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Maximus89

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About Maximus89

  • Rank
    Forum Veteran
  • Birthday 08/19/1984

Profile Information

  • Gender
    Male
  • Location
    Houston, Tx. (NW)
  • My System
    Klipsch Chorus II
    4x Klipsch La Scala Industrials (sold)
    Klipsch Forte WO(sold)
    Klipsch RC-7 Cherry(sold)
    Klipsch KSP-S6 White(sold)
    Klipsch KG 3.2 (sold)
    Klipsh KLF-10 Blk(2)
    Klipsch KLF C-7 Blk(1)
    Klipsch SS-1 Blk(2)
    Klipsch Sub-12(blk)
    Klipsch KSW-12(blk)
    JBL ES250P(Blk/Gray)
    Marantz SR7007

Recent Profile Visitors

2008 profile views
  1. KV4 is the matching timbre center but im personally looking around for bigger and better centers. The timbre match doesn't do much for me unless its 3 front speakers all the same- thats where its most effective and amazing experience. Sent from my SM-G965U using Tapatalk
  2. Yeah i'm sure it's just in my head. I overthink things. Speakers are built with an tilt all the time. What we also know, is the Legendary series of Klipsch speakers of the era that followed had a notorious issue with factory glue and baffles being loose. I still believe the likely cause was a previous owner possibly using them as full range for movies and really loud bass heavy music=loose dust caps he had to reglue and loose rubber surround he had to reglue and loose baffles he likely overlooked. I'll add bracing to the cabinets when i get a chance and replace the cheap foam with some wads of poly fil.
  3. Well the right rear baffle is clearly bulging out where the rattle came from and that was there from the get go. This left speaker just happened, so it's either new or i just couldn't hear it before. Putting them flat at this point wont change anything since the damage is done, be it from tilting or age and being run hard. The evidence - glue residue all over all the dust caps and one reglued rubber surround + baffle issues tells me someone went pretty hard on these speakers. Luckily, the compression drivers are fine and other than aesthetics, the 12's seem fine.
  4. I had mentioned previously that my right CF-4 had a loose rear baffle. I put a clamp on it as i believe Shiva suggested and i just left the clamp. Haven't had the chance to reglue and brace yet. Well, now i heard a strange sound from my left CF4 and i walked around the room thinking it was something rattling against the wall. Unfortunately, i caught it when i put my head behind the speaker and heard it was the top middle of the rear baffle. When i press my palm against the baffle, the rattle stops. Put a clamp on it and it's fine. But, that's 2 rear baffle issues and it got me wondering if it has anything to do with me having the speakers tilted up? I have them on the floor still with no feet, but put cork pads on the front to tilt the speakers up. Does the unevenness of the bass damage the cabinet? I know it could very well just be the baffle just needs bracing and reglue, but don't want to damage post repairs if tilting up is doing harm.
  5. And you can also use an HDMI dac with 8ch analog out. Essense Evolve II 4K. $299 iirc. Cheaper option. Its 1 out to TV and 1 in, but you can add a cheap 4k hdr hdmi switcher if you have more devices. The analogs out to the mx151 and there you have it. Uncompressed audio from all your 4k hdr devices. Really wish I got this deal. I paid 1500 more than his asking price just recently. Sent from my SM-G965U using Tapatalk
  6. Wow no way. I spent a lot more just a month ago could have saved money and had a steak and beer. Someone is going to get a hell of deal! Sent from my SM-G965U using Tapatalk
  7. I saw a walnut v.1 pop up somewhere between here in Houston and San Antonio. I missed it. Walnut is my favorite. I saw one of those white washed(not sure what the official name was) CF3 v1 pop up in Dallas. Thats it. All of these speakers are pretty rare. I believe there's a CF2 local. I had no idea they used the same compression driver. Thought it was phenolic diaphragms. Cf2 Might make a good center for me Sent from my SM-G965U using Tapatalk
  8. Yes for sure. Ive thought of this as well. I even took my Forte III mumps horn with k70g? Compression driver and dropped it into a klf c7. Obviously there needs to be some crossover mods when doing these types of swaps, but the kv4 for c7 swap is drop in and you get the wood veneer. Epic series came in a unique washed white from what I recall that I dont find particularly attractive with the black horn and drivers, but there were a lot of nice veneer options so its strange the kv4 wasn't given wood veneer. It would be simple enough to put a nice veneer yourself though. Sent from my SM-G965U using Tapatalk
