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Travis In Austin

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Posts posted by Travis In Austin

  1. 1 hour ago, richieb said:

    We follow F1 closely - during the past two seasons the McLaren crew wore McLaren orange headphones with “Klipsch” across 

    the ear cups. Same headphones this year minus the Klipsch on the cups. Possibly their association has ended - 

    Yes the Klipsch sponsorship of McLaren, officially ended, the McLaren branded products were launched in the last year of their association. The limited edition (Was it 905s) sold out quickly. What’s on the website is what’s left.

     

    Travis

  2. 8 minutes ago, DoubleJ said:

    A question regarding the September 18th cut-off date for address verification/change.

     

    I have an email that states I've verified my mailing address but I have my "Doubter" cap on today so I'm convinced that the publishers don't have my confirmed address. :)

     

    Is there a way to "Double" check that all is well with my order?!?!

     

    Thanks

    JJ

    Hey DoubleJ, glad to see I’m not the only one who has Doubter Cap syndrome across a wide variety of projects.

     

    The publishers and the printing project are separate from the Museum, so I don’t have a way to access any of that information. I would reply to the email (if allowed), or click the email link and send your new address so they can confirm. They are very friendly folks and I’m sure would be happy to answer or get you to the right place.

     

    Travs

  3. 1 hour ago, Shakeydeal said:

    As I said, apples to oranges. You may be good at what you do, but that doesn't carry over into a private listening room. Mastering audio and listening for pleasure are two different things requiring different tools.

    That’s what I initially thought, but when it comes to the mixing engineer, and to a lesser extent the mastering engineer, there is a debate going on right now as to what if any impact the acoustics of the rooms where this is done (control room of studio, or smaller dedicated mixing room, or even a home studio) and the monitors used result in better/worse overall recordings. 
     

    Floyd Toole discusses this as part of his Circle of Confusion, in his book and his presentations, and he has been advocating for standards for both room acoustics and studio monitors. However, he says that more research needs to be done. Sean Olive has also written about this, and the topic pops up at AES from time to time as to whether standards would improve the overall quality of recordings. 
     

    As I say, it’s a matter of debate at AES, the Academy of Recording Sciences and elsewhere as to what, if any impact standards would have. 

    • Like 4
  4. 2 hours ago, the real Duke Spinner said:

    Look up Absolute Sound studio Ocean Way Studio@ Belmont U... For starters

    I worked at Ocean Way in Los Angeles, back when it was Western and United, but the large control room monitors were all Allen Sides’ horn based speakers. 
     

    What did/does Ocean Way in Nashville have for main and near field monitors?

    • Like 1
  5. 20 hours ago, OO1 said:

    Your capacitors may be shot  in 1 speaker  ,    Can you use a soldering iron    ?    if yes..... 

    Let’s go step by step, figure out if it’s an amp/preamp problem which @billybob is checking on with left to right wire switch.

     

    If it’s the AMP/Receiver then we can see what the labels/SN say and we can tell him how old and whether they are good to go or if he may want to consider having them rebuilt.

     

    Travis

    • Like 1
  6. 18 hours ago, Dave MacKay said:

     

    The first statement is correct but the second is just an opinion. Satisfactory capacitors can be had from several sources.

    Satisfactory capacitors have always been available from many sources, that’s true. 
     

    However, the only source for replacement capacitors that have been tested by Klipsch Engineering to insure they meet factory spec, not alter the transfer function, and perform as intended, are from

     

    JEM performance if you want the parts and can solder them in yourself

     

    or

     

    @Deang if you would like him to rebuild your networks with factory approved and tested parts.

    • Like 2
  7. 9 hours ago, JefDC said:

    I'm confused, is the book 'Sold Out' or is this a re-print ? 

    Is it possible to order ?

     

    Best regards ... Jef

    The first edition was sold on a Kickstarter crowdsourcing platform, and so is most analogous to a “preorder only” situation. However, the Museum obtained some extra copies and there may be a few extra copies when order arrives in the US we can purchase. 

     

    We will make the details available, pricing, etc. when we know.

     

    Thanks,

     

    Travis
     

     

    • Like 2
  8. 3 hours ago, Dirkonius said:

    Hi everyone, I’m new here. 
     

