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Racer X

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Posts posted by Racer X

  1. Setting aside all the valid arguments for double blind, greener grass, confirmation bias, and dime's worth of difference, the best approach may be to test and see for yourself.

     

    I learned a lot when I took some time to cycle back through all the speaker wires I collected over the years, along with some test runs of various configs.

     

    I find it hard to believe some would think drastically different wires would sound similar.  

  2. I'll wade into this sticky mess:

     

    1)  Jif   so sweet, yet distinct peanut taste

    2)  Skippy  very close, perhaps too sweet

    9)  Peter Pan    ate too much of this in my youth

  3. On 10/5/2021 at 3:36 PM, Dave MacKay said:

    The new 3/8” panels have increased the thickness of the cabinet sides (and top and bottom) to 1 1/8” without changing any of the interior dimensions. By my figuring, the cabinets now weigh about 80% as much as the MDF-made La Scala IIs. The cabinets are certainly stiffer so that the bass resonance problem should be dealt with.

     

    While thicker, stiffer cabinets are certainly better (the large 3/4" side panels vibrate freely at the mouth), the rising bass response 6 to 7 db centered around 120 hz is not really a resonance but a feature / glitch of the woofer horn dimensions that can really only be dealt with by corrective equalization.  Some may like this defining characteristic of the LaScala sound.

     

    Congratulations on finally acquiring a great speaker system and nice work on restoring.

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  4. Happy to elaborate, so no one should fear the tone controls.

     

    In my old rig, vinyl only, ARC SP3 (which I picked up cause it had tone controls) I never used the tone controls, everything sounded fine flat and pure.

     

    My current rig, digital files via the Topping E30 to the vintage Technics receiver preamp feeding the esoteric OTL tube amps to my now highly modded Heresys (soon to unveiled to the world, or at least the forum), I am heavily reliant on the tone controls.  Whether to adjust for my preference for slightly rolled off treble, slight bass boost to compensate for the Heresy shy low bass, or source corrections, or now to compensate for the crazy mods to my Heresys, the tone controls are well employed all the time.  I find this a suitable analog alternative to the DSP mantra so often espoused by others on the forum.

     

    No longer scared of the naysayers, believe we should all just find the path that best suits their ears in their room.

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