Travis In Austin

Doubtful, I think the announcement will be when the cut off will be. If there was a sudden rush I would be making announcement here before. Hoping to announce during the show that the cut off will cutoff will be in 4 days, on that Sat. (Sat. Is last day of Watermelon Festival in Hope where we are featuring sponsorships and brick sales). Or if that’s not possible a cut off/drawing centered around Labor Day. We will just need to see how it pans out.

Flyer, designed by Matt Sommers, Senior Creative Director for Klipsch and Premium Audio Company.

New Episode drops tomorrow:

Back in March @picky spent 3 full days with @JRH Jim Hunter on a deep dive tour of the Klipsch Museum of Audio History’s Museum facility located directly across the street from the Plant in Hope. They have been working on editing clips of the tour together and release one each week, starting about 2 weeks ago. Here is a link to First Episode. If any of these episodes spark a question below for the Curator, @JRH

August 6, 6:00 PM Central (7 Eastern) On Museum YouTube Channel and I believe it will also be on Museum FaceBook Channel. We are going to cover a lot of stuff, including last push on Sponsorships so we can set a date for official drawing. More details to follow. Link to Museum YouTube (subscribe and hit the bell for notifications and you will automatically git updates) https://youtube.com/@klipschmuseum?si=GEbdprrq2DizoSzW

@JRH what’s the story on that R2R and what’s PWK doing with it?

More, more,

No problem, I cleaned it up for you, if you wish to edit go to your original post, hit the 3 dots upper right, edit and you can change heading. I added the location because that seems to help a great deal.

Can you post a photo of the rear labels, it will help narrow it down as the components have changed over time.

@JRH and @Chief bonehead does this ring any bells (Photos in post above by @mrmaltese? Jim/Roy, were you involved in tearing apart the NS-10 Studio monitors? You know the ones, nearfield, white cones, on top of every studio mixing bridge for a good part of '80s to 2000s. They replaced the Auratones that everyone had up there before that.

Do you have attic access? Or need to try and do it from the interior? First remover the grilles and if you can post a photo many here can help you. If they have the patented locking system it is pretty easy to uninstall and install. Travis

On which speaker model? That will help you get the answers you need. Travis

That is the rational approach to me. In audio or speakers there are a 1,000 different things that can have a claim as an “improvement.” There are many who will read or hear that I switched my tweeters to this and “it wasn’t subtle” and always an improvement with adjectives (fuller, open, faster, etc.) - Berneak’s law, similar to IKEA effect (a real thing studied and subjected to peer review). You said I’m going to check this out and see/hear for myself. I like it a lot.

I take everything you say as gospel, you will need to come up with a color/font to distinguish TIC 😃

That’s excellent. The standard for recording control (mixing, playback) rooms is between NR-10 and 15 (26 and 30dB), with 45dB considered the absolute maximum. https://tech.ebu.ch/docs/tech/tech3276.pdf