Scp53 Posted November 30, 2005 Share Posted November 30, 2005 I stumbled upon this article and found it very interesting. its called Do you hear what I hear. http://www.mercenary.com/doyouhewhihe.html Quote Link to comment Share on other sites More sharing options...
jheis Posted December 1, 2005 Share Posted December 1, 2005 For your sake, I hope not. James Quote Link to comment Share on other sites More sharing options...
DrWho Posted December 1, 2005 Share Posted December 1, 2005 Much ado about nothing...gotta love those articles that try to convey a point and then finish with no conclusion. Btw, I disagree with his sentiments for two reasons: First, he puts too much importance on "natural" sounds. Last I checked, all sound is compromised of sound waves...reagardless of the source. Secondly, he ignores the fact that our ears have the same transfer function for both listening to the live instruments and for listening to the recording. So if I somehow manage to get a guitar recording to sound identical to a real guitar, then the next person that comes along is going to percieve the same thing. Quote Link to comment Share on other sites More sharing options...
Cal Blacksmith Posted December 1, 2005 Share Posted December 1, 2005 DrWho, in your post to nullify the article, you prove the point! The whole point of the article is not what and how do our ears transfer to our brain and is that the same from person to person, the point is that with shrinking exposure to "live" music, the standard of what an instrument sounds like is changing from the sound it makes in real life vs what it sounds like recorded, amplified and distorted. He starts the article with exactly the same argument that you use to disagree with him! The crux of the matter is that without a standard, any sound will do. To remove the discussion from the audio world for a moment, how long is an inch? Is it what your tape measure says? How do you know? Where did the reference come from that the maker of the tape measure used? Is it a first generation measurement or has it been copied from another tape measure that was copied from another tape measure copied from yet another measure? How far is it from the standard? If we don't have a standard, we will soon all have a different size inch, who is right? But in fact there is a standard and it is kept with the bureau of standards and it can be checked any time needed to maintain accuracy. In audio, the standard is the real instrument. He asks in the article, if you never listen to live music, how do you know that the sounds you are listening to sounds like the real instrument? He uses the example of an old synthesizer, with known errors in the reproduction of the sounds of the instruments and how to him it is clear that it does not sound like the real thing but to one of his students that has had limited first hand knowledge, it sounds perfect!! If that student then uses that reference to guide them in mixing a recording, and it differs from the reference the student has in their mind, will the listener accept the mix as real and thus use IT as a reference? The writer laments that this is exactly what is happening. Quote Link to comment Share on other sites More sharing options...
DrWho Posted December 1, 2005 Share Posted December 1, 2005 aye, but there is absolutely nothing wrong with a changing reference frame! Musical sounds are like language....they change over time. Let's use a viola as an example (because that's something I play). Who sets the standard for what my viola is supposed to sound like? I by no means have the highest quality viola, but what reference frame am I using to make this claim? If you go back in history, you will notice that the "natural viola sound" has been changing ever since it was first created! In fact, there are many older pieces of music that just sound bad today because we don't have the same viola sound as they did back. When this sound is moved to say an electric viola, it is ridiculous to claim that the electric should sound like the original! And in fact it does not....it sounds better (a completely subjective claim I know). The problem is that the entire audio scene is so up tight about recreating the original sound when the customers driving the industry only want entertainment. There is obviously something behind the crappy compressed mp3's that people find very interesting so instead of complaining about a changing reference frame, we should be spending more time figuring out what sounds good and what doesn't. Heck, the entire playback concept is so fundamently flawed anyway that even if we could perfectly record an acoustical event, there is physically no way to play it back. In other words, there is nothing about a "perfect natural sound" to justify the claim that it results in more entertainment. Quote Link to comment Share on other sites More sharing options...
Cal Blacksmith Posted December 1, 2005 Share Posted December 1, 2005 LOL! Good come back but how would you feel about a bad recording of your viola becoming an electronic standard for what it should sound like? I seem to remember a debate similar to this in the 70s/80s about disco and live music. In the end, live music won out and disco went the way of the DoDo bird.[] Quote Link to comment Share on other sites More sharing options...
DrWho Posted December 1, 2005 Share Posted December 1, 2005 I could care less if that bad recording ended up fitting the sound of the particular song it was being used for... ...which gets into a totally different topic of getting trapped by your medium, but let's not go there [] Quote Link to comment Share on other sites More sharing options...
D-MAN Posted December 1, 2005 Share Posted December 1, 2005 The Socratic answer is "what does a bananna taste like?" DM Quote Link to comment Share on other sites More sharing options...
nicholtl Posted December 1, 2005 Share Posted December 1, 2005 Describing coca-cola is just as difficult, I hear... Quote Link to comment Share on other sites More sharing options...
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