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MicroMara

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Everything posted by MicroMara

  1. No problem. I am used to being viewed very critically for my passion and obsession. What I do divides into two camps. Approval or rejection.
  2. If you read my first posting, you will find that I always liked the original Rf 7 MK II, otherwise I had not bought it. When the MK III came onto the German market, I wanted to buy it first. But she didn't blow me away. That's why I preferred to start this project and build my own MK II. I only did that for myself. It was worth every penny. And yes, I value perfection when others overkill, okay, so I can live with that. Best regards MicroMara
  3. The measurements and diagrams of the measurements will come. This entire project has now taken a good 14 weeks. I am exhausted, need a little rest for now and actually just want to listen to music at the moment. In about 14 days I will then again deal with the technology and carry out the measurements mentioned above. I just can't anymore ... at least for the moment. Such a project costs a lot of energy. It would be my dream to be invited by Klipsch ... Best regards MicroMara
  4. Too bad Paul. W. Klipsch can no longer see it. I think he would say, like Mr. Spok from the TV series "Spaceship Enterprise" .... fascinating ......german engineering Best regards MicroMara
  5. .. and this is how it looks in my music room, it has the name "Little red cathedral" now connected with my RF7 MK II Queen. For over two hours now my queen has been controlled by these nine external crossovers. The impulse speed, the jump response of the chassis, the "timely" and plasticity and depth gradation of the stage, voices, instruments, location, dynamics, fine resolution, coarse dynamics, fine dynamics, precision, spatial resolution, from the brilliance of the high tone to the depth gradation of the bass has improved so much that I am currently missing more words. I still cannot grasp and understand all of this. These are RF 7 MK II against which an MK III, I had it here in my music room for listening, did not have the slightest chance. At least that's my personal assessment. And the entire system has just been born and will continue to develop. I am looking forward to what will come next. Now I have to enjoy "Kingfish & Buddy Guy's" - FRESHOUT- See you later MicroMara
  6. Then this evening the connection is made again in my music room at the facility.
  7. The small wiring errors I caused on the new external crossover itself have been eliminated. It went faster than I thought because I had support from a good friend who had helped me to fix it today. It was done in two hours and the external crossovers are now working propNow you see the first pictures of the new crossover. A conventional crossover has a circuit board on which the resistors, coils and capacitors are installed. With a freehand wired crossover, the components are usually attached to a base plate and connected to the inputs / outputs a conventional cable wiring to the speakers. My crossover is, let's call it "negative replica" of a switch, the solution is another. All components are installed in a housing on the base plate. There are 4 OFC copper power lines above the components. These are directly connected to the inputs / outputsAll coils, resistors and capacitors are directly connected to these "live cables". This is the shortest and most direct way imaginable. It works like a "power substation". On the ground, the customers are in the air hanging the lines. The potential of all components is thus fully exploited.. All coils, resistors and capacitors are directly connected to these "live cables". This is the shortest and most direct way imaginable. It works like a "power substation". On the ground, the customers are in the air hanging the lines. That is my basic idea for the development of the new crossover. Therefore the large housing. The potential of all components is thus fully exploited.At least that is my opinion........
  8. just a quick update. I'm about to finish my project with the external crossover for my RF7 MK II Queen. I have already carried out a first test setup. I have to make some internal crossover wireing changes before the whole concept can be completed. You will find out more details in two or three days.This is a picture of the first test setup, the crossovers are located on the left under the tape machine and on the right under the turntable.Further details coming a.s.a.p. Best regards MicroMara
  9. MicroMara

    The Other Discs

    I actually wanted to sleep for a long time, but by chance I found this new CD that was released in Germany .. Christone "Kingfish" & Buddy Guy with "fresh out". John Lee Hooker would be jealous. I bought this CD immediately .....I LOVE THE BLUES .....By for now ......
  10. I have to break up again ..... time to sleep in germany ....see you at the weekend until then and stay healthy
  11. Hi John J ... I just wanted to listen to some good music and thought to myself .. I invite you to
  12. Then the solo career of Fleedwoods frontman Peter Green
  13. and finally the fantastic ones Fleewood Mac´s Album " Rumours " and the outstanding Steve Nicks on Vocals with " Dreams "
  14. rainy night in georgia .....my beloved Randy Crawford ...you might need somebody
  15. Grover Washington Jr. .......died in December 1999😢
  16. My very first encounter with American soul music.....Floaters with " Float on "......... a declaration of love
  17. Temptations ...a real masterpiece
  18. Carlos Santana ......Samba Pa Ti & Aqua Marine fantastically beautiful.
  19. ......and than Christopher Cross ..".ride like the wind " with Michael McDonald ..dreamlike
  20. What about " a horse with no name " from America in 1975 , you can feel the heat of the desert as they sing
  21. Donald Fagen´s " Nightfly " ...still one of my beloved records , beside Steely Dan´s " Gaucho" & " AJA " together with Walter Becker ...Great !
  22. The stones will die on stage. They are still unique and legendary
  23. I have to break up now, it's 02.10am on Monday in Germany ... at 6.30 a.m. the bell rings. By for now ......🤠
  24. That struck me immediately, but it has a very natural character, the Stones were still boys, the album is from 1964
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