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Posts posted by BS Button
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And the prices are? Later Bill
You'd have to send an e-mail to the Website...James will answer. He's spot on..
BS[bs]
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I'm jumping the gun a bit here, but Gothover is working on new wooden horns for the Cornwall, I assume with a tractrix flare. I think his horns will take the K55 driver, which will really keep the cost down for the conversion. I'm sure the quality of his work will be up to his normal high levels. I'm anxious to see what he comes up with.
What I'm wondering, does anyone think it would be a worthwhile project for me to develop a 2" throat horn for the Cornwall? It would be a kit with a template for cutting the motorboard and all necessary pieces and hardware for a reasonably simple installation.
My thought was that if someone could drop in a 2" throat horn with the BMS drivers and Beyma tweeters, and the ALK type B crossovers, it would be a heck of a Cornscala without having to build a new cabinet. As is typical with most of the ideas I come up with, it's expensive! But I'm just thinking of what new Cornwall III's cost and how a modded pair of old Cornwalls would compare. Frankly I think they would kick butt.
I'm going to try this sometime in my living room, by bringing my Cornwalls in and placing them in front of my Khorns (with the V-Trac horns) and wire up the bass drivers of the Cornwalls instead of the Khorn. I know the crossover point will be a bit lower, but still, it will give me an idea of what Cornwall bass sounds like with the V-Trac top end. I bet it would be smoooothe and so open in the midrange. A far cry from the little K600 horn and as much of a difference over the K400/K55 as I found with the Khorns. If this test works out well, I might make some horns for my Cornwalls and get them into a smaller room. My living room is just not that great for Cornwall bass for some reason.
There's a lot of talk lately about Cornscalas, and this would be a simple (although pricey) way of getting even better sound than your typical Cornscala, especially for those people who don't have the shop or skills to build cabinets.
Greg
Like these, sorta? Been wanting to do something like that for years...
Chornus II's
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In a tube and SS mix, it is usually the preamp which brings more tube flavor to the table. So the conventional wisdom would be to use a tube pre and SS power amp. Of course, the units still need to complement each other well.
I agree 100%
Nothing scientific here or objective, but I tried (two times) two ss pre's with two Push/pull tube amps and hated it, both times. Im not sure if it was an impedance mismatch or what. The opposite, for me, occured with the Tube pre and SS amps, every time. The amp adds a little signature and the pre-a lot of signature. Most people that I've discussed this with agree that it's about a 70/30 sound signature split between a pre and an amp. No offense to those in the other crowd: so don't hate on me...
Ask Mark Deneen, there's probably a reason he made pre-amps before his amps, but that could be speculation, as well.
And if you have a variable out on your CD player: hook it up straight to your amp. It'll make you wonder, a bit. At times, this sounded the best to me.
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Dean,
Can I insert a resistor into my B-3 midrange just to attenuate? I have K52H or K's
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I might do that. Can you make 'em look like they came from the factory?
BS
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Seems like they lost quite a bit of efficiency, as well. Boy they sound like garbage in there. They sounded so, so much better upstairs on top of the Cornwalls.
BS Button
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I think the name/s have worn off. They are about 15 years old.
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I have a real good pair that needs one end converted to Banana's professionally, with the heat shrink and new pants
NEVERMIND< They are Audioquest, ever so faintly silk screened on the cable (13 years old)
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I'd like to hear this one
At least look at the front two channels, anyway...
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Woodog's Khorns
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I'm sure Rigma's x-overs contained passive EQ. Otherwise, I imagine the sound would be really disappointing.
What would it sound like?
Muddy, no air...heck, no cymbals. It'd sound like a CD horn without the compensation
Oh
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I'm sure Rigma's x-overs contained passive EQ. Otherwise, I imagine the sound would be really disappointing.
What would it sound like?
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There are some 2" throat horns that I guy hand makes in Canada.
His name is Andrew Vanderkruk. If someone is interested in contacting him, just email me. I've met with him and heard his horns and also some pretty interesting systems he's built. I have a pair of his Bentwood horns, but I haven't hooked them up yet! Just no time. I've got a pair of JBL drivers for them too. Andrew claims that, on axis, these horns will cover the high end. He likes the TAD drivers, I can't remember the model number right now.
Greg
Thanks Greg...that's correct. I couldn't remember his name. Looks like good work, as well.
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There are some 2" throat horns that I guy hand makes in Canada. He's on Ebay all the time. Oh, but they are exponential...drats. Prolly won't work with 2 electronic crossovers and 12 amplifiers; they'd prolly sound terrible. I still don't understand about all this EQ stuff and don't really care. I heard passives on 402 Jub's at Rigma's. Also, you wouldn't get to debate about whether or not a passive can be used: why? because it could. And, it would be a nice simple two way crossover. Costs lots less, too. Use these horns, get some JBL 2" drivers, the Jubilee bass bins, and a simple crossover and then tell me it doesn't sound good.
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definitely HWO walnut, oiled.
Michael,
You're prolly right, but I have noticed the older Oil speakers get dark, darker and the lacquer, get light, lighter. I was hoping for a Lacquer answer as I'd like to convert my Corns to Oil from Lacquer.
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The label would tell you if it's oil or Lacquer.
HWL
Or
HWO?
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Thanks,
Was it previously an oil or lacquer finish?
BS[bs]
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Gawd, those are absolutely gorgeous.
New Cornwall Midrange Horns
in Technical/Restorations
Posted
On the original Cornwall test pair
Looks like there's a fabric of some sort covering the bass ports from the inside? Could be adding to the "muddy" bass response?
Just a thought..
BS