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aj01

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Posts posted by aj01

  1. Hi,

    I'm thinking about starting a new project and have a few questions. This is all kind of at the extreme edge of the budget for me (and I'm planning on using some gear I already have), so I'd like to make sure I don't make a major mistake along the way. Thanks again to the people who have answered questions for me in the past, I'm really getting started this time.

    System - 3-way, jbl tweeter, 2" 500hz horn, dbb bass bin (may experiment with some horn-loaded midbass)

    1. I'd like to be able drive the mid/high with the same amp and may change the drivers on the bass bin, so I'd really like to do a passive crossover at ~5800 and use an active at 500Hz. Is there any problem in using a 2-way active crossover into a tube for the mid/high and a ss amp to handle the bass?

    2. My first idea of equipment is a Blueberry preamp into an Ashly xr1001. The two things that make me a little nervous are that the output impedance of the Blueberry is 3.5k and the input impedance of the Ashly is 20k. Most places I've read that you want this ratio to be around 20, so would the matching be made worse by trying to go from an rca to an XLR over this same interface?

    3. Do I need to do some calculations on the output of the bass bin when choosing crossover settings and amps? This may be a stupid question, but if I have a small tube amp driving the mid and a large ss driving the bass - could I wind up outside the range of a crossover?

    4. Would it be better to wire up two woofers in parallel or series?

    5. Can someone recommend a usb microphone and software for testing?

    Thanks again.

  2. I did a tweeter (titanium diaghram) and a crossover upgrade on a pair of Forte ii's (early 90s). The tweeter was a definite improvement, but the midrange also had a benefit. This was most noticeable in some mid-range percussion. It went from some sort of "wonk" sound to being able to tell that it was some sort of wood/rubber mallet-head thing. Very technical - yes I know, but there was a noticeable difference in the mid-range by replacing the caps. Volume didn't really matter in this case.

  3. Girlfriend thinks it's a crazy hobby, but she doesn't mind the science project look of some of the horn designs.

    I found a couple of older discussions on the La Scala bins about expansion and then a constant area following the 90 degree bend and then expansion again? Maybe another question would be - does anyone notice Belles as having less midbass distortion than a la scala?

    I've heard mwm's and la scalas, and was wondering about other options in between before starting to build something.

  4. I think I may have read every diy project thread from jwc's bass horn to the bass of the earth action novel and feel like I should be making some sawdust of my own. I currently have a pair of La Scala's with a sw-15, so I'm looking for a possible upgrade and something that I can find plans to build.

    Some of the klipsch options are - mwm, jubilee, khorn (these are probably more complicated than I want to attempt at this point), cornscala dbb, cornscala

    others? tractrix bass horn, volvotreter's conical bass horn, evm tl-4050, tl-5050, others off of diy sites?

    I'd like it to cross at 500Hz and go as low as possible, but trading off a sub vs a smaller footprint is an option.

    Thanks

  5. I have a pair of Forte II's that I did the crites upgrade on. I didn't notice more bass, but I did notice an increase in impact and clarity. In general I've read that this is because of the caps. You could search through the old posts, but I seem to remember one where crites said that he hadn't seen an inductor go bad?

    I wonder if you're getting more bass out of the port because the woofers are covering a larger frequency range? Just a guess...

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