Klewless Posted May 2, 2005 Author Share Posted May 2, 2005 I'll chime in here. I think the issue relating to mid-horns and larger drivers comes from the idea that the Khorn bass horn is becoming somewhat subdued on it's top end. So we want to find a way to get the mid-horn to go a bit lower in order to blend in better down lower. But as you can see, getting lower there messes up the mid-horn's top end. Then there is the problem that compression drivers need longer and larger horns to get down lower. Thus they won't fit within the Khorn's footprint. I know people have used the Altec 300Hz horn and those dudes almost touch the ceiling on top of the Khorn! There are lots of issues and my comment here is just the tip of the ice berg. Quote Link to comment Share on other sites More sharing options...
TBrennan Posted May 2, 2005 Share Posted May 2, 2005 H2G---You can read JBL's rationale on the JBL Pro website, they've an article on their horn loaded cones. In any event in the 3115 they work very well and sound very smooth and lifelike. http://www.jblpro.com/ae/pdf/CMCD%20TechNote.pdf Quote Link to comment Share on other sites More sharing options...
michael hurd Posted May 2, 2005 Share Posted May 2, 2005 The main problems that I see with the Renkus-heinz toplogy: intermodulation distortion will be a factor, with lower frequencies modulating higher frequencies and causing amplitude variations. Also, taking an 8" diameter cone, and necking it down to a 2" throat horn, results in a very high compression ratio. This is good for sensitivity, but results in high pressure at the throat. In terms of area, an 8 Inch woofer has a cone area of around 36 square inches. A 2" throat horn has a 3.1415926 square inch area, roughly 11 to 1 in terms of area, compared to the 8" cone. Quote Link to comment Share on other sites More sharing options...
TBrennan Posted May 2, 2005 Share Posted May 2, 2005 Well if one wants to get from about 150-200hz on up to the top with a single device the Tom Danley Unity horn works very well. A 1" throat compression driver at the end of the horn and four cone drivers, as compression drivers (the cones have closed backs) feed into the horn slightly upstream. Each cone feeds through a pair of 1" holes. The trick is to get it all to combine into a coherant wave, which it does. Danley is very clever. I've heard these a number of times and they sound very good. Quote Link to comment Share on other sites More sharing options...
sunnysal Posted May 3, 2005 Share Posted May 3, 2005 does danley still sell these horns? I thought he kind went outta business...tony Quote Link to comment Share on other sites More sharing options...
TBrennan Posted May 3, 2005 Share Posted May 3, 2005 Tony---Danley has a new business and he think he's selling only high power subs right now. However Yorkville liscensed the Unity and makes a couple of models. You can do a DIY Unity like one of the guys in our club, John Sheerin did. I think John talks about building it on his site. Quote Link to comment Share on other sites More sharing options...
Marvel Posted May 3, 2005 Share Posted May 3, 2005 ---------------- On 5/2/2005 9:42:53 PM michael hurd wrote: The main problems that I see with the Renkus-heinz toplogy: intermodulation distortion will be a factor, with lower frequencies modulating higher frequencies and causing amplitude variations. Also, taking an 8" diameter cone, and necking it down to a 2" throat horn, results in a very high compression ratio. This is good for sensitivity, but results in high pressure at the throat. In terms of area, an 8 Inch woofer has a cone area of around 36 square inches. A 2" throat horn has a 3.1415926 square inch area, roughly 11 to 1 in terms of area, compared to the 8" cone. ---------------- Michael, What are you trying to say here? What is the area of the diaphragm on a 2" driver. Many of those are 4", etc. Marvel Quote Link to comment Share on other sites More sharing options...
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