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robi

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Posts posted by robi

  1. New filters in the khorns, new internal wiring Cool

    Bob Crites tweeters, Bob Crites filters (A/4500) and removed the bass/low pass filters.

    P1010011.jpg

    Old filters and tweeters.

    P1010014-1.jpg

    /jan

    Hi Jan R,

    compliments for your sistem!!!

    I have similar Crites crossover on my Cornscalas, I would ask you:

    1)Do you like low slope Crites crossover, I suppose. What's the change in sound between those and your standard klipsch crossovers?

    2)Other way is high slope crossovers. What are merits and defects of this two ways?

    3)Why you bypassed the low pass on the woofer? What are merits of this mod on a Klipschorn????

    Thank you!!!!!!!!!!!!

  2. Thank you guys for your important contribution!!!!

    I'm just looking around to improve my Cornscalas. Active crossover, multiamping, digital room correction, eccc.....

    If in the attached file BSS say the microphone should be ok forward listener position then the measure should be affected by the room (walls, carpets, ecccc...).

    If the BSS use this measure to correct amplitude and phase why don't correct the room??????

    I'm sorry but I'm not an expert!!!

    Thank you again!!!

  3. @Pete: Thank you very much for your appreciation!!!!

    @Peshwah: At the moment my Cornscalas are in a little garage where I assembled it with my father. So I'm listening it in nearfield and at low volume (with a cheap LG DVD and a good Musical Fidelity A1 Aurion Audio modded).

    I'm not an audiophile, I just like live music and when I can't do it, I listen my hi-fi sutup. So i care more music than hi-fi setup.

    I can say that they sound great at low volume. I noted thet they're inclined to disappear and the music seems come from all the wall (even from the up). The soundstage seems to be higher than the cabinets. I don't expected this and I like it!!!! ;-)

    Could be an effect of the reduced diffraction on the motorboard (I don't know....anyone can say something about??)

    They accelerate very fast when the music need it. All the frequencies seems to be balanced and similar to the timbre of live sound.

    The external crossover are very well decoupled from the cabinet: you can easily test it touching the cabinet (with loud music) and then touching the crossover. I think the small silent block and the mass of the crossover works well together.

    I listened even the Cornwall 3 in nearfield and seems the Cornscalas sounds better: could anyone say something about this comparison? I don't expected this and may opinion could be wrong.

    My cornscalas will be at home soon..... ;-)

    At the moment I'm using spikes on some inserts that I used on the supports. What do you suggest about??? Any experience with spikes, rubber, sorbothane, ecc???

    Roby.

  4. All the units that I am familiar with use either 96 or 48 kHz sampling rates. There really isn't much point to sample @ 192 kHz when the purpose of the crossover is to send bandwidth-limited audio to the individual drivers in the speaker system. The delays and EQs in these units can also correct phase.

    Thank you Don!!!!

    Could you suggest me any good speaker manager 96 kHz with automatic equalization (with microphone) for amplitude and phase??????

    Roby.

  5. Hi guys,

    I'm sorry but I need an information and I hope in this section I find it.

    I'm looking for multiamp my Cornscalas (see Cornscala III from Italy thread... ;-) ).

    I'd like to use a speakers manager that should have the followings features:

    1)Several digital and analog inputs (selectable on the front panel)

    2)24-192 D/A converters

    3)Master volume control on the front panel. What do you suggest?????? I don't know the "pro" brands .... :-o

    Thanks 4 your help!!!!!!

  6. Hi guys,

    I'm looking for multiamp my Cornscalas (see Cornscala III from Italy 3d... ;-) ).

    I'd like to use a speakers manager that should have the followings features:

    1)Several digital and analog inputs (selectable on the front panel)

    2)24-192 D/A converters

    3)Master volume control on the front panel.

    What do you suggest??????

    I don't know the "pro" brands .... :-o

  7. The external crossovers are fixed by 2 supports with 4 silent-blocks for cabinet.

    There aren't vibrations on crossovers even at high volume.

    The 3 cables goes from the drivers to the crossovers through the bottom panel.

    They're decoupled from the bottom panel by rubber hoses and sealant.

    All the cables (internal and external) are dampened with damping painting, sealant and foam hoses.

    post-39064-13819584498876_thumb.jpg

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