MicroMara

So @jubilee333 Dear Djune...you´ll get some Disco Classics you´ll need for every Party , without chronological order

Back to the roots .....

@jubilee333 welcome in the K.C , keep on spinning with us , have fun .

Loudness or also hearing correct volume correction is intended to compensate for the loss of low frequencies when listening quietly in the activated state. Loudness lifts the treble and bass on what is noticeable at low volume. it sounds fuller.

.......when we were still young and pretty

You´ll need to wait till next year as the 2021 oktoberfest´s are canceld all over germany

A Live without " xrl Balanced outputs " isn´t worth to be lived .....😂

As this is the only cd thread we have here .....well Guys ..it´s done ..the moddy from my Marantz SACDP/ DAC ... That´s what we´ve done ..... *Drive and lens cleaned *mechanical damping of the drive *Mains phase connection revision *Jensen double capacitors *operating voltage blocking with additional film capacitors *replacement of all old electrolytic capacitors against Elna Silmic / Panasonic *Quartz amplification with Masterclock oscillator XO1.1 *Increase of power supply filtering *Improvement of the converter filtering My Model SA11 S-3 Inside pic seriell Marantz model sa11-s3 after ......Elna silmic caps all over ... the new masterclock pcb with Elma Silmic / Wima Caps the new jensen filter elkos and some Elna Silmis How it sound´s ? The production model S 3 is already the further development of the SA 11 S1 / S2 / S3 series and should therefore be sonically mature. Is it also in relation to its predecessors . But now playing in an even higher league. More air between the voices and instruments on stage, an even deeper as well as finer resolution of the mid-highs in the stage, better basic dynamics in the fundamentals, the bass stagger even cleaner, sublime control and composure at high levels. I am even more surprised how the RF7 EvoTec acoustically implements the modifications made to the Marantz SA11-S3 so clearly audible. So I would say .....a senseful audible investment ....

Here I´m Dave ....beeing busi .... A femal DJ is called " DJane" and YESSIRE ! I was a DJ and a very famouse one in Germany . I made the dancefloor a dance cauldron, people were freaking out, dancing till they dropped. Yeah was a great time .

HHHMMM....what about the anti scating or counterweight ? Normally a needle damage happens not so quick ..from one to the other moment ? JMTC ...

Well Guys ..it´s done ..the moddy from my Marantz SACDP/ DAC ... That´s what we´ve done ..... *Drive and lens cleaned *mechanical damping of the drive *Mains phase connection revision *Jensen double capacitors *operating voltage blocking with additional film capacitors *replacement of all old electrolytic capacitors against Elna Silmic / Panasonic *Quartz amplification with Masterclock oscillator XO1.1 *Increase of power supply filtering *Improvement of the converter filtering My Model SA11 S-3 inside pic seriell Marantz model sa11-s3 after ......Elna silmic caps all over ... the new masterclock pcb with Elma Silmic / Wima Caps the new jensen filter elkos and some Elna Silmis How it sound´s ? The production model S 3 is already the further development of the SA 11 S1 / S2 / S3 series and should therefore be sonically mature. Is it also in relation to its predecessors . But now playing in an even higher league. More air between the voices and instruments on stage, an even deeper as well as finer resolution of the mid-highs in the stage, better basic dynamics in the fundamentals, the bass stagger even cleaner, sublime control and composure at high levels. I am even more surprised how the RF7 EvoTec acoustically implements the modifications made to the Marantz SA11-S3 so clearly audible. So I would say .....a senseful audible investment ....