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Kriton

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Posts posted by Kriton

  1. Indy, thanks for the reply.

    Yes, I have the TGIV - you have the latest firmware too?

    I figured when it got to the certain distance it would jump by increments, I just don't understand why it wouldn't do it equally.

    I have tried to call customer support, and I have never been able to get someone to call me back after having to leave a message...

    I will try to unplug it...hadn't thought about that, but I am pretty sure that I have already done that after flashing the software...

    Check your software, I am thinking it is a glitch in the new update...

    Thanks,

    K

  2. Hmmm...

    I am not entirely sure what that problem could be, usually IME, is that if the horn is out - it is out, not coming on just when the volume is turned up...

    There are several things I would check - first, make sure the wiring is all attached and working right, that almost sounds to me like a short someplace - if the wiring inside is all good...then I certainly would replace the diaphragms on the horn, which is actually a very easy procedure (if they are anything like the tweeter diaphragms - which I have replaced 5) - and they are still available I beleive - do a search for Bob Crites on this forum, and he can set you up with the parts and instructions to redo the diaphragms for the horns...

    I suggest that you look at reworking the crossovers by replacing the capacitors too at some point, even at 16 years old I think they could problably use a refeshing - search for Heresy II crossovers here in the forum, and you will find lots of information - Bob is the man for those parts too.

    Hope this helped, welcome to the forum.

    K

  3. Hey Indy,

    Since this thread has resurfaced - I had a question for your Sunfire guys on the distance setting in the TGIV -

    I have worked very hard resetting all of my stuff, and with the help of a trusty assistant and tape measure, I had my front RF-7's equidistant from the listening sweet spot - now the weird thing -

    I went into the distance settings on the TGIV, and I tried to set the distance of the fronts the same - and I couldn't do it - the TG would NOT let me set the speakers at the same distance - I could set 12'8", then it would jump to 13' even, but the other speaker would only go 12'10" to 13'4" - in other words it jumps at that distance by 3-4" inches and not the same in each channel? I have updated to the latest firmware (X.23) - could you guys try this and conform what I am getting?

    I tried to e-mail getech, but received no response; I thought that might be easier than making a separate post here, but ...

    Thanks,

    K

  4. Hey RFP,

    My 2c, for what it is worth...I refinished a single birch HEresy not

    too long ago, was stained badly, I sanded it down, but the brown stain

    went too deep, so I decided to make them black - the stain that i used

    was the darkest ebony I could find, but it still (even after preparing

    the wood with stain sealer) came out lighter than I wanted (kind of a

    black tinted mocha, with the original dark brwon oak stain coming out

    here and there) I wanted pitch black with some grain showing -

    kind of like my black RF-7's - anyways...

    I used black wood DYE, which I found at a local Woodcrafters, it was

    pitch and soaked into the wood nicely..I followed up with a coat of

    Watco that I sanded in, re-dyed where necessary, and it came out a very

    black satin with a low sheen, but I am sure that followed up with

    laquer, it would do quite nicely as a shiny surface. Wood grain

    intact, no problems with hardwood splotchy spots, and a nice lustre to

    boot. A littel dye goes a long way, brush it on the inside and

    leave it, no painting necessary - and no chance of overspray either.

    Just my experience - I guess it depends on how dark you want it?

    K

  5. Jeff! Hey man, long time no see -still want to see that all CW HT

    ... I have been collecting the components to finish one myself

    one of these millennia -

    Oh and read the thread dude! I had my LSD and figured out "Celebrating 60 Legendary Years" several pages back! ;)

    And there IS a poster - mine is on its way - from drowning creek studios at

    www.drowningcreek.com

    They are pretty smallish, about the size of the picture on the shirt, so beware!

    K aka B

  6. Guter Nachmittag, Kamerad Colter!

    I just don't understand why it would be so difficult for Klipsch to

    shut this practice down if they really wanted to, and I do not

    understand how they would be able to differentiate between grey market

    and authorized dealer sold speakers - despite what Colter says, even

    though they probably have little alien homing devices under the evil

    bucking magnets that watch you from the tuning ports...

