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Bass extension requirements for 2 channel music?


formica

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What's that rule of thumb again?... For a 2 channel

music system, 50Hz is sufficient? Or was that 40Hz? It

seems to be popular opinion that for music, a Khorn with a Fc of 40Hz

doesn't need a sub while the LaScala with a Fc of 60Hz may need one?

Well, I was testing a disk in which I found the mix "lacklustre" in

spectrum lab so... I decided to throw a couple of favourites albums in

to see how they test in bass content. These are all regular

2-channel music recordings on CD... and not DVDA or SACD.

The first one is Front242's song "Melt" from the live album called

ReBoot98 .... it has great solid low level intensity.

Although the bulk is centred at 40 to 50Hz... it actually extends below

20Hz.

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This second one is Massive Attack's popular "Tear Drop" from the

Mezzanine album... it actually extends down to about 15Hz with good

content in the entire 20Hz range!

For those who don't know this song, it's a great recording (actually

the whole album is) but it's not a "bass heavy" song.

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This one is BreakbeatEra's title song from the "UltraObscene"

album. It's a great album which falls in the Drum&Bass style,

but has strong trip-hop and jazz influences. Good dynamic

recording, although you can pickup some of the mix's glitches usually

blended out during mastering.

I used this album when I auditioned LaScalas (2 channel hifi) and it just wasn't right.

Maybe this is why... with a strong beat centred at 40Hz... and extension to 8Hz, A LOT of info was missing...

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Another Breakbeat Era song... "Animal Machine" which has strong

content down to below 10Hz. It really does work out a

subwoofer....

All these recording were mastered with CD in mind, so they obviously weren't limited to the RIAA vinyl curve.

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Ok, How about Meat Beat Manifesto's "YURI" from their "RUOK"

album? This is techno-industrial with excellent recording

quality throughout the whole frequency range and beyond. I would

refer to this as a bass intense recording though.

Bass extends evenly to below 10Hz... a lot of info between 20Hz and

50Hz. It'll make most speakers (and a lot of subs) sweat.

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All these recording were mastered with CD in mind, so they obviously weren't limited to the RIAA vinyl curve.

And that's where the problem lies...it seems the only people that claim low frequency reproduction isn't needed are those running turntables as their main source for playback. And since turntables are incapable of being very accurate below 60Hz there simply is no need for a speaker to dig that low. To compensate, you will also notice that a different EQ curve is used for LP mastering than is used for CD mastering (ignoring the whole RIAA thing).

Btw, what program are you using to produce these plots? I would love to add a few more to the list that I know are a bit more extreme below 30Hz [;)]

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OK, I can hear some people whining... "but we don't know any of

those groups / songs" or "there was music recorded after vinyl

disappeared?" [:P]

Well, I pulled out an oldie... recorded for vinyl.

I have an old copy of Dark Side of the Moon, with the original

mix. It's not the "remastered" version or even less the SACD

one. Just the plain DSTM

This is "Speak to Me" at the start of the album... and it has some

pretty intense content at 32Hz which extends to about 22Hz. This

is well below the LaScala and even the Khorn's capabilities.

I think I'll keep my subs... [8-|]

ROb

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Btw,

what program are you using to produce these plots? I would love to add

a few more to the list that I know are a bit more extreme below 30Hz

[;)]

It's SpecLab (or Spectrum Lab) freeware.

I'll post the link tonight... as the site i think it is, seems down

right now. I'm using the same setings as for the guys at HTF do

for their DVD scans.

ROb

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"Ok, How about Meat Beat Manifesto's "YURI" from their "RUOK" album? This is techno-industrial with excellent recording quality throughout the whole frequency range and beyond. I would refer to this as a bass intense recording though."

I have a few MBM CD's. Don't have RUOK however.

"Actual Sounds + Voices" is one I really like, plenty of low frequency for subs.

What's really strange, is I can play that CD using my 2A3 amp without the subwoofers and it doesn't seem like it's rolled-off on the lower frequencies.

I'm rather certain it is, but it sure doesn't sound like it.

Scrounge up some Lustmord, 3/4th's of the recordings seems like it's below 40 Hz.

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Yea but that is not what I asked. I'm curious as to what instruments are making this super low notes with these recordings. Maybe they are made with a synthesizer, maybe not. I dont know the groups being discussed so I asked! Why the smart a$$ response?<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

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Not sure what type of music that is or what

musical instruments the bands are using. But I'm very curious as to

what instruments are making those supposed low notes.

Alot of those low notes are actually harmonics of the "instruments"

used. There is a mix of synthesizer, bass drum, and a good dose

of fuzz bass... as well as samples of all those.

As for Pink Floyd's heart beat... it was done using a simple bass drum

if I'm not mistaken... probably passed through a highpass filter for it

to fit on vinyl. Pretty impressive a 30yr old recording...

Here is a .jpg capture of TLC's Red Light

Special... I could send that to formica, if he can do a better

graph.

Email me the file, I'll see what I can do... afterall I don't have to listen to it while I graph it... [:P]

BTW, I'm not sure how the "compressed" version will do, as I'm guessing

that the algorithm must drop a lot of the low end data to get a 1/10

file size.

It's SpecLab (or Spectrum Lab) freeware...

I'm using the same settings as the guys at HTF do for their DVD

scans.

Here you go:

http://www.qsl.net/dl4yhf/spectra1.html

And as mentionned, these are the non-default settings I use in Speclab:

-48kHz or 44.1kHz sample rate

-waterwall scroll interval 120ms

-range -70-0dB

-fft input size 16384

-decimate input by 8

-freq. range 0Hz-120Hz

-coloration "blue" for -70db and "magenta" for 0db.

You guy can feel free to add some others to the list. I too have other interesting music that I may add later...

ROb

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And that's where the problem lies...it seems the only people that claim low frequency reproduction isn't needed are those running turntables as their main source for playback. And since turntables are incapable of being very accurate below 60Hz there simply is no need for a speaker to dig that low.

Huh? That sounds rather apocryphal, my dear Dr. -- it seems to me I get plenty of clear 32.7 Hz from my LP player, not to mention undertones from bass drums.

Interesting, I hadn't heard of different mastering curves for CDs and LPs outside of RIAA equalization.

Larry

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