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beeker

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Posts posted by beeker

  1. Even a descent sub(you do some research)off craigslist would be great. I have to mention at all possible the exact opposite corner from the other sub i would position this new sub front right. This by all means is the easiest to get the most balance from any subwoofer system. Seems to work best to tuck a sub into furnature in say the left rear corner then another in front right or vice versa. Next option is with 2 is running them from the front corners and sometimes the rear corners only or all 4. I dont know where you live but i have an outlaw 12 and 2 velodyne 8's for sale. If needed please pm. like new condition in boxes with manuals.

  2. I was certified a while back with fleet suspension. Those bags were 12v obviously. Im not saying get some suspension bags although helping with possible power source with reason. I bought several high end 12v compressors that go in school buses, ambulances, motor homes etc..

    anyhow i used these, the best you could get was a thomas compressor pump on a 12v psu. pump rated at 22amps so i bought the big pyramid with dual hook ups rated 40 amps and handles(ebay had them att for $150. I mudded a pair of ford bedsides and primed and painted them in a guys garage in under 8 hours with that rig.

    Not trying to say get bags and compressor but trying to toss around some ideas...I was also thinking of a couple large high voltage servos on lithium polymer 4 cell batteries. some of these ideas could get on the pricier side of the tv lift in a box, normally installed by the local a/v shop as well for $1100

  3. I ran the 3490 with my ar20s til a freind liked it well enough to buy from me. Not quite the hilt your synergys do although I have never found any hk amp nor receiver i did not like. From wherever a person may view hk bottom line to top of the line the power they produce is always very good. In modern days i have not tested as much new since about 5 years ago ran the gauntlet from a-z and always resorted back to hk. From yamaha to marantz i stay with hk lol i could ramble on for days. In the approx 1-2k range with hk versitility&durability imo they cannot be beat. I have other amps atm from the 60's to current day yet my most important aspects in music remain loyal to hk

  4. ditto, ditto.Nice mounting, ditto. you my freind op have just pinpointed the top of the hill in ht.. I had 7 II's in my ht to taste. honestly couldnt afford$ permanently although you got 1 up on your mains so im jealous. Now for the quartets from my experience would work as well yet when your placement is stable for staging with your h2's i see paradise. lotta fun no holds barred

  5. I read your(op)post&understand although as stated in a few pages there are different opinions on certain setups with some tracks to another. Altogether from all iv read in your thread i agree with most. I will say the amount of power pushing your monitors has a large impact on them. Also the cables from opticle,hdmi to rcas it takes time to adjust your acoustic staging. iv went fromhuge gold $200 rcas to a $40 opticle cable and that changed all tracks completely. Basically like never hearing the music before then to hdmi is a new direction of listening. your 2ch monitors can take some watts, large. Iv bounced around through years and speakers and receivers etc...you know the game. Once i switched back to optical after many years iv stayed put on my 2 ch setup in my theater room. now on my anolog 2 ch bedroomradio which is the daily testing groundfor the new speakers i get to push til the next. Now in there im using thick radio shack not gold rcas and it drastically drops quality but with a good processor and amp i run a sony 5 disc changer and currently running some old ar towers and girlfreinds hooked on them as am i. My 1st post in this great klipsch arena of forum i hope i kept on track. if i read you correctly to buy a marble stable stand with an $1800 swiss cd player it can make a bit of difference yet it sounds like you got it going fine still more power would push your drivers at you at a stable rate of sound

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