    Authorized dealers buy more speakers than they can move in order to

    maintain their authorized sales label, and secondarily sell to the grey

    guys - I can understand that - but wouldn't it be as easy for a company

    mole (such as Amy-no offense) buying a pair of cheap speaks from the

    grey guys, getting the speakers in, and tracking down the serial

    numbers to the authorized dealer leaking these speakers? But what

    the hell do I know...I may be just wacked into thinking Klispch really

    turns a blind eye to this, as I can't even figure out which speaker

    cable to use ;)

    Anyways, just curious - didn't mean to hijack the thread - just musing on this lousy Monday.

    K

  7. Ok, tell me how this works - Klipsch has "authorized" dealers, and

    those dealers purchase speakers at wholesale, right? They are required

    by their purchaser agreement to only sell at a certain price,

    etc., but they can guarantee Klipsch customer support -

    The speakers are all serial numbered, which should make tracking them an easy affair.

    SO, how does an "unauthorized" reseller get their hands on these

    speakers? Surely they aren't buying them at retail cost and then

    reducing them -20% just for giggles - they are obviously purchasing

    wholsesale from somewhere - which only leaves two possibilities -

    a) They are buying them from "authorized" dealers after those dealers

    purchase a big lot of speakers - a secondary market as it were, make a

    bit on each unit sold wholesale plus -

    OR

    B) Klipsch is selling these speakers directly wholesale to anyone who

    orders them, but only will give support to those folks who are on their

    "authorized" dealer list - but in that way sell more speakers.

    Now under scenario a), it would be rather impossible for the company to

    say what is and what isn't an authorized seller's speaker, as the

    serial numbers would only be traceable to an "authorized" dealer - and

    who could say where they went from there, if they kept the paperwork

    intact? Yet, when you call Klipsch customer service, they can

    pretty much tell you from the serial number, whether the speaker is

    grey market or from the authorized dealer, can't they? Why keep

    serial numbers if not to maintain inventory lists and distribution

    data? Or do they just ask where you purchased them from, or

    require a receipt from an authorized dealer?

    So it seems more likely that scenario B) is the answer, downplaying the

    obvious bite that it would otherwise cutting into the "authorized"

    dealers, by not offering support of nay kind, but selling them cheaper

    because of it? These unauthorized sellers on the Bay and

    elsewhere have been around for a long time and they apparently receive

    and sell al ot of grey market Klipsch stuff - new stuff too, so doens;t

    that just kind of negate the whole "Klipsch will get all over them"

    thing? Further, what kind of premium does the authorized dealer

    pay for the Klisch "service" over just straight, take your chances,

    wholesale lot? From the trip to AK, we saw that Klipsch has

    relatively low failure rate in production quality, so woudn't the

    gamble that service wouldn be unnecessary on the big speakers be a good

    one?

    Am I missing something here?

    Just thinking out loud on Monday morning. Don't send the Klipsch commandos after me, really.

    K

  8. I beleive the Chorus did have a recessed cup, and I am relatively

    certain that the crossover would have been on the cup, but replacement

    of the binding posts that I have done on my speakers with the cup

    crossover was pretty easy, either the positive and negative were held

    on with washers and screws around an eyelet, or (minimally) soldered on

    the post - which can be easily removed with a desoldering tool and

    resoldered - I would clean or rough up the connection just to remove

    any corrosion (which is just me being picky) and solder the joint

    carefully - so as not to run solder into the crossover components and

    or melt the cup (can you tell I accomplished each?) The new parts

    express binding posts were of course larger and beefier than the stock,

    so I had to enlarge the holes in the plastic washers at the cup, easily

    accomplished with my trusty Dremel and a fine file - and a bottle of

    Labatts during Star Trek reruns. Worked well, looks good and the

    beer was a bonus.

    Oh, and I have some broken replacements - if you need them exact (Coy you instigator).

    K

  9. I enjoyed your post - very terse; short and to the point - but what do you want?

    Are you looking for someone to offer replacements, or comment on where

    you can get replacements? Or are you just wanting to vent your

    frustration for not being able to locate exact replacements or the fact

    that you (or someone) busted them off in the first place?