  9. 320wpc was from a MC7106 with a pair of channels bridged to 320wpc. It is a mac amp without their auto former. Sounded great with the Cf3s- havent used it on the CF4. The 120wpc is from a unique 6ch tube integrated from Pathos. 6 tube pre sections for the L/R, C, Surround L/R and Tube pre on the sub as well. Power amp is Mosfet design. For 2ch, the amp auto bridges surround L/R and L/R for 450wpc at 8ohm stereo, center also shut off. 120wpc into every channel during 5.1 movies or music. Its a powerful and beautiful sounding amp. Don't get me wrong about the KV4, im just spoiled. Until recently I had a single Forte III as my center, had a front 3 La Scala set up, had a Chorus I center with Chorus II, had a front 3 KLF-10 set up as well so im used to large floor standards as centers. All regular centers feel small for me. Im sure my KV4 just needs a recap. I just got an idea. Going to take my KV4 horn and compression driver and drop it into a KLF10 for a center Sent from my SM-G965U using Tapatalk
  10. Price is right for local pickup. I'll pay up to $350 for a nice condition, but they usually have dented in woofers and veneer is beat up. There was a nice one in cherry local, but it's gone now. Either they removed it or it sold, but i passed because they wanted too much. I think some people see the original msrp and price it on that. There's a guy local with a nice Cherry Klipsch RT-12d sub that i've wanted for a while, he's asking for 1,500 and notes that they were over 3k with tax. Hopefully it comes down, but i want it even more now that i have my Cherry CF-4s. I'm not missing much with my RSW-15 though, so not desperate. It's mostly a matching aesthetic based change that i want. The RSW-15 is a tank and surprisingly very good with music. I expected it to just be a movie workhorse. Here's a photo of my previous RC-7. Hated the dented woofers, sold them and replaced them with newer drivers with inverted colored dust cap-forget which speaker, smaller RF-7II brother. Much nicer aesthetic. I also had to sand the really beat up cherry veneer and as my Chorus II were black sanded down, and walnut danish oil applied. I went ahead and applied walnut danish oil on the rc-7 to try and match- i didn't know what i was really doing. Didn't match- too light-but nice!
  11. My main interest in terms of experimenting is grabbing a cherry rc7. I loved the rc7. It was a beast and my favorite of the klipsch center speakers minus the matching one for the rf7III. I have only heard it as a rear center, but I bet it sounds great. I do remember thinking the rc7 was a bit too bright but would love to see how my tube pre tames that or if solid state mcintosh room perfect would tame it. I also would like to try the kv4 compression driver on the rc7. Ultimately i think I'd like to end up with 2 KV4s veneered by me in cherry on stands as surrounds. Sent from my SM-G965U using Tapatalk
  12. I always thought a klfc7 crossover would work just fine. Similar crossover points as well but I never tried it. I have both right now, and with my kv4 lack of love, I might try swapping crossovers and see how it sounds and report back Sent from my SM-G965U using Tapatalk
  13. Interesting I always thought the cf2 and the cf1 were phenolic diaphragms in different cds? Is that just the cf1? Sent from my SM-G965U using Tapatalk
  14. Speaking of the kv4. Ive had 320wpc and last night I had 120wpc with a tube pre on it, and its always the weakest link. I used to use full range towers for surround but currently have klipsch ss1 on the wall which apparently have aluminum diaphragms too- even those sound more clear and robust when I give them 320wpc McIntosh amp. Did Roy design the KV4 and the smaller cf2 and cf1? I wish the KV4 was front ported in a longer and deeper cabinet. The horn is nice and solid. The 8" drivers are neo and should be good. The compression driver is the same as the cf3 and 4, so its either the cabinet or the crossover thats the problem. Maybe it needs a recap? Sounds muffled. If the big KLF30 had the KLFc7 match, the much bigger cf3 and cf4 should have gotten an even bigger center to match their line as well but the kv4 is nearly identical to the c7 Sent from my SM-G965U using Tapatalk
  15. So to be sure, IF i wanted to use my McIntosh MX150 or MX120 as my primary home theater along with the Pathos for 2ch analog, i would use my Pathos AUX L/R input to my L/R Pre Out on my MX150 or MX120. So when i want to watch movies, i'd switch my Pathos to the AUX input to my McIntosh, and adjust my volume level manually to be level matched with the McIntosh center/SR/SL channel levels powered by a McIntosh MC7106. For analog 2ch from my balanced DAC, i wouldn't need to power on anything but the Pathos and DAC. I haven't tried, but something tells me this will be a very distorted and noisy solution for movies. I'll give it a shot.
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