dirtmudd

you need one of these

what's in the dead wax ?

https://londonjazzcollector.wordpress.com/record-labels-guide/columbia-records/columbia-us-labels/

N.C. deputies seize opium poppy plants worth $500 million it's the black tar heels variety..

https://www.theverge.com/2015/10/5/9409563/reel-to-reel-tape-retro-audio-trend Most R2R consumer decks can’t even erase pro-grade tape, much less exploit its superior sound quality. So don’t slap an ATR reel on the Sears Silvertone R2R you picked up for 10 bucks at a garage sale. This tape is designed for high-speed (15 ips) machines, like the UHA Phase 12. At $24,000, this modded out Tascam BR-20 is a ridiculously over-engineered piece of gear. The platform is a Teac deck that gained a reputation in the '90s as a studio workhorse. The UHA modifications, however, are so extensive, both cosmetically and mechanically, that the only thing the Phase 12 has in common with a stock BR-20 are its dimensions. From the "hyper pure" (99.99 percent) cast silver wiring, to the electromagnetic shielding made out of mu-metal (an exotic alloy used to make satellites), the attention to detail is nuts. Even the fuse is overkill squared. The Quantum Red is a ceramic fuse made with a rare alloy that’s been zapped with a Tesla coil running 2 million volts. UHA owner Greg Beron says it’s OCD engineering like this that make the Phase 12 superior to the world’s best turntables. AKAI GX-747, William Franklin via Flickr. It was Beron’s earlier Phase 11 deck that audiophile bible The Absolute Sound pitted against one of the most highly regarded turntables, the Proscenium Black Diamond V. When the shootout was over, and all the sonic dust had settled, the six-figure turntable — a linear-tracking, air bearing (yes, like an electron microscope) precision instrument with more industry awards than the Honda Accord — had been vanquished. To say this caused a stir within the vinyl-centric hi-fi community is putting it mildly. If your prized possession — a $120,000 turntable rig that TAS recently praised as "the highest-fidelity phonograph on the market" — had just been kicked to the curb by a tape deck, sedatives and grief counseling would be in order.

sounds killer on the hi-sm's...the bass response is tight.. especially for the hi-sm's 70 hz..

forget the past

https://www.theverge.com/2015/10/5/9409563/reel-to-reel-tape-retro-audio-trend Most R2R consumer decks can’t even erase pro-grade tape, much less exploit its superior sound quality. So don’t slap an ATR reel on the Sears Silvertone R2R you picked up for 10 bucks at a garage sale. This tape is designed for high-speed (15 ips) machines, like the UHA Phase 12. At $24,000, this modded out Tascam BR-20 is a ridiculously over-engineered piece of gear. The platform is a Teac deck that gained a reputation in the '90s as a studio workhorse. The UHA modifications, however, are so extensive, both cosmetically and mechanically, that the only thing the Phase 12 has in common with a stock BR-20 are its dimensions. From the "hyper pure" (99.99 percent) cast silver wiring, to the electromagnetic shielding made out of mu-metal (an exotic alloy used to make satellites), the attention to detail is nuts. Even the fuse is overkill squared. The Quantum Red is a ceramic fuse made with a rare alloy that’s been zapped with a Tesla coil running 2 million volts. UHA owner Greg Beron says it’s OCD engineering like this that make the Phase 12 superior to the world’s best turntables. AKAI GX-747, William Franklin via Flickr. It was Beron’s earlier Phase 11 deck that audiophile bible The Absolute Sound pitted against one of the most highly regarded turntables, the Proscenium Black Diamond V. When the shootout was over, and all the sonic dust had settled, the six-figure turntable — a linear-tracking, air bearing (yes, like an electron microscope) precision instrument with more industry awards than the Honda Accord — had been vanquished. To say this caused a stir within the vinyl-centric hi-fi community is putting it mildly. If your prized possession — a $120,000 turntable rig that TAS recently praised as "the highest-fidelity phonograph on the market" — had just been kicked to the curb by a tape deck, sedatives and grief counseling would be in order.