    Personally, I think the binding posts on older Heritage are weak parts (busted one off myself),

    and I would suggest you replace them with heavier duty all metal

    binding posts that you could find on Parts Express (www.partsexpress.com). They are cheap-ish and a good upgrade that will not break very easily.

    Just my 2c.

    K

  10. Still haven't had any interest in these things, surely someone wants to complete their set?

    Beautiful shape, white KSF-S5's for sale with ceiling Omnimounts, I would rather them go to some well

    meaning folks on here then put them up for *gasp* auction...

    So get back to me dammit.

    K

  11. If you want specifics, I have a Garmin 60CS handheld GPS, and frankly I

    couldn't mange without it - it has a nice color screen with about 56

    meg of internal memory for maps and POI (which is frankly its biggest

    drawback - there are other units out there that have far more memry, or

    it is removeable, so you can load far more maps - BUT that being said,

    I have currently loaded all of the maps for the DFW Metroplex to

    Oklahoma, and all of the maps down 35 to Austin, with room to spare, so

    I don't have a problem with it) - and the the auto navigation is tops,

    with turn by turn (no silly voices - just beeps) directions - it is

    water resistant but does not float (it does float but it is not

    guaran-teed...personal experience here) and it is a rugged little

    bugger - has compass and altimeter too. Ram Mounts are made

    specifically for this model for car or boat, great mounts - I recommend

    those too.

    The water specific model (76C or CS) does float and has more memory, I think, but it is also bigger.

    They have come out with a new 60CSx series which I beleive has a memory

    card slot and faster satellite acquisition, but you will have to look

    for that -

    I suggest them pretty highly - around here, where everything looks

    exactly the same and we have roads like 35W that actually goes south,

    and 820 N that actually goes east west, it is a life saver sometimes- I

    can see on a boat how it would definitely be indispensable.

    Just 2c.

    K

  12. Thanks as usual Bob -

    Couple of follow up questions, I know that you suggest not bothering

    loading up the binding pole cap with all of this stuff and just putting

    these things on boards, do you think it is worth while replacing the

    tiny inductors on this crossover? Is it necessary? They do

    not look as robust as the inductors on say my Cornwall crossovers, but

    I don't know the difference - and why are there three on this

    thing? If I wanted to replace the #3504 on the diagram, what

    would I be looking for - eg. value of mH, etc?

    I have seen that you are using Sonicaps now, do you have a H2 kit

    available for the DYI crossovers? Board, inductors, caps and wire

    harness? AND placement on board instructions? Just a

    thought _ I would really like to upgrade my new Heresy 2's too one of

    these days, but that is on a PCB on the square binding pole cap - I think a little easier.

    Thanks again,

    K

  13. I am lining up the winter projects and I want to do a recap of my beat up garage H2's, but I cannot tell what the cap values are supposed to be - I was going to attempt to just go ahead and rig them on the black binding post caps as they are now, but I might just go ahead and put a board together - lots of parts on these too that I don't understand as follows:

    3 blue rectangular caps

    1 blue "can" cap (and has "15k" stamped up the side)

    as well as 1 square and 1 small round wound AF's (which don;t need replacing, or should I?)

    If anyone could give me the schematics or tell me what the cap values are in this crossover I would appreciate it...

    K

  14. Hey,

    Do a search on the forum for Heresy risers, and you should find

    everything you need - I know that there are dimensions and size

    measurements on Cornwalls and Heresys here about - if I was close to a

    pair of mine I would measure them for you!

    The general thinking I have gleaned is that the Heresy works best on

    the floor (for bass enforcement) and pointed upwards to angle the horns

    more toward the listeners ears...I have Heresys in threee

    configurations right now, on small, square double stacked end tables

    (which positions the horns right at above ear level when sitting

    -approx three to four foot in the air) for rear surrounds - on metal

    wire risers, which have them about 12 inches off the ground and angled

    upwards towards my ears as I sit in my listening chair, AND on standard

    Klipsch risers. Only difference I hear is the varying bass

    response, floor and angled being optimal. The various stand and

    risers that you could buy are many, my tables I bought form IKEA (cheap

    but relatively sturdy) and I stack them to the right height, place

    sandbags in them to dampen vibration, and they work like a champ.

