Jump to content

Sheilded speaker wires...


BentMike

Recommended Posts

I do data acquisition and control - when ever I have a signal I care about I use shielded and preferably twisted pair cables.

Why are we told not to use shielded cable for speaker wire? Is it just a waste of money, or does it mess something up?

BM

Link to comment
Share on other sites

There may be a benefit to using shielded speaker cable in certain instances. With some amplifiers electrical noise can get into the amplifier's input through it's fedback circuitry. The use of coax cable with the shield connected to the output terminal that is grounded to the amp's chassis can reduce this noise pickup. RG-8 coax has about 26 pf/ft with very low inductance and won't generally cause instability problems. If it does, a Zobel termination at the speaker input will null out the reactance.

Link to comment
Share on other sites

I do data acquisition and control - when ever I have a signal I care about I use shielded and preferably twisted pair cables.



Why are we told not to use shielded cable for speaker wire? Is it just a waste of money, or does it mess something up?



BM

One wire that comes to mind is IIRC Mogami, which actually used a pair of shields as the conductors and had more capacitance than some early amps were stable with. Nothing AFAIK is inherently bad about shielding the speaker wires, but to what end?

The speaker signal has no power above 20k so its not going to "annoy" other circuits, and its fairly high level, volts not millvolts, so seems unlikely anything is going to annoy it.

I use cheap 12 gauge clear zip cord, but no harm from twisted pairs, again though to what end its a low impedance high level signal.

Link to comment
Share on other sites

I use zip cord , too. But I have a lot of coax around, and I have read a couple of times, "DO NOT use coax for speakers." I was just curious.

My Crown D-75A is nearly impervious to external influence. I can probably use whatever I want with it.

Link to comment
Share on other sites

"One wire that comes to mind is IIRC Mogami, which actually used a pair
of shields as the conductors and had more capacitance than some early
amps were stable with. Nothing AFAIK is inherently bad about shielding
the speaker wires, but to what end?"

Mogami?

Love it, no other speaker cable I know of blew up so many expensive amplifiers (and I got paid to fix them).

The Crown is probably OK, but something that does not have a choke in the output network (like many Adcom) will probably 'let the magic smoke out'.

Link to comment
Share on other sites

"One wire that comes to mind is IIRC Mogami, which actually used a pair of shields as the conductors and had more capacitance than some early amps were stable with. Nothing AFAIK is inherently bad about shielding the speaker wires, but to what end?"

Mogami?

Love it, no other speaker cable I know of blew up so many expensive amplifiers (and I got paid to fix them).

The Crown is probably OK, but something that does not have a choke in the output network (like many Adcom) will probably 'let the magic smoke out'.

Huh? How did that happen? Curious.

Link to comment
Share on other sites

Uh oh. I vaguely remember this from school.

So capacitive loads are like opening a valve all the way and letting too much current flow?

I am using the W3102 (2 conductor) wire. Should I be worried? I piece if about 10 feet long, the other is about 35 feet long.

http://www.mogamicable.com/category/bulk/speaker_cable/conventional_configuration/

Ranges from 32.3 pF/ft at 100 hz to 22.6 pF/ft at 100 Khz.

Capacitance (20°C) Frequency 100Hz 1kHz 10kHz 50kHz 100kHz
W2972
Superflexible Studio Speaker diagram w2972
1-2 130pF/m
(39.7pF/Ft)
100pF/m
(30.5pF/Ft)
81pF/m
(24.7pF/Ft)
74pF/m
(22.6pF/Ft)
71pF/m
(21.7pF/Ft)
1-3 110pF/m
(33.6pF/Ft)
79pF/m
(24.1pF/Ft)
63pF/m
(19.2pF/Ft)
57pF/m
(17.4pF/Ft)
56pF/m
(17.1pF/Ft)
W3103
Superflexible Studio Speaker diagram w3103
1-2 106pF/m
(32.3pF/Ft)
93pF/m
(28.4pF/Ft)
83pF/m
(25.3pF/Ft)
76pF/m
(23.2pF/Ft)
74pF/m
(22.6pF/Ft)
Link to comment
Share on other sites

Normally, maximum current in a resistive load is when the voltage into the load is at maximum and the voltage across the outputs is at a minimum.

A 90° capacitive load would cause the maximum current to flow with the maximum voltage across the output devices.

Link to comment
Share on other sites

So then any capacitance, the more the merrier, is going to approach that max I and max V point. Could get hot before 90 degrees?

You said the Crown amps would probably be OK and mentioned chokes on the output. Is that what my amp has, a big enough inductor?

Since Adcom and other amps lack an output buffer (is that always equivalent to an inductor?), presumably there is a reason for the absence?

BM

Link to comment
Share on other sites

The real issue is whether the amplifier can drive high capacitance without ringing or oscillation.

If it can't, then you have a problem. Some magazine reviews showed waveformes into a pure capacitive load to help you evaluate this.

If you are really inclined to use co-ax, you may need to add a damped inductor in series if your amplifier does not have one.

Posted Image

Inductor inside an early MIT interface box.

A later MIT interface box.

mitoraclev2.1_.jpg

Link to comment
Share on other sites

So an Adcom amp, for example, With a capacitive load there would be some audio content that would resonate causing too high peaks that breakdown some components in the amp?

Any idea what the range of capacitance this might be? There is some capacitance between the conductors even of zip cord...

Again, I am not likely to be using coax after this discussion, but I still want to understand as fully as I can.

Then there is the question earlier that went unanswered - why would Adcom or any amp designer choose not to include this buffering? To economize? Are there auditory advantages or disadvantages?

BM

Link to comment
Share on other sites

Cost is always a factor, so I suspect a main reason is that nobody expected the wave of wacky wire. Most amps aren't waterproof either, but its not an issue in a normal setup.

Nothing in audio is free. Protection circuits either add cost, or mess with the sound or both.

Many audiophile type systems depend on pleasant artifacts, so advantages, disadvantages, you could make a list as long as desired. I remember a time when pretty much everybody in the audio community used system formulaes, this cartridge with this arm and table, needs such and such preamp, etc etc. I don't think that is still a common thought outside of people who like coloration.

Link to comment
Share on other sites

Hello Mike,

That is what I thought. I am all for zip cord then. Are there issues with solid Cu wire? Other than it is springy, and annoying to handle and look at? I can see romex under the floor as an interesting choice. Cost effective.

OT stuff:

I just had a fussy conversation in a different venue where those with audiophilia were really down on mp3s (the breadth of music available in the format is hard to ignore or discount). Some are insisting on perfect reproduction, as if there is a reference for that, or anyway to tell if our perception of it is perfect even with a "perfect" system. So coloration, pleasent artifacts (I like that one), how can a true audiophile ever seek such a thing?

djk,

What is DF?

thanks,

BM

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...