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SS vs Tubes, a Different Comparison?


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I just got off the phone with someone at one of the stations we do radio advertising with, we were recording a segment to be played in a couple weeks, when she asked me to hold on, she had an engineer stringing wires around the board she was working from. The little light flashed on in my head; an engineer at a radio station that I had yet to ask about an interest or use of tubes in his or any friends personal systems. He was kind enough to get on the phone with me for a short time, but was obviously not a tube enthusiast. His claim was that if you ran a signal straight from a CD player into a SS amp, and listened to it, then ran that same signal through 10 additional amps and listened again, you wouldn't hear a difference. However, if you substituted one tube amp for any of the SS amps, the difference you'd hear would be noticeable, and due only to the effect of the tubes, thereby proving that tubes color the sound whereas SS does not. We were both pressed for time, so not really much of a discussion, just his take on his version of "The Facts" . He did say he'd check for any tube stuff he could find, that what he used to have he threw away years ago. I wish I was educated enough on this stuff to have been able to offer a rebuttle. [:S] Still reading and learning though. Anyone care to comment on his comments?!?

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I can take two engineers and tell them to use nothing but the standard circuit topologies in a textbook and have them build a unit to meet identical needs, and the odds are that they will build two very different units. I am sure there is a point there, but it begs the obvious. And I know that in this forum of very exceptional minds, such is not the intent!

Do you mean to tell me all devices for similar purposes are not the same! Or that under the covers ALL devices are not actually the SAME device!?[:P]

Oh, its soooo confusing![:P]

But I bet if that wacko Bush wasn't in office, with the lib 'equality of outcomes', all devices would be the same!

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He did say he'd check for

any tube stuff he could find, that what he used to have he threw away

years ago. I wish I was educated enough on this stuff to have been able

to offer a rebuttle. [:S] Still reading and learning

though. Anyone care to comment on his comments?!?

A "few years" ago likely translates into "We stopped using it 25+ years

ago and just got around to throwing it out a few years back." I'll guess

by 1975 it was difficult to find any tube gear in a studio. I'm certain

by 1980 it was pretty much all gone.

My recent "re-education" in high end audio has been interesting so far.

The the standout thing is that people are falling all over themselves

to find and use equipment that wasn't considered high-end 30 years ago,

and we're now discussing it's alleged superiority...

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My recent "re-education" in high end audio has been interesting so far. The the standout thing is that people are falling all over themselves to find and use equipment that wasn't considered high-end 30 years ago, and we're now discussing it's alleged superiority...

Now, now! Be nice![:P]

The next thing you'll be telling me is that my ~2750 S/N constrained vinyl records aren't better then any of the newer formats!

LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA!!!![:P]

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My recent

"re-education" in high end audio has been interesting so far. The the

standout thing is that people are falling all over themselves to find

and use equipment that wasn't considered high-end 30 years ago, and

we're now discussing it's alleged superiority...

Now, now! Be nice![:P]

The

next thing you'll be telling me is that my ~2750 S/N constrained

vinyl records aren't better then any of the newer formats!

LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA!!!![:P]

Just an observation. ;)

Maybe my ears have gone from old age, but the D-75A Crown I just bought

for $130 sounds fine to me. Given that you see them everywhere,

and that there's a good chance the monitoring of the original mix was

done with one, I guess I'm not alone... <shrug>

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My recent

"re-education" in high end audio has been interesting so far. The the

standout thing is that people are falling all over themselves to find

and use equipment that wasn't considered high-end 30 years ago, and

we're now discussing it's alleged superiority...

Now, now! Be nice![:P]

The

next thing you'll be telling me is that my ~2750 S/N constrained

vinyl records aren't better then any of the newer formats!

LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA!!!![:P]

Just an observation. ;)

Maybe my ears have gone from old age, but the D-75A Crown I just bought

for $130 sounds fine to me. Given that you see them everywhere,

and that there's a good chance the monitoring of the original mix was

done with one, I guess I'm not alone... <shrug>

and I have been saying That here .... for a year .....

maybe it's sinking in ......[:|]

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My recent

"re-education" in high end audio has been interesting so far. The the

standout thing is that people are falling all over themselves to find

and use equipment that wasn't considered high-end 30 years ago, and

we're now discussing it's alleged superiority...

