Coytee Posted January 2, 2008 Share Posted January 2, 2008 a solution that can make that room really compliment those great looking speakers!!!! Ohhhhhhhh, ya gonna share? [:S] Quote Link to comment Share on other sites More sharing options...
Ready Acoustics Posted January 4, 2008 Share Posted January 4, 2008 In many cases, low modal issues in (smaller rooms) need to be addressed before anything. This typically consists of straddling 4" thick acoustical absorbers across vertical corners (first) and then treating early reflection points. Both issues can be solved by using "broadband" absorbers that concentrate on picking up low frequencies but that truly absorb across the entire frequency band. Another thing to consider is room symmetry. Indeed setting up your main speakers to fire down the long axis of the room is desirable, however left and right symmetry may be equally important. Structural inconsistencies (left and right of your listening position) might cause you to struggle with your desired stereo imaging, and if this can be corrected by setting your system up in another direction, it may mean as much to your overall experience as setting up your system on the greater length of your room. Broadband bass trapping in corners with at least 4" acoustical absorption medium/ DIY or factory made bass traps will go a long way in reducing room resonances and help focus your overall sound. This is turn will help create a better, more enjoyable listening experience, and perhaps help to encourage other to bring the POPCORN AND BEER! Here are a couple of pages that clarify what bass traps are and explain "early reflections": https://www.readyacoustics.com/index.php?go=acoustics-advice.what-is-a-bass-trap https://www.readyacoustics.com/index.php?go=acoustics-advice.early-reflections Consider jumping over to the Bass Traps Network forum for additional information and DIY Acoustical absorber plans: http://www.basstraps.net Here is a free DIY Bass Trap tutorial I created at YouTube: And this link: http://forum.studiotips.com This forum is frequented by real acousticians and acoustical engineers, etc. It is also non-commercial and very, very informative. If I can help in any way, please let me know. Thank you, Joel DuBay www.readyacoustics.com Come and see us at the 2008 CES in Las Vegas Jan 7th-11th ______________________________________ Quote Link to comment Share on other sites More sharing options...
mas Posted January 4, 2008 Share Posted January 4, 2008 Maybe I should just stay out of this... Yes, LF room modes are an issue that should be addressed in all smallacoustical spaces. And the simplest approach is to treat the vertical corners (and secondarily,the horizontal corners of the room with Roxul or OC705 wedge traps. Further andmore problematic anomalies are perhaps best addressed with a combination ofmeasurements and an appropriate ly designed Helmholtz resonator (or whichthere are a variety of types requiring calculated tuning). And this is an example of a classic room where the classic room modecalculators are all but worthless. This room features a series of what canbe considered as coupled spaces, each reinforcing a slightly different spectrumof modes, thus requiring measurements to identify the actual resultants whichare far too complex to model and calculate. Additionally, assuming all of the LF modes are sufficiently addressed, 'we'are still left with the SIGNIFICANT issue of early arriving first order reflection off of the backceiling. And this reflection will be a hard reflection containing much energyand focused almost directly on the seating position which will substantially impair the quality of listening. Thus the goal here is not to simply absorb all of the acoustic energy, thusrendering the room dead and very small feeling. Rather the goal is tostrategically redirect the energy as much as is possible in order to reduce theintensity of the first order early arriving reflection and to return as much ofthis energy back into the space by 'breaking up' the focused specularreflection in to a more diffuse acoustic field, and thuscontributing to a well-behaved semi-reverberant acoustic field that decaysexponentially with time - the result being that this energy will contribute to thesense of space that is pleasantly perceived. So, the challenge is, how do we break up the direct radiated acoustic energythat is being reflected toward the seating position by such a large planarsurface without simply using brut force absorption and rendering the reflectionmuted, and the room in large measure, dead. Thus, while strategically applied absorption can play a role, it should beone that is used only to the degree that is is necessary to damp the energythat cannot be effectively diffused. Thus the challenge, how to effectively DIFFUSE the energy using theminimum amount of absorption necessary without spending $100K to do so (andturning the space into a museum of modern art)! Hence the role of a bit - OK,let's be up front here - ALLOT of creative thinking. [] Quote Link to comment Share on other sites More sharing options...
seti Posted January 22, 2008 Share Posted January 22, 2008 Hey Marion how is your room coming together? Great room and so much Heritage gear Quote Link to comment Share on other sites More sharing options...
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