ClaudeJ1 Posted September 9, 2008 Share Posted September 9, 2008 Got this from "The Good Sound Club" website by some guy who calls himseld Romy the Cat "Some of the initialinspiration wrt. distortion in speakers came from reading articles andJASA papers by Paul Klipsch, who also always insisted that distortionin speakers generally is inversely proportional to efficiency. As myown studies progressed, however, I've come to view Klipsch'sexplanations for this to be somewhat simplistic. Or, rather that hecould have argued more convincingly by pointing at the fact thatsomething like a dozen significant nonlinear factors are "forcibly"linearized in high efficiency small excursion designs. The cumulativeeffect of simultaneously reducing nearly all these dynamicnonlinearities in a fell swoop makes for a perceptible improvement inclarity, articulation, dynamics, effortlessness etc. Klipsch, however,tended to emphasize reduced intermodulation distortion in horns whichis ONLY due to reduced diaphragm velocity. This distortion mechanismexists independently of nonlinear parameters in the driver itself, asthis generation of nonharmonic sidebands is due to the doppler effectand is proportional to the product of peak diaphragm velocity andbandwidth. It is therefore not related to efficiency or drivernonlinearity as such. Neither does it explain the improved dynamics andother advantages of high efficiency speaker design" Quote Link to comment Share on other sites More sharing options...
Daddy Dee Posted September 9, 2008 Share Posted September 9, 2008 I wonder what Mr. Paul would say in response to that? Quote Link to comment Share on other sites More sharing options...
IndyKlipschFan Posted September 9, 2008 Share Posted September 9, 2008 [bs] Quote Link to comment Share on other sites More sharing options...
ClaudeJ1 Posted September 9, 2008 Author Share Posted September 9, 2008 I wonder what Mr. Paul would say in response to that? No one knows for sure, but having heard first hand from he and Jim Hunter back in 1985................they worked hard on the very DISTILLATION of the whole thing to make it a simple as possible to explain to everyone. Romy does just the opposite.........he tries to make it more complicated, but in effect, he really is agreeing and saying the same thing except for the last 2 senctences where he trips up a lot................just using more words that are confusing and unnecessary. He does love horns, though, AND Classical music as PWK did. The reason PWK was always careful about saying that distortion (in all forms) was APPROXIMATELY inversely proportional to efficiency is because it wasn't a perfectly linear relationship...........it was actually better than stated with the "approximately" caveat. He stated "a significant percentage of distortion" was attriutable to that inverse relationship. Therefore, the higher efficiency, the lower the distortion. When citing one of his original experiments (I have a video recording of him saying this) PWK built a box with a direct radiator in it that could attach to a horn. Comparing the same direct radiator with a 1 Watt input, with and without the horn, gave the following: a 15 decibel increase in output with the horn, and, more importantly a 25 db REDUCTION in distortion.This is why he said "approximately." So basically the horn increased the sound output 31.6 times higher and decreased the distortion 316 times lower. I would say that was a pretty convincing experiment. If a driver moves, it produces distortion, so reducing the motion with a horn, reduces distortion in accordance with this relationship. With my "stack" in the AvatarI went from 105 db efficiency in Khorns/LaScalas to 109 db efficiency, so I reduced distortion by 2.5 times because I reduced amplifier power by 2.5 times. So I went from 1/4 watt to 100 milliwatts to do the same job, with 1 Watt PEAKS in the MWM woofers under normal listening. Movies with explosions are 10x higher than this so I hit 10 W peaks once in a great while. Quote Link to comment Share on other sites More sharing options...
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