    After much deliberation and some helpful and somewhat authoritative reviews after the date of the last comments in this chat (i.e. Andrew Robinson, John Darko), I ordered a pair of the Sevens which I received two days ago.

     

    The Sevens is a step up from my current Yamaha set-up and subjectively it oozes quality. I am highly impressed with the sound, which is the prime purpose of acquiring these. For someone stepping up their audiophiliac aspirations, the Sevens, paired with the WiiM Pro make a lot of sense to me. Should anyone be interested, I shall try my hand at sharing my hands-on review.

     

    I would appreciate some views from this forum as to my question: 

     

    Does anyone have experience mating the Klipsch 5, 6, 7 or 9’s with a CD Transporter? I have a substantial investment in my CD collection over time  and am looking at getting the Audiolab 7000CDT to play my music through the Toslink.

     

    Thanks,

    Dirk

    I don’t have experience with those, where are you located? We can probably get you the answers. I can split your question off into another thread where it will have more visibility if you like?

     

    Travis

    • Like 1
  9.  
     
     

    Sūbfest ’23 (A Chief Bonehead Class)

     

    Come listen and learn about the four sizes of Klipsch Heritage subwoofers scheduled for release in

    Spring 2024. These subwoofers were designed by Chief Engineer and Bonehead Roy Delgado, Jr.,

    using his patented horn-loaded, vented design. Attendees will be among the first to listen to all four

    subs, with an array of Klipsch Heritage speakers, all set up as Roy intended. Mike Dyer, Klipsch

    Heritage Brand Ambassador, will assist Roy with the class. Also planning to attend is special guest,

    Tommy Jacobs, President of Sales and Marketing - Americas, Premium Audio Co.

     

     

    Sūbfest ‘23

     

    WHEN: Saturday, November 11, 2023, all day.  Early check-in Friday afternoon/evening, with Dinner provided by Chief Bonehead · 

     

    Class is strictly limited to 30 attendees, so register NOW! Class will be divided into smaller groups for sessions at the Engineering Lab at the Klipsch Hope Plant

     

    WHERE: HOPE, ARKANSAS (Engineering Lab and Museum Facilities)

     

    WHAT: Introduction to four new Klipsch Heritage subwoofers by Klipsch Group, Inc. Chief Engineer and Klipsch Museum Board of Trustees Chair, Roy Delgado, Jr.

     

    COST:

     

    Current Sustaining Members: $150* per person CURRENT monthly and annual La Scala League, Cornwall Club, Heresy Guild, PWK Brigade, K-horn Club and Founder’s Circle and Honorary Members

     

    Non-members: $300* per person. To become a member and get the discount, go to www.klipschmuseum.org and click “Donate” then “Memberships”. Discounted class rate of $150 after you join any of the following ANNUAL membership levels: La Scala League ($1,000), Cornwall Club ($500), Heresy Guild ($200), and PWK Brigade level ($100)

     

    *Membership dues and class fee are tax-deductible to the fullest extent of the law, consult your tax professional

     

     

    Click HERE for Event Information and Registration

     

     

     

     

  10. 5 hours ago, garyrc -- the original said:

    We did that, too.  Library/Music Listening Room/Home Theater.  My wife collaborated on the room design, the hanging of the bookshelves and she built the diffusors.

     

    By the way, I'm baaack!  I lost the the ability to post on the Klipsch forum for about 1 year because I had aol.com and felt there must be a way around its incompatiblity with the forum.  There isn't, at least from here.

    You have troble getting into, resoring your account?

  11. 24 minutes ago, MMurg said:

    @Travis In Austin - Any update on when registration for this will be available?  I'd like to make sure I'm registered before I start booking travel that may be non-refundable.  🙂 

    Generally, everyone should try and get into Hope by late Friday afternoon. Roy is furnishing dinner Friday evening for everyone at the Visitor’s Center, socializing and music there until 10 ish.

     

    Then all day on Saturday between the lab, auditorium and Visitor’s Center.

    • Like 1
  12. I’ve got one with cream, black face, but it’s in play. So I’m thinking, if someone really wanted it, what could I possibly replace it with? 
     

    I have to find an “A” level product plus a phono step up  transformer, what’s that going to cost these days? 

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