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glens

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Posts posted by glens

  1. 44 minutes ago, DizRotus said:

    Why the reference to “Teutonic?”  There’s nothing Deutschland[isch] about LS3/5a speakers. [emphasis mine: GS] 

     

    Good catch!  (Sorry, ODS, but grammar policing ain't a great form of defense, since if you're not careful the table can well turn!)

     

    Has anybody exhibited "fence sitting" in this thread any better than moi (god, I hope that's right!)?  Actually I think it more properly demonstrates pragmatism (in the good sense) on my part.  There's good to be seen in "both sides" here, generally throughout.

     

    I hope it makes 100 pages before the end of the month...

  2. 5 hours ago, DizRotus said:

    The BBC rejected pine fillets in favor of beech fillets.  It's unlikely birch plywood would have been replaced by sawdust and glue.

     

    Their fillet material preference didn't go unnoticed, which is why I noted their silence regarding panel material - I'd bet they only had one choice.

     

    MDF is far more fibrous than merely "sawdust."  (Though many fine knife blades are made from steels produced with  dust/glue/pressure/heat nowadays.)

     

    Don't get me wrong; I'm not championing particle board (in any configuration) over many-thin-void-free plies, in general.  But for specific uses different materials have better qualities, and inherent deadness happens to be more important than structural ruggedness in certain applications.

  3. https://en.wikipedia.org/wiki/Medium-density_fibreboard:

     

    The name derives from the distinction in densities of fibreboard.  Large-scale production of MDF began in the 1980s, in both North America and Europe.

     

    I clearly recall the particle board that was generally available as a plywood "substitute" through 1970s and would never have considered it for cabinet construction myself.  "Modern" MDF is quite different excepting superficiality.

     

    It would be better had the referenced design document actually mentioned consideration of anything but plywood panels.

  4. Depending on what exactly is being communicated between the units and google, of course, and whether google maintains their end of the connection in the future, I hope that the devices don't end up getting stranded and effectively being shut down while waiting for something that no longer exists.  Like I'd said earlier, take away your internet connection from the in-house network and see what happens when you try to use the device.  If it can't talk to google it don't do nothin'.

  5. My Forte IIIs do dual duty music and 2.0 television.  Plenty of thumps on the soundtracks and I'm surprised that I don't miss any method to boost bass (that's to say I've got no tone or "loudness" options) even at whisper levels.  Best money I've ever spent on audio gear, by way far.

  6. 8 hours ago, ACV92 said:

    Unless you're going to upgrade the internal wiring of your components and wiring in your house I can't believe there's truly any perceivable benefit, other than placebo.

     

    I'm with you, brother.  Done way too much electrical work for a living to do anything but chuckle at some of the stuff I see in audio.

  7. I would lay them on their back, in the box or a couple layers of cardboard wrapped up the sides/top/bottom and taped, tie a rope around it and sit at the top and pull them right up.  If needed, rig a pulley at the top, use a prussic hitch between the two rope runs either side of the pulley to catch a slip, and get below to both pull and push.  But I've done a lot of tree climbing and rigging.

     

    If I had to do it alone.

  8. 6 hours ago, Delicious2 said:

    That's right glens.  I'm mixing in some of the other input channel on each one.  Closing down the spread is one way of describing it.  I'm attempting to get a stronger center image without using an actual center speaker.  I'm still listening as to how successful this method is.

     

    Take it right to the extreme (1L+1R to both L and R) and see if it provides a uniform soundstage.  If it does so under that condition then you'll know your mixing is doing what you want to get done as opposed to just making it sound different.

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  9. Some form of documentation must exist that at least some of these ($10k) tests were performed.  I recall mention of an AES get-together which had to have at least note taking done.  Also, it seems there was mention of the test travelling as opposed to the participants only doing so.

     

    And be they horns, headphones, or whatever, participants assuredly had prior experience developing amplification preferences through them...  Just saying.

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