Now, now! Be nice![:P]

The

next thing you'll be telling me is that my ~2750 S/N constrained

vinyl records aren't better then any of the newer formats!

LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA LA!!!![:P]

Just an observation. ;)

Maybe my ears have gone from old age, but the D-75A Crown I just bought

for $130 sounds fine to me. Given that you see them everywhere,

and that there's a good chance the monitoring of the original mix was

done with one, I guess I'm not alone... <shrug>

and I have been saying That here .... for a year .....

maybe it's sinking in ......[:|]

Hey, give me a break. I've only been here a month and I bought the Crown 3 weeks ago...[:P]

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Nonsense.

If designers didn't have INDIVIDUAL tastes and "agendas" then EVERYTHING WOULD BE EXACTLY THE SAME.

Exactly my belief too, it's just plain common sense.

And it's the reason I have trouble comprehending why some people believe an person should have to have had experience with Brand X audio equipment, in order to give a qualitative description as to whether or not Brand Y is a quality piece of gear. That just pure BS, and illogical.

A wise man once told me that every piece of audio gear has it's own signature. That is logical. That I can comprehend. A person does not need to have to listened to 100 different pieces of gear to figure that one out.

Sorry I got carried away on that. Someone here (!!!!!) put a thorn in my side, and I had to pull it out. Thanks Alan.

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Nonsense.

If designers didn't have INDIVIDUAL tastes and "agendas" then EVERYTHING WOULD BE EXACTLY THE SAME.

Exactly my belief too, it's just plain common sense.

And

it's the reason I have trouble comprehending why some people

believe an person should have to have had experience with

Brand X audio equipment, in order to give a qualitative description as

to whether or not Brand Y is a quality piece of gear. That just

pure BS, and illogical.

A wise man once told me that every piece

of audio gear has it's own signature. That is logical. That I can

comprehend. A person does not need to have to listened to 100

different pieces of gear to figure that one out.

Sorry I got carried away on that. Someone here (!!!!!) put a thorn in my side, and I had to pull it out. Thanks Alan.

WAIT ...!

i thought the job of premium equipment ....

was NOT to color the Sound ....???......[:o]

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WAIT ...!

i thought the job of premium equipment ....

was NOT to color the Sound ....???......[:o]

That is physically impossible, IMO. As a test, go to few high end audio stores and audition their best and throw in a few not so best systems. Just for grins, see if the any of the 2 sound the same.

Fact is, they won't. It's impossible. Each element (i.e. resistor, cap, tube, inductor, IC, etc. etc.) that the signal goes through in any particular component will be stained or enhanced (however you choose to look at it) to some degree by that element. The wise man also thought me that, actually, I knew it, but just never thought about it that way.

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WAIT ...!

i thought the job of premium equipment ....

was NOT to color the Sound ....???......[:o]

That

is physically impossible, IMO. As a test, go to few high end audio

stores and audition their best and throw in a few not so best systems.

Just for grins, see if the any of the 2 sound the same.

Fact is,

they won't. It's impossible. Each element (i.e. resistor,

cap, tube, inductor, IC, etc. etc.) that the signal goes

through in any particular component will be stained or

enhanced (however you choose to look at it) to some

degree by that element. The wise man also thought me that, actually, I

knew it, but just never thought about it that way.

It makes sense that's there's a difference. The question is, how much

difference, and the bigger question is, can people really tell the

difference. Take a common $.75 Panasonic polypropylene film capacitor

for example and compare it to some high end $15.00 "audiophile cap".

Think anyone could tell the difference in a double blind test?

My bet is no way a person could tell the difference but the $5000 cable

and interconnect crowd would likely tell me I'm full of it...

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... then ran that same signal through 10 additional amps and listened again, you wouldn't hear a difference.

I would love to see the hookup scheme for that test.

However, if you substituted one tube amp for any of the SS amps, the difference you'd hear would be noticeable, and due only to the effect of the tubes, thereby proving that tubes color the sound whereas SS does not.

The man is a moron. Somebody should fire him before he destroys something.

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