On this day — May 26 © 1647189719751998 American 'witch' hanged'Dracula' publishedKnievel's UK jumpAustralia apologizes Evel Knievel crashes at Wembley Before a crowd of 70,000, daredevil Evel Knievel attempts to jump his motorcycle over 13 buses at London's Wembley Stadium. As he lands, he’s thrown onto the concrete, sustaining multiple serious injuries. Hobbling back up onto the launch ramp, Knievel tells the crowd, 'I will never, ever, ever jump again. I'm through.' Six months later, he will indeed jump again.

http://vinylfanatics.com/analoglovers/page26.html http://vinylfanatics.com/analoglovers/page24.html https://www.audioasylum.com/audio/vinyl/messages/697465.html

http://www.better-records.com in the shopping cart: 0 Current total: $0.00 “I have VERY few personally-selected LPs that can compete with a Hot Stamper” SIGN UP FOR SPECIAL OFFERS READ MORE CUSTOMER TESTIMONIALS 30 DAY MONEY BACK GUARANTEE (#etcetera) (#beatles) SUPER HOT STAMPER Dire Straits Love Over Gold (#diresloveo_1705) Our Price : $249.99 SUPER HOT STAMPER Willie Nelson Stardust (#nelsostard_1705_1) Our Price : $199.99 SUPER HOT STAMPER Willie Dixon I Am The Blues (#dixoniamth_1705) Our Price : $99.99 WHITE HOT STAMPER Al Dimeola Elegant Gypsy (#dimeoelega_1705) Our Price : $249.99 WHITE HOT STAMPER U2 The Unforgettable Fire (#u2___unfor_1705) Our Price : $399.99 SUPER HOT STAMPER Pink Floyd Dark Side Of The Moon (#pinkfdarks_1705) Our Price : $349.99 SUPER HOT STAMPER Eagles Hotel California (#eaglehotel_1705) Our Price : $249.99 WHITE HOT STAMPER America Homecoming (#amerihomec_1705) Our Price : $349.99 WHITE HOT STAMPER Crosby / Nash Graham Nash/ David Crosby (#crosbgraha_1705) Our Price : $299.99 WHITE HOT STAMPER Duke Ellington Indigos (#ellinindig_1705_1) Our Price : $299.99 SUPER HOT STAMPER Paul McCartney McCartney (#mccarmccar_1705_2) Our Price : $249.99 WHITE HOT STAMPER Beethoven / Violin Concerto / Heifetz / Munch (#beethvioli_1992_1705) Our Price : $349.99 SUPER HOT STAMPER Bob Dylan Highway 61 Revisited (#dylanhighw_1705) Our Price : $399.99 SUPER HOT STAMPER Neil Young Live Rust (#youngliver_1705) Our Price : $199.99 WHITE HOT STAMPER Steely Dan The Royal Scam (#steelroyal_1705) Our Price : $399.99 HOT STAMPER Jethro Tull Thick As A Brick (#jethrthick_1612s) Our Price : $99.99 Sale Price : $79.00 SUPER HOT STAMPER Tom Petty Hard Promises (#pettyhardp_1608_1s) Our Price : $149.99 Sale Price : $119.00 SUPER HOT STAMPER Talking Heads Little Creatures (#talkilittl_1612s) Our Price : $149.99 Sale Price : $119.00 WHITE HOT STAMPER Average White Band Average White Band (#averaavera_1610x) Our Price : $249.99 Sale Price : $199.00 HOT STAMPER The Beatles Let It Be (#beatlletit_1610_2) Our Price : $99.99 Sale Price : $79.00 SUPER HOT STAMPER Emmylou Harris Roses In The Snow (#harriroses_1610s) Our Price : $99.99 Sale Price : $79.00 WHITE HOT STAMPER Neil Young After The Gold Rush (#youngafter_1704s) Our Price : $599.99 Sale Price : $499.00 SUPER HOT STAMPER Walter Carlos Switched-On Bach (#bach_switc_1610s) Our Price : $79.99 Sale Price : $59.00 HOT STAMPER Eagles Eagles (#eagleeagle_1705s) Our Price : $149.99 Sale Price : $119.00 SUPER HOT STAMPER Kansas Point of Know Return (#kansapoint_1610) Our Price : $79.99 Sale Price : $49.00 Eagles (#_eagles_) Yes (#_yes_) Neil Young (#_young_neil_) Rolling Stones (#_rolling_stones_) The Doors (#_doors_)

http://forums.stevehoffman.tv/threads/lps-with-super-saver-sticker.71359/

your late to the game ..now you need a way back machine..

court is in session !!!

Roger Waters. amused to death

well I'm going back to the rtm portion of the forum.. where it does not matter what you listen to or how you or what you use for play back.... as long as your doing it now !!! unless I'm using vinyl I have to post in rtm & vinyl-recored spinning thread..

how do you clean your weed ? can you do that on a mp3? or a down load....you can do that with a vinyl album cover..

I have cds I thought they where great..now there only convenient. I like to own my music intrests...I think vinyl sounds superior . to cds .. I can sell my cds or vinyl. how do you sell your down loads ?? and for new recordings what format are they using for vinyl playback ? music today is over produced garbage...any buddy can sing now or fix a wrong note of something out of key...autotune. older recordings are the best sounding..that's when you had to be on top form..and it shows.. but not all recordings are the same . It does not matter what format.. PWK said best garbage in garbage out ..