    Also you may find a couple of aftermarket wood workers on EBAY that

    make and sell Klispch risers for the Heresy and Cornwalls to original

    specs.

    Oh, and I love the in-your-face sound - you will either love it or hate

    it, but it will be the most live sound you will ever hear, IMHO - Good

    luck!

    K

  15. I saw the Zoo TV tour concert in 1991 or 2 in Toronto way back in the

    days - it was the wildest event I had ever been to, and that is saying

    a lot.

    Mysterious Ways, the phone call to George Bush, the huge screens, the

    pre-concert interview videos - man, what a show...I have been a huge U2

    fan from my college days, one of the first college discoveries I

    made...haven't followed them much in the later years...

    I felt about U2 like I did Sting (post Police) - I appreciated the raw

    anger of the early protest music (Bloody Sunday), but their strength

    (IMVHO) was the love songs, the yearning passionate almost simple love

    songs (Wild Horses) - like some of the early Police tunes - I

    mean I enjoyed "Angel of Harlem", and "In the Name of Love" but from

    there, it started just going to crap in so many ways...

    When Sting started doing the politically sensitive stuff, it just lost

    my attention - there were good nuggets in all of the politcally

    motivated music, but not enough for me to care...

    Bad Live is the just the most fantastic U2 speaker test of them all -

    play it often, replaced it three times from use - good stuff...

    How is the latest album; How to Dismantle a Nuclear Bomb?

    K

  16. Hey,

    I talked about getting rid of these a while back, but thanks to Mongster, I now have the RS7's to replace them...So...haven't heard from Dylan, and here they are for sale...

    I have a pair of KSF-S5's for sale, they are white, and in good shape - I take exceptional care of my speakers, they have never been driven too hard and they look good - there is a little cosmetic corner damage but nothing noticeable and nothing to affect the drivers. Guaranteed no DOA, you local, you come listen.

    The white of the speakers looks good against a ceiling - I do not have an idea of price on these things, but I do know that they do not come up for sale very often, so if you need them to round out your system, you should jump...Of course local pick-up preferred, but I can ship for actual cost where ever you may be in the CONUS; I have a knack for packing ;)

    I also have a pair of Omnimouts specifically designed for these things (fit the screw section in the backs) that I may include, if you are interested.

    If you want picts or want to make an offer, e-mail me, and I will get back to you.

    Thanks,

    Bruce

  17. Huh? I would love to read that article, post a link please.

    I have run my 400/7 at full out both music and cinema, and never thought I had a problem with distortion from the amp?

    Maybe someone can chime in on this, but it seems far faetched to me at

    normal listening levels that even .5% distortion could cause audible

    difference or fatigue?

    Never had the problem with mine, so maybe I am just tone deaf.

    K

  18. You know, I thought that too - that SACD was dead, and while there are

    not a lot of current albums coming out on SACD, there seems to be no

    end to the classical (both seemingly new and old remastered) being

    issued in SACD, I am forever seeing ads from Acouctic Sounds, et al.

    with new albums coming out on SACD - somebody is still buying them...

    I think SACD is awesome, I am just sorry it took me so long to find

    that out - hard to listen to some of my cds now after spending a great

    deal of time with SACD - even the hybrid discs shoot themselves in the

    foot, when you listen to the cd track and the SACD track right after

    each other, you start to get the real perspective -

    BUt I am with OB, this format jumping thing is crap and nonsense - pick the best format, and get on with it...

    K

  19. Ok, the translation was pretty hilarious -

    How many times does it refer to our German friend as "Werner tightness"

    - very funny, and for some reason I thought of the tight curls on

    Michael fro -

    "Colter tightness"

    Works for me!

    Ok, question I have is the one photo of the Klipsch "priminister" that

    black sinister looking speaker in the one photo - is that the "Premier"

    that we have been hearing about? What does that bugger sound like

    and do we have specs?

    K

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