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Guess what I got?


sunnysal

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Tony, nice comments there about your music selections. Some of those ring true with me, but now that I'm sneaking up on 50, I have to at least give the appearance that I'm not having a mid-life crisis :)

Let's see ... fast car, rug for the bald spot, lose more weight, order Viagra in bulk, listen to killer rock 'n roll. Yeah, that's it!

I totally echo your sentiment about Jeff ... He knows what he's doing. Not only that, he emails me EVERY DAY with a one or two liner about what parts have come in, what he's working on with the assembly, how things look, how things sound, etc. etc. When the Pantheon is finally tweaked, and the Horus' are finally finished, he said he and his wife would personally deliver them to Boston where I live because they wanted to spend some time there anyway! He'll probably bring Edster's Horus' as well to save time in transporting.

And he even answers my stupid, ignorant questions without poking me with the nearest sharp stick.

The bottom line on all this is that he's a "poor" Ph.D. student with cubic FEET of brains, a nice sense of humor and a big - no, make that huge - heart. If you have a little more money available to buy an original amp new, you'll get twice the value and something that will last a lifetime.

I don't think I could give a better endorsement of an individual as that.

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Mike LaFevre at MQ thinks the world of Jeff, high praise indeed.

Chris I think you are right something like the Horus (or my head-banger 2A3 beauty) should cost multiples of what Jeff charges, it would if he was trying to sell in the open market I expect. the trick here is as you said, he is still studying, loves to make these amps and needs the cash....lucky for us I say, if he ever "goes pro" we will be in trouble! lol!

My problem is just as he keeps trying new amp configurations (he just dropped the bomb on me that he may start a 2A3 or 45 PP MONOBLOCK project) I may end up with a collection of JL amps! My wife will flip, I will have to simulate an amp "melt down" to justify my future amp purchases from Jeff!

warm regards, tony

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I know I'm in the minority in having all these "SET dreams" ... with you PP guys wanting more low end and the ability to remove wallpaper ... but Jeff's 2A3 SET design with the nickel chokes and cobalt OPTs addresses the oft-discussed shortcomings of SET ... i.e., low end. He says the bass on these amps is large and lightning fast. You just need 100db+ sensitivity in your speaker selection. The result is the best of the PP and SET combined into one package. (Frankly, the low end on my Wrights is more than enough for me with the Klipschorns; the room MOVES on really low notes)

When I heard Leo's modified Moondog gear I was convinced. It was a totally different sound than I heard on the previous visit. As Leo so conservatively said,

"The difference in sonics (with the parafeed/cobalt combination) is NOT subtle."

If any of you guys within driving distance to Boston want to join us for a weekend of amp and speaker rolling (I'm going to pull the Cornwall II's into the 2-channel room to A/B with the Klipschorns), please come on in. It will be a great chance to meet Jeff and Leo, have some top shelf meals and wine (I'm cooking), and listen to some fun gear.

The weekend is still "TBD" but it will most likely be mid-June.

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no doubt trannies make a world of difference...I had to stay with "run of the mill" MQ trannies becasue I couldn´t swing the nearly $400 a piece for the upgraded models. when my "ship comes in" it will be reflected in a pair of JL 45-based PP monoblocks with cobalt all around for me (and the blackgates in the PSU for another $250!)...meanwhile I will just have to suffer through with 90% of the SET magic but with no compression at high voumes, dynamics top to bottom to match my k-horns! wish I could be at chris´s for that meeting! oh well....warm regards, tony

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Craig,

a pair of 6SN7 (one for each channel) as input and driver (sections run in paralell)

a quartet of 2A3 (two per channel run push/pull)

a single 5U4G as a rectifier (can take 5R4, 5AR4 or any 5U4 variant)

and....that´s IT! simplicity itself...lots of trannies though (you can see that in the botoom photo)...

Randy,

I admit a chickened out about SET...I think ti was a good choice because these sound absolutely fantastic and have real balls down low and loud..Jeff says he is going to make himself a pair now, but as monoblocks!

warm regards, tony

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craig, here is a photo of the box, believe it or not I could not open it for these photos becuase of the tamper proof screws that jeff used, I pulled it out of storage and did not have anything that could open it! lol! inside it has blocks of styrofoam glued together and to all the sides that have been cut to match the amp...easy and nice...it worked quite well all the way form Canada to the third worold country of El Salvador in Central America. tony

post-3687-1381924735469_thumb.jpg

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I've been pinged recently by a "lurker" who is dabbling in SET with a AES AE-1. He is considering joining our "APB" weekend in Boston in June with Jean Francois, Leo K, and whoever decides to show up.

He is feeling like his SET amp doesn't have enough power for him, and I'm wondering if it's the quality of the amp or just the topology, i.e., SET vs PP.

Tony, you've heard both, right? Any thoughts on this? Personally, my Wrights have enough guts to pull tractor trailers out of ditches ... but I'm getting a little older so I'm wondering if I'm just off base here.

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I guess it depends on the speakers principaly.

When I was considering a SET amp I had a friend bring over a cary 300B integrated amp to my house, it was after that listening session that I had second thoughts about SET in my system.

not that the volume was not there...the cary could knock me out of the room through my k-horns, but I felt there was more compression than I liked at volume, less dynamics. I was comparing them at that time with my EL34 PP amp, the cary's had nice SET midrange but some compression with certain music at hiugh volumes.

Now that I have the 2A3 PP amp I feel I made the right decision. it compresses less at high volumes, has the dynamics I crave and beats the EL34 hands down in the midrange...

so if the lurking guy has anything other than a k-horn or lowther, etc. at above 100db sensitivty AND he listens to anything other than chamber music and jazz combos I might suggest he carefully audition both options before deciding. the SET crowd is right about the magic, but you need to carefully design the system around it and have the musical taste in harmony with it.

IMHO of course. I LOVE my PP! LOL! Tony

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