Sales of vinyl in 2016 reached a 25-year high as consumers young and old have once again embraced physical formats of music. More than 3.2m LPs were sold last year, a rise of 53% on last year and the highest number since 1991 when Simply Red’s Stars was the bestselling album. This was also the first year that spending on vinyl outstripped that spent on digital downloads. The deaths of some music world giants was a key driver in vinyl sales, as people invested in records as a mementos. After David Bowie’s death he became the bestselling vinyl artist of 2016, with five albums posthumously featuring in the top 30. Vinyl sales bigger than YouTube for British artists Read more His album Blackstar, which was shortlisted for a Mercury prize, was the most popular selling album of the year, while The Rise And Fall Of Ziggy Stardust, Hunky Dory, Nothing Has Changed and Changesonebowie were also popular LPs. The statistics, compiled by BPI, show that this is the ninth consecutive year that vinyl has grown, thanks to events such as record store day, which has now become a nationwide phenomenon, and the increase in shops selling vinyl. Supermarkets such as Tesco now stock vinyl and both HMV and Rough Trade have created more floor space to sell more records. Advertisement At least 30 albums sold more than 10,000 copies in 2016, a stark contrast to 2007 when digital downloads began to take hold and a meagre total of 200,000 LPs were sold overall. Vanessa Higgins, the CEO of Regent Street and Gold Bar Records, and an independent label member of BPI Council, said: “It’s twofold in that older people are going back to vinyl but I also think the younger generation are discovering it in a way they weren’t before. “People think millennials just stream and are just digital but actually I think we are going to see increasingly over this coming year that young people still want something tangible and real and that’s where vinyl is taking on the role that the CD used to have.” She said the trend towards streaming – which has rocketed 500% since 2013, with 45bn audio streams over 2016 – had led people back to vinyl as a way of tangibly owning music and because streaming had encouraged music discovery. Higgins said: “It used to be music discovery was mainly limited to the radio, but now people are free to look and listen to all sorts of music, so people are hearing so much more new or different music than they were before. They are finding music through streaming and if they love it, they are going out and investing in it in a physical format.” Higgins said it was still mainly benefiting artists on major labels, and that for smaller labels such as hers “the capital required to invest in vinyl is a lot upfront. And because most vinyl is pressed in Europe, the price to manufacture has gone up this year.” However, she added: “I think what we are going to see this year is more smaller artists and independent labels start to benefit from vinyl as well because so many different types of music fans are now willing to go out and buy it.” Higgins predicted the digital download would disappear entirely over the next few years as it became redundant. The rise of the album - archive Read more While vinyl sales still only account for 5% of the albums market, they are becoming increasingly important sources of income for record labels and musicians. Jamie Oborne, the manager of Mercury-nominated band the 1975, whose debut album was Urban Outfitters’ biggest selling vinyl of 2015, said: “There’s been this cultural shift where people are willing to pay for music again which is brilliant. We now sell a ton of vinyl and the margins on vinyl are huge so it is really a significant source of revenue for us.” Advertisement The boost in vinyl sales is part of a wider shift in the fortunes of the music industry back towards turning a profit again. In December, one the biggest global record labels, Warner Music, reported their best profits in eight years, of which $1bn (£810m) came directly from streaming, and in the first half of 2016, streaming revenue in the US grew by 57% to $1.6bn. In contrast, CD sales were down 10% on last year. Geoff Taylor, the chief executive of the BPI and the Brit Awards, said: “Growth in UK music consumption in 2016 was fuelled by the explosive rise in audio streaming, which has increased 500% since 2013, and relative resilience from physical formats … We believe this performance is indicative of the promise of a new era for music, where recorded music’s investments in a digital future fuel compelling benefits for fans, artists and the entire music ecosystem.”

