robi

Hi Jan R, compliments for your sistem!!! I have similar Crites crossover on my Cornscalas, I would ask you: 1)Do you like low slope Crites crossover, I suppose. What's the change in sound between those and your standard klipsch crossovers? 2)Other way is high slope crossovers. What are merits and defects of this two ways? 3)Why you bypassed the low pass on the woofer? What are merits of this mod on a Klipschorn???? Thank you!!!!!!!!!!!!

Thank you guys!!!! Your suggestions are precious!!!

Thank you guys for your important contribution!!!! I'm just looking around to improve my Cornscalas. Active crossover, multiamping, digital room correction, eccc..... If in the attached file BSS say the microphone should be ok forward listener position then the measure should be affected by the room (walls, carpets, ecccc...). If the BSS use this measure to correct amplitude and phase why don't correct the room?????? I'm sorry but I'm not an expert!!! Thank you again!!!

Hi guys, look at the attached pages please. We're speaking about BSS 366 speakers manager. For that you can read in the attachment do you think the alignment assistant with a microphone can correct (phase and amplitude) the room??? Or not??? Thank you for your contribution!!!! Robi. TimeAlign_fds366um.pdf TimeAlign_fds366um.pdf

Thank you jdm56 !!!!!! I'm happy to share my experience and I love this beautiful forum!!! I put a brass label on the back of the cabinets.... ;-)

Thank you TheEvan!!! In my previous post I was sorry for the cables that you can see under the TV. The room is under construction... For the Cornscalas I used Cu-Ag + Teflon cables. I dampened it before put it in the cabinet.

"That's a beautiful looking speaker. Seriously beautiful." _____________________ Thank you very very much Michael !!!!!!! Right now I'm watching a film on my Cornscalas...[H] l!!!!! The film is Soul Man.... ;-) Sorry for the cables....my setup is under construction...

My Cornscalas III are at home !!!!!!!!!!!!!!!!! ;-) Roby.

Another Cornscala......nice!!!! Roby.

@ Peshewah and Herb. Thank you very much guys!!!! You're very very kind with me. I'm just a novice. If something good is in my project I've to say THANKS to an italian audio professional: his name is Gianpiero Majandi. He encouraged me to continue the project and recommended some of the features.

@Pete: Thank you very much for your appreciation!!!! @Peshwah: At the moment my Cornscalas are in a little garage where I assembled it with my father. So I'm listening it in nearfield and at low volume (with a cheap LG DVD and a good Musical Fidelity A1 Aurion Audio modded). I'm not an audiophile, I just like live music and when I can't do it, I listen my hi-fi sutup. So i care more music than hi-fi setup. I can say that they sound great at low volume. I noted thet they're inclined to disappear and the music seems come from all the wall (even from the up). The soundstage seems to be higher than the cabinets. I don't expected this and I like it!!!! ;-) Could be an effect of the reduced diffraction on the motorboard (I don't know....anyone can say something about??) They accelerate very fast when the music need it. All the frequencies seems to be balanced and similar to the timbre of live sound. The external crossover are very well decoupled from the cabinet: you can easily test it touching the cabinet (with loud music) and then touching the crossover. I think the small silent block and the mass of the crossover works well together. I listened even the Cornwall 3 in nearfield and seems the Cornscalas sounds better: could anyone say something about this comparison? I don't expected this and may opinion could be wrong. My cornscalas will be at home soon..... ;-) At the moment I'm using spikes on some inserts that I used on the supports. What do you suggest about??? Any experience with spikes, rubber, sorbothane, ecc??? Roby.

The antidiffraction/flush mount grilles are finished.... They fit perfect!!! I'm so happy!!!!!!!

Thank you very much Mark!!!!!!!! ;-) I've something to study....

UPDATE: Could you suggest me any good speaker manager 96 kHz with automatic equalization (with microphone) for amplitude and phase?????? Thanks!!!! Roby.

Thank you Don!!!! Could you suggest me any good speaker manager 96 kHz with automatic equalization (with microphone) for amplitude and phase?????? Roby.

Hi guys, I'm sorry but I need an information and I hope in this section I find it. I'm looking for multiamp my Cornscalas (see Cornscala III from Italy thread... ;-) ). I'd like to use a speakers manager that should have the followings features: 1)Several digital and analog inputs (selectable on the front panel) 2)24-192 D/A converters 3)Master volume control on the front panel. What do you suggest?????? I don't know the "pro" brands .... :-o Thanks 4 your help!!!!!!

Hi guys, I'm looking for multiamp my Cornscalas (see Cornscala III from Italy 3d... ;-) ). I'd like to use a speakers manager that should have the followings features: 1)Several digital and analog inputs (selectable on the front panel) 2)24-192 D/A converters 3)Master volume control on the front panel. What do you suggest?????? I don't know the "pro" brands .... :-o

Hi Dave, how you control the volume??? The DCX-2496 has a master volume control??? Thank you, Roby.

Nice!!!

Valentino Rossi likes it !!!!! []

The external crossovers are fixed by 2 supports with 4 silent-blocks for cabinet. There aren't vibrations on crossovers even at high volume. The 3 cables goes from the drivers to the crossovers through the bottom panel. They're decoupled from the bottom panel by rubber hoses and sealant. All the cables (internal and external) are dampened with damping painting, sealant and foam hoses.

The rear panels are at their place with 33 screws on each cabinet.

The gasket is on the rear side. It's double (see detail).

The crossover cabinets are painted and dampened. They will be screwed on the crossover wood just by one of the two male side of the silet-blocks. I think that is an elegant solution (as a race car ;-) ).

The external cabinets for the crossovers are ready to paint!!!