jolida > Peach > VRD stereo version > Belles
i'll be glad to help you, i have been told by many to change the 2AX7 in the Jolida CD player to a 12AT7 or 5751. Sweetened the sound for me and took off any harsh edginess to the tone, i may have a couple 12AT7s if you want to try but out of 5751s, i'm retired military also...
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any 12AX7 tubes laying around
i may, what are you looking for?
Gary
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from what i've been told preamp tube changes will make the biggest sonic change...hope this helps
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replace the volume pot with an audio taper instead of a linear
great idea! i did the same thing many years ago and can't be happier i made the change...
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I just put a Telefunken 12AT7 in my Fender Pro Junior. They bias the outputs way to high, but I will remedy that soon (like full on12 watts before you play!)
Bruce
thats a killer amp!! i thought it used 12AX7s....did you put the 12AT7 in it to tame the beast and if so how did it work? i do a similar thing with my '59 Fender Bassman by replacing all 3 12AX7s with 12AY7s. good luck!!!
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Paul, I read your profile and noted you are a cellist. I apologize, I was just making a joke. As a former professional musician we always had jokes about drummers, bass players, singers etc. I've never met a musician who didn't have a sense of humor. I told my neighbor about you as she is from Oakland and went to the Oberlin Conservatory and plays viola. You 2 probably know each other. She's the one who thought you would get a kick out of the jokes. Again, I am sorry no offense was meant. With whom do you play and what school did you study?
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What is noteworthy is how the Mullard and Amperexes differ with vintage....especially the Mullards, which have quite a variance from earliest to later vintages. I Like Tele 12AX7s in my vintage Mac gear, Amperex 12AX7s in most modern gear, and earliest Mullards are a very good phono tube.
This is a very good point! I also agree with the comment about Joe's Tube Lore....he hates 12AX7s!!! Remember to factor in gear synergy into the quotient which as mentioned by Audio Nectar is noteworthy.
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I'll swear by NOS and specificlly Telefunken, for sure
Telefunkens are awesome, especially in vintage gear, they seem to help tighten up the sound ...personally I love Amperex Bugle Boys signal tubes from the mid to late 50's...
i had the KT-88 Gold Lions in another amp and think they come pretty close if not beating the vintage Genalex KT88's... Most audiophiles agree that the Tung Sol 6550 Black Plates are the best, but the Gold Lions are a very budget friendly tube that will get you pretty close...although i got my last quad of Tung Sols for $50 each so there are buys to be found in used NOS tubes despite what some claim, you just need to find a reputable, knowledgeable source...i recently picked up 2 Telefunkens for a friend, they tested practically new...they were labeled Dynaco but were made by Telefunken as testified by the diamond logo on the bottom...thats how to get the nicer tubes cheap is to know which tubes are labeled for one company but were actually made by the major companies of the time, Eico and IEC made by Mullard; Adzam, Pope, Philips Miniwatt by Amperex, Dupont by Tung Sol are just a few more examples...2 Dynacos- $40 whereas the same tube with a Telefunken label is 2 for approximately $150.....same tube
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KT88s are probably better than 6550 because they have a higher screen voltage rating.
.......higher screen voltage does not make a tube sound better, the 6550 tube was specifically designed for audio purposes, the KT88 was not...
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I am rolling two sets. The Telefunken smooth plates are my favorite, very mellow and smooth. But if I want a brighter sound I use the Mullards which I really like too, especially with older vinyl that doesn't have a lot of high end left. I think digital music sounds better with the TFK's.
Herb
are the Mullards you are speaking the long black plates or the short gray plates?...I totally concur with your Telefunken description...awesome tube, I always think the best description of the Amperex Bugle Boys is a hybrid of the best qualities of the Telefunken ribbed plates and the Mullard long black plates which gives the best of both worlds, they also have a 3D hollographic sound unheard with any other tube...
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i have one in the basement with cornwalls and love it!!
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ECC801S Telefunken 1960's (the most neutral, clear and quiet 12AT7, also the most expensive)
12AT7 Fisher Telefunken 1960's (excellent high-end 12AT7, very good presence)
A2900 G.E.C. 1950-60s Special Quality black plate 12AT7; good rich sounding audio tube, full midrange
Brimar 6060 long life late 12AT7 blackplate type with yellow "T" decal Rich British tube tone, made at the Brimar Footscray, U.K. factory
12AT7 Philips Miniwatt Holland "D" getter 1959
ECC801S Siemens Munich Germany NOS 1981-1982 (neutral, clean, extended highs, accurate, quiet)
6201 VALVO
12AT7 Philips Miniwatt 1951-1952 (rich and warm, best tonality)
12AT7 GE 1951 (nice lively open sound)
12AT7 RCA (rich and smooth with great tone)
BEST VALUE:
CV4024=12AT7 JAPAN rebranded Mullard 1970's
12AT7 RFT East Germany NOS 1980's
12AT7WC Raytheon black plates triple mica 1975
12AT7 RCA gray plates
12AT7 Mullard 1970's
12AT7WC Sylvania and Philips JAN
12AT7WC GE JAN
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are you building just 1 pair? building for others?
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If I decide to say with cane I'll probably go with the Marshall Style Cane Grill Cloth 58'' W. But, considering my Cornwalls are far from stock considering all the upgrades (tweeter, mid horn and croossovers) I've actually looked at the Vox Diamond Style (both are nice). This site has some really nice clothe to pick from which is why I haven't finalized my decision. I won't be selling them so I'm leaning towards what I think will look best, not what is a close match to what is a close stock replacement. What do you think of the Vox and if so which do you like most.. I 'm a musician and always liked the old grille clothe from the Marshalls, Fenders and Vox amps. I found this site to find clothe for an old '59 Fender I'm redoing and saw how nice their clothe would look on Klipsch. Good luck and let me know how it works out. I may ask for a small sample. I actually did a quick fix by covering with burlap I got at a fabric store and it looks awesome and cost was $5 for 2 speakers, but final will be one of the above. Could you post a photo of the sample you have?
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if you want to keep the cloth OEM i don't know any sources, but if you want to make a change this site has some really nice grille cloth (they do have 2 types of cane)
i'm redoing some cornwalls with clothe from here and can't wait to see how they turn out...http://www.mojotone.com/amp-parts/Grillcloth
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i'd be glad to help you, just let me know...i got my ideas online so i can reference those for you but in the end be more than willing to guide you through the process.. Best wishes to your Father and you!
Reel to Reel
in Technical/Restorations
Posted
l was just given a Teac Reel to Reel GX-220D. Hooked it up and it plays but sounds very muddy. Anyone here have any knowledge about these things, as is it worth restoring, how do you clean the heads, etc.? I know this is a Klipsch forum but I've seen plenty of technical questions about products other than Klipsch.