Reinventing the record: New Burlington factory turns out vinyl albums BY LIZ BRAUN, POSTMEDIA NETWORK FIRST POSTED: TUESDAY, MAY 23, 2017 02:49 PM EDT | UPDATED: TUESDAY, MAY 23, 2017 02:56 PM EDT Gerry McGhee is one of the people behind Precision Records in Burlington - a new vinyl record maker with new equipment on Vinyl fanatics have a new champion in Gerry McGhee. McGhee is the proud vice president of Precision Pressing, a state-of-the-art vinyl record manufacturing facility in Burlington. The 20,000-sq.-ft. plant celebrated its official opening on May 11. It may be weird to describe a factory as beautiful, but that's exactly what Precision is -- a light-filled, high-ceilinged, scrupulously clean structure filled with handsome pressing machines and dozens of enthusiastic employees. Precision Pressing is a labour of love for McGhee, 55. He's a lifer in the music industry -- as both a musician and an executive -- and Precision Pressing represents years of hard work and perseverance on his part to serve the global vinyl resurgence. Not content to work with the 40-year-old pressers that are remnants of vinyl's heyday in the 1970s and '80s, McGhee searched the planet for new and innovative machines. He eventually found exactly what he wanted with Czech vinyl manufacturer GZ Media, the world leader in record pressing; GZ began investing in new presses in 2005, guided by head honcho and vinyl visionary Zdenek Pelc. To McGhee's dismay, GZ would not sell him the machines he wanted. But they would agree to talk about a joint venture. "I was on a flight to Prague the next day," says McGhee, and the rest is history -- a deal was struck. We would wager quite a lot of money that McGhee's enthusiasm for vinyl and exuberance about life in general helped seal that deal. Over the past 18 months, McGhee found a facility, figured out how to accommodate the factory's massive need for electricity (1,600 amps) and fitted the place out with the beautiful Czech-made record presses shipped to Canada. "If I got the machines when I was looking for them, I'd be bankrupt now," McGhee says, only half-joking. "I had no idea of the infrastructure needed -- the boilers and the chillers and the engineers I would have needed. And the amount of government red tape I fought! Even though we'll create 200 jobs here." Precision has the full backing of those running major Canadian record labels, who know the recent surge in vinyl interest means they can sell whatever McGhee's plant can press. "New technology was key," McGhee says, "in order to be competitive. And to not have to deal with the issues most plants are dealing with: Bad quality pressings, machines breaking down all the time, inability to meet deadlines. "Right now, we're creating records in eight weeks. Some people are waiting six months." McGhee has high praise for his Czech colleagues, noting their creativity, expertise and exacting standards in every aspect of record pressing and production, packaging included. During a quick visit to a quality control area, McGhee explains what one employee is doing: "When we start pressing, he'll grab the record, listen to the whole album -- for pops, cracks, anything out of the ordinary -- and when we get to 1,000 records, he starts all over again." Isn't that rather labour intensive? "We are living up to GZ's standards," he says. "And we hope to surpass them." In another incarnation, McGhee was lead vocalist for the band Brighton Rock. The group had three albums with Warner Bros. and a big following, but he decided to come off the road in the '90s for family reasons. "My kids were getting to school age and I had to make a decision -- stay in Los Angeles or come home and be a dad. I chose to be a dad." He started Isotope Music Inc, initially to help Canadian artists with no distribution outside the country. It grew to become Canada's largest music distributor. Long before that, however, McGhee was already developing his passion for music. Originally from Scotland, he grew up in Hamilton, the youngest of five kids -- including two older brothers who had introduced him to the music of the Beatles and Elvis by the time he was three. "I'd stay with my older brothers on the weekends. They'd put on Black Sabbath, or Bob Dylan or King Crimson -- I knew all these bands when most people were just listening to CKOC! I got tuned into new music early, just being the youngest in a family that was music orientated. The big brothers kind of passed that on to me. It's always been a big passion." Running Precision, says McGhee, allows him to stay connected to the music business "which is something I've loved my whole life. "For me, to still be able to do the music thing -- it doesn't feel like a job. My wife complains that I'm working 14-hour days," he says. "But I love this! It doesn't feel like work." lbraun@postmedia.com *** Precision Pressing welcomes independents. Says McGhee: “Most plants shy away from any order under 300. We won’t! We’ll do runs of 100. We need the major labels, but we wanted to take care of the indie guys, too.” - Precision Pressing is currently in phase one, but already working to capacity. “We can press 3.6 million albums a year in phase one, with our five double presses — that’s 10 stampers — running three shifts. When we add the automated machines, hopefully in the next six months, we’ll go to 6 million, which will make us the second largest in North America. - How much have vinyl sales increased lately? Forbes.com says sales began to climb around 2008 and in 2015, vinyl sales had increased by 32%. In the U.S. sales of vinyl LPs went past the $400 million mark that year, which happens to be the highest dollar figure since 1988, according to the Recording Industry Association of America. And 52% of all sales are to people ages 18 to 35. Says McGhee: “Vinyl albums are great. You can read the lyrics and really see the artwork as it was intended. And there’s just something different about listening to vinyl. There’s a warmth there that’s like listening inside a studio. You don’t get that anywhere else.” - Vinyl is here to stay. “You see people upgrading their turntables,” McGhee says. “They’ve gone from the $100 turntable to the $400. They’re not leaving the format anytime soon