Biggest band letdowns

[mike stehr]

I always wondered how this guy put his Hammond C3 through the ringer on the song "Lazy" on "Made in Japan".

Subject: Re: Effect device on Jon Lords Hammond C-3

From: (BAsec5)

Date: 10 Jun 1995 13:27:38 -0400

>This is something that's been puzzling me for a long time.

>Since cirka 1972, Lord has had some sort of effect box on

>top of his C-3. This box produces the strange noice that f.

>instance can be heard on the intro to Lazy on Made in Japan

>or the intro to You Fool No-one on both California Jam and

>Live in London.

>My question is: What precisely is this? Any ideas who make

>them, what they're called etc.

The device you're referring to is a ring modulator. His one was made by Gibson (NOT the guitar company, we think) and is no longer available, certainly not a a 'stand alone' device. It was an ugly, square box secured (nailed probably!) to the left side of his C3 so that his left hand could control what he played with his right. The effect of ring modulation is quite strange; - what one puts into it is transformed by a process that I couldn't explain (harmonic distortion I think, maybe someone more technically oriented could help?), but the resulting noise bears no resemblance to the original signal, and can be 'modulated' by a variable that the player has control of. One of the best examples of this is on the middle section of Woman From Tokyo. I remember well the session, I tried to get Jon to do the 'sweeps' very slowly and it worked well. That was one complete take. He still has his 'somewhere' but it is not an active part of his rig at the moment. These days, ring modulation can be found as a programme on many good sound effects modulators, or synthesizers, on the market, although the way Jon uses it - the 'old fashioned - way, is far superior because it is more controllable.

And yes, you're right, he played it on the live tracks you mentioned.

Good luck :-)

RG

[boomac]

"Green Eyed Lady" was a great tune. That was early 70s because I was just married and had a 64 Impala SS rag top with a reverb on the radio. That song sounded great. I wish I still had that old Chevy too. Oh well, still got the wife!

[Rdmarsiii]

Cheaptrick was the opener at the Aerosmith concert here. They were good until the power went out.

[wheelman]

the tragically hip. They have a new one coming out I will see if it's a waste of money. I still am a sucker for those bands that were good and then go down hill. I keep buying em hoping for a gem. I agree with almost everyone's choice's.

[IndyKlipschFan]

Milly Vanilly

I wonder if the "Grammys" were taken away from them, because they did not "sing it," could we now finally forgive them and give them BACK to the rightful singers. Looks aside on who we thought they were, the songs were great at the time! And "Girl you know it's true," will probably still be here 20 yrs from now too.

With all of the posers and dancers/singers supposedly singing on stage today... The real Milly Vanilly need to get thier just do, props wise and Grammy's in my opinion!

[ben.]

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On 6/7/2004 8:49:23 PM mike stehr wrote:

The effect of ring modulation is quite strange; - what one puts into it is transformed by a process that I couldn't explain (harmonic distortion I think, maybe someone more technically oriented could help?), but the resulting noise bears no resemblance to the original signal, and can be 'modulated' by a variable that the player has control of.

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Ring modulation is harmonic distortion. The modulator will add mathematically (not necessary musically) derived harmonics to the original signal. They can sound pretty twisted in the right hands. They're a riot on percussive intsruments.

Ben

[D-MAN]

Dave, RIGHT ON!

or should I say FAR OUT, MAN!

DM