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Shakeydeal

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Posts posted by Shakeydeal

  1. There really isn't anything wrong with the existing wire -- it should be tinned copper, which is pretty nice.

    I rebuilt and refinished a pair of '64 Cornwalls this past summer and I left the original wiring in there. Wasn't any reason not to, really.

    Well there was a reason, but not if you believe wire = wire. But I do not believe this.

    Shakey

  2. Looks nice, I would not be afraid to use it with a high end system.

    I wouldn't be afraid either. Not much in this hobby actually scares me. But I wouldn't feel as though I were doing justice to my source components.

    Shakey

  3. Mine is a dedicated room for audio.

    No honking big screen television.

    No A/V receivers

    No huge entertainment center

    I have tube traps, corner tunes and room tunes panels at the first reflection points. This is a well treated and very good sounding room.

    I assure you the cornwalls and my current cornscalas sound better when not in the corner or against the wall. I could make a believer out of you in a very few minutes.

    Shakey

  4. Sometime people complain about an amp that someone else finds quite good and it may be the preamp. The amp input sensitivity can range from 0.7 to 1.25 volts. If the amp need 1.25v and the preamp can only do 0.7 then the amp will underperform. This is important when not buying matched components and vintage gear to be mixed with modern gear.

    This is misleading. If your source component (seedee player) has an output voltage of 2v and your amp has an input sensitivity of 1.25 and a decent input impedence (50K is ok, 100K better), then you have no need for ANY output voltage on your preamp. My Sonic Euphoria uses autoformers as attenuators and I have NO need for any more gain with my digital front end or my phono stage (70 db of MC gain). Add in the high efficiency of horns and it's just icing on the cake.

    Shakey

  5. Important but not important if you don't need additional gain stages or any of the advanced features..

    I've been using a Slagle Autoformer Volume Control. The device is passive with one autoformer per channel no resistive parts. This thing baffled me when I first got it as it doesn't even require power. All this does is attenuate the sources directly. I have not had a single device it couldn't properly attenuate whether digital music server, rtr, phono preamp, and cdp. TI'm not going back to a preamp even though I've used some very good one. In fact I am building another Slagle AVC with the autoformer that has more settings. In my setup I have found it to be more true to sources and source material. his is the less is more camp.

    Here is an example.

    101612-AudioFeast-600.jpg

    I have owned a Sonic Euphoria AVC for many years now and it has beat others up to 6K. I have also owned a TVC, another wonderful thing fer sure. The efficiency of horns beg for devices such as these. Tube preamps costing many times as much have fallen to the Sonic Euphoria. The preamp outputs of a receiver have no business in a high end system.

    Shakey

  6. I am currently using a Marantz 2265 as a preamp with a Haffler DH-200 Amp. Am I missing anything by not having a true preamp? I never listen to the radio so the tuner portion of the Marantz never gets used. What is the importance of a dedicated pre-amp?

    Should we assume that you are not using phono as a source? Do you plan on ever using an equalizer or expander etc (eg. things that could plug into the tape loop)?

    Let's hope not.........

    Shakey

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