tzahy Posted November 6, 2017 Share Posted November 6, 2017 Stillpoints Ultra SS under klipschorn loudspeakers? Thanks Quote Link to comment Share on other sites More sharing options...
Schu Posted November 6, 2017 Share Posted November 6, 2017 Wat... Quote Link to comment Share on other sites More sharing options...
jimjimbo Posted November 6, 2017 Share Posted November 6, 2017 27 minutes ago, tzahy said: Stillpoints Ultra SS under klipschorn loudspeakers? Thanks No Quote Link to comment Share on other sites More sharing options...
billybob Posted November 6, 2017 Share Posted November 6, 2017 31 minutes ago, tzahy said: Stillpoints Ultra SS under klipschorn loudspeakers? Thanks Welcome to the forum Quote Link to comment Share on other sites More sharing options...
garyrc Posted November 6, 2017 Share Posted November 6, 2017 Welcome! You don't want a cavity under the Klipschorns. It's conceivable that even a 1 Inch cavity will reduce the bass. The (three?) metal nubs under the Klipschorn, which are very small, hold it nice and steady whether on a wood floor or a carpet (they will compress a carpet to the point at which in is no longer spongy, IMO. Khorns are very heavy, compared to many other speakers. The following was written by Paul W. Klipsch Eight Cardinal Points of Reproduction 1.Freedom from distortion. Minimum distortion requires small amplitudes of air mass movements, even at peak transient power output. Bass diaphragm motion should not exceed 1/16 inch. Corner placement reduces distortion three fourths. 2.Optimum size of speaker. Large enough to reproduce the lowest audible bass tone at peak transient power output without distortion; not so large as to produce a separation of bass and treble events. Corner placement increases effective size of the speaker 4 times. 3.Freedom from rattles. 4.Freedom from shadows. Obstructions between high frequency speaker and listeners can not be tolerated - treble wave-lengths do not turn corners. 5.Freedom from cavities. The space under a speaker box formed by mounting it on legs can destroy the bottom octave of response and deteriorate the next 2 octaves. 6.Adequate spacing for stereo. In a 14 x 17 foot room, for example, the 17-foot wall is apt to be best for the stereo speaker array. 7.Accurate spatial values. Ability to localize the virtual sound sources in their original spatial relationships requires 3 widely spaced speakers, regardless of size or type, retention of this quality over a wide listening area requires toe-in of the flanking speakers. 8.Flanking speakers toed-in. Such toe-in is naturally provided by corner speakers. The effect is to reduce shift of the virtual sound source for different listener locations. This is the only way to achieve a wide area for listening. 2 Quote Link to comment Share on other sites More sharing options...
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