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Cornwall's are finally here... Along with my VTA ST-70 amp


avguytx

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New Solen caps plus 245uh coils should be in Friday (2/24) for converting the Type B crossovers to Type B-2.  Also new binding posts for easier connections, too.  I'm going to do the crossover first, finish up my ST-70 amplifier and tie into the system, then I'll ponder changing tweeters, etc.  I want to hear them first without all the extras.  I do need to re-cover the grills, too, at some point.  But not a crazy important thing.  I may use a couple of the newer "pie" shaped badges /emblems for now as I don't want to pay $95 for a pair of the originals.  

 

 

 

Unless someone here has some they want less for... ;)

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Well, it's something off with the speakers. I changed to a different amp and they still are dull and lifeless. Left speaker had no highs at all. After I get done with the antenna in the attic, backso will come out and drivers checked. I've got the caps and coils in to change them to B-2 networks so I'll find out if new drivers/diaphragms are needed. 

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These old Cornwalls need fresh caps and mid horn gaskets at the very minimum, I'd even spring for the new CT-120 tweeters if you plan on keeping them. Lifeless is not how I'd describe my experiences with the Cornwall so I would suspect something is wrong somewhere.

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Metered all of the drivers; woofers are at 3.9 ohm, mids 10.8 ohm, and tweeters 6.4 & 6.8 ohm.  So, we're good there overall.  Crossovers are out of the cabinets and ready to be updated from B's to B-2's.  I checked capacitance on the old caps and they weren't too far off but I can't check ESR with my Fluke 112.  They do look to be leaking a little on the tops, though.

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Here's the "WHY" on the B2:

 

CROSSOVER NETWORK CHANGED:   CORNWALL

Vol. 20, No. 1

June 1, 1981

 

NEW DEVELOPMENT

The product-evaulation program at KLIPSCH and Associates constitutes the lion's share of our Research and Development effort. We are now gratified to add another entry to the long list of performance improvements made in our product line over the years. Advances in the state-of-the-art of sound reproduction frequently result from innovation of new techniques of acoustic measurement, the aim being to utilize quantitative tests which closely corroborate the psychological sensations of the listener. Thus new measurement techniques or bolstered power and convenience of data-conversion bring excitement to the work of design, but always with the sobering constraint that new test results carry import only to the degree to which they have psychological significance. That is, the test format must be such that the genuinely most significant acoustic parameters receive the greatest emphasis during design. The latest in a long series of "technical papers" from KLIPSCH Engineering explains the operation of our unique "Anechoic Chamber With Optional Boundaries" (AES Preprint 1979) which facilitates deeper scrutiny of loudspeaker response characteristics.

 

The KLIPSCH CORNWALL has taken yet another step in its evolution toward optimum performance.  A complete re-design of the crossover network has made possible a significant improvement which we now happily share with the audio public. Briefly, the new design entails the following:

 

1) Constriction of the electrical signals received by each driver to the spectral band over which the driver displays optimum characteristics is a salient feature of the design. 

A)      Boosted woofer output is obtained in the 400 Hz to 600 Hz region.  Combined with a more rapid transition to an attenuating characteristic at frequencies above cut-off.

 

B)       Substantially decreased low-frequency  energy is applied to the midrange driver.  Though tremendous improvements are not possible in this regard, intermodulation distortion is somewhat reduced and the possibility of squawker failure is made even more remote.

 

C)       Dramatic improvement in the stop-band attenuation is provided by the highpass filter associated with the K-77MTweeter. Overall, this means that more energy can be derived from the tweeter above 6 kHz because of reduced current-flow into the tweeter in the mid-band.

 

2) Studies of the cross-correlation of woofer and squawker output waveforms have precipitated a substantial increase in coherence near the crossover frequency. 

A)      The attenuation characteristics of the woofer (low-pass) and squawker (high-pass) filters are associated with a particular set of phase characteristics; the two are mutually dependent and cannot in general be manipulated individually. The roll-off rate of the woofer filter and the spectral location of the cut-off point of the squawker filter govern the relative phase relationship of their outputs in the crossover band. Only a special set of circumstances will allow optimization of filter phase characteristics without an associated deleterious effect on the amplitude attributes of the filters' transfer functions.

 

B)       Driver polarity does not affect the amplitude response of the driver in question, but does in fact greatly affect the steady-state response of the system considered as a whole. In this case, the mechanical location of the sources, the phase characteristics of the electrical filters, and the relative polarity of the drivers are manipulated in a harmonious manner to render the crossover-band response smooth and non-anomalous.

 

Designated the Type B-2 Crossover, this new network is aimed at genuine improvements to the overall characteristics of the CORNWALL Loudspeaker System. The effective date of this change is approximately June I, 1981. We plan to make the transition in smooth manner, hence the early notice.  As always, we will maintain stock of Type Networks and adequate repair facilities for CORNWALL  owners.  Since in general no change in drivers.or cabinet is associated with the network, an update from the Type B to the Type B-2 will be a relatively simple matter.   Owners of older CORNWALLS are  encouraged to incorporate up-to-date drive components (K-33E, K-55V with nested phasin plug, and K-77M) to maximize the benefits derived from use of the B-2 Crossover. An update kit (Type B to Type B-2) will soon be made available through the KLIPSCH dealer network.

 

DAN BYNUM

ENGINEER

 

DB:rh

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So it's a second order filter but keeps the crossover points the same or changes them? 

 

I can tell there's some upper end missing I could hear on the CF-3's. Even with my limited top end hearing. 

 

I've got some Joe B on my server and for what I don't, there's Spotify. That's good stuff for sure. 

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Is it worth replacing the K-55 diaphragms with new  diaphragms now that they're 39 years old?  Or just leave them?  I'm not really ready to shell out the $$$ for A-55-G's but $120 for diaphragms is doable...if there's any difference.  Still debating on the tweeters too.

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21 hours ago, avguytx said:

Thanks for the input, muel.  I wonder if anyone on here has some used CT-120's or Elliptrac HF's they decided not to use or didn't like. Will have to post a WTB and see

Might have a better shot at some CT-125's used since the 120's haven't been around as long.  Personally, I like the K77's... the tweeter is about the last tweak I'd bother with but that is just my opinion.  Tweeters are the sizzle on your steak.  You can decide how much that matters to you.   

Shoot... now I just want some steak!

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It just seems that there is upper end missing that the CF-3's do so well with.  Like I stepped down in SQ.  Overall, the CF-3's are still more balanced across the spectrum and, in my living room, still have better bass than the Cornwall's do.  The CF-3's even sounded better than the KLF-30's I had...which sounded anemic even after cabinet bracing (fixing the "thwack" back panels) and updating caps, resistors, and tweeters..so they were sold off.  I may wait to do any more on the Cornwall's till after the VTA ST-70 amp is finished and hooked up to see what that that combination sounds like.  And I hate my living room, too.  I can't wait to buy or build a new house and have a dedicated room for music.  The living room in my house back in Texas sounded great.  The one now sucks.

 

Steak...it's what's for dinner.  Or any other time.  ha

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