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speaker vs monitor


endover

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that's pretty much it...waxing cloth...buffing cloth...polishing cloth

A monitor is designed for accurate reproduction a moderate sound levels used by folks in the audio industry as they do their track work.

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 Oh, one more thing.

On Audiogon, where they do sell lots of audio gear, they have separate categories for "monitors" "full range speakers" and "panel speakers."

Audiogon uses the term to mean anything that is a stand mount or bookshelf type speaker. As Mark stated earlier most use the term to describe a speaker intended for nearfield use, and still others use the term for speakers with a flat frequency response, think Harbeth 7es3 vs. Harbeth Monitor 30. Both are very similar speakers but with different intended uses, and Harbeth calls one a monitor (the 30 and 40 model) and others, not. Even larger floorstanding speakers like B&Ws Nautilus 801 has been referred to as monitors, maybe because those speakers have been used in more than one recording studio.
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In my neck of the woods - a "monitor" is specifically intended for nearfield listening, whereas a speaker is more generally thought of as a room filling idea. In the nearfield you are focusing on the DIRECT sound and not the reverberant sound. I don't think "accuracy" per se is part of the definition. Although many feel that nearfield monitors might be more accurate.

Small rooms (small studios) is where the JBL 4311's, 12's, 13's, etc really shined. I kinda' think (having owned the referenced JBL's from 1975 through about 2005) that the Heresy can also do that job as well. Maybe that's why I like Heresys about 3-4 feet off the ground, looking straight at me in a small room?

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I'm with mdeneen on this one; monitors being used for near-field applications and as I understand it, they are placed so to take the room coloration out of the audio path. Wiki offers are very good explanation here: http://en.wikipedia.org/wiki/Studio_monitor and discusses their specific characteristics that make them good for such purpose. Another Wiki article discusses Fold-Back monitors; the type used on-stage and mentioned by Michael: http://en.wikipedia.org/wiki/Foldback_(sound_engineering) -Glenn

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In my neck of the woods - a "monitor" is specifically intended for nearfield listening, whereas a speaker is more generally thought of as a room filling idea. In the nearfield you are focusing on the DIRECT sound and not the reverberant sound. I don't think "accuracy" per se is part of the definition. Although many feel that nearfield monitors might be more accurate.

Small rooms (small studios) is where the JBL 4311's, 12's, 13's, etc really shined. I kinda' think (having owned the referenced JBL's from 1975 through about 2005) that the Heresy can also do that job as well. Maybe that's why I like Heresys about 3-4 feet off the ground, looking straight at me in a small room?

HYMMMM. I have a pair of 4312s and a pair of H1s being driven by an old Marantz recieiver in my shop. They both run toghether (A and B speaker outputs) and are about 14 feet up (on the short wall) in my 20 foot tall, 30' x 75' building and the combo of the two in there cranks out some darn nice tunes. There is however a layer of fiberglass insulation covering every interior surface of the steel building so that does tend to absorb some of the refelections. Sounds nice tho......

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I heard somewhere along the way and it always stuck with me, that monitors are voiced to be a neutral sounding speaker so as not to add coloration to the sound in a mixing studio or where ever they may be used. This would mean that in general Klipsch speakers, being more forward sounding, would not make good monitors. Take from it what you wish, but that is the way I always have thought it to be.

Jeremy

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