Professor Thump

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Somehow this video is next to the tiny guitar. Don't view it if you don't like snakes! http://www.youtube.com/watch?v=jsi7Yq1Eb_4&feature=related

And to take this thread the other direction, here is one of the smallest guitars being played...

I suspect you didn't get a seal which is why you are complaining about it being too bright. If anything this model is a little dark copaired to Image X5 or X10. I suspect you are going to like X10 a lot more because it is hard not to get a good fit. For those who have questions about S4 or S4i they can go to Professor Thump Blogs and read the one on "Getting the most from your S4's".

That is hillarious Win!

Yes finacially the trade would have been about an even swap due to the condition but you can't overlook the emotional aspect of it. I have decided it is easier to buy guns then to trade them. I tend to hate getting rid of any gun except for the double Brl side x side that had two triggers. I never did learn to keep just one finger on the triggers at a time. Can you say Blam KaBlam! Double strikes with a 12 gauge aren't any fun. In the meantime, I am going to carry the XD9 sc to see how it feels and save up for a 1911.

Not yet Win... I got a little sentimental and teary eyed when I pulled out the 1100. I had shot my first perfect 25 in trap with that gun and decided that anything that shoots that good is not getting traded. This gun has been babied for being 26 years old. It has only been shot at the range so there are no scratches on it. I would have traded the Armsport O/U, although it works well for hunting and I would be concerned with getting it scratched. I also wasn't as impressed with the build of the 1991. I guess the plastic turned me off. I am really leaning towards a nickel plated Kimber after your advice. Maybe I can trade some RF-83's for one or save more money.

That sounds like a good show!

By Malcolm X Abram Beacon Journal music writer POSTED: 05:48 p.m. EDT, Aug 13, 2009 In this Feb. 26, 2007 file photo, Guitar legend Les Paul performs at the Iridium Jazz Club in New York. Paul, 94, the guitarist and inventor who changed the course of music with the electric guitar and multitrack recording and had a string of hits, died. (AP Photo/ Colin Archer, file) View more photos>> ''It's a real great thing to have so many great guitar players out there, and without them there would be no me. I did my thing and they picked up on it, and when they picked up on it they made it real, real big.'' — Les Paul, November 2008 Les Paul was one of the most important figures in rock 'n' roll, though he never actually played the stuff until recently. Paul's life story was 94 years long and fascinating, but somehow it still seems he didn't quite have enough time to do all the things he wanted to do. Last November, the Rock and Roll Hall of Fame paid tribute to Paul with a star-studded concert including the man himself, and I was lucky enough to get a phone interview with him beforehand. Our scheduled 15 minutes stretched to nearly an hour, and Paul was congenial, humble and relaxed, answering questions and recounting stories he'd surely shared hundreds of times in his 60-year career. What was striking was that he still possessed a childlike glee about each new day even as he looked back. He was pragmatic about his own inventions and innovations, but he seemed genuinely more proud of the musicians that followed in his huge wake than his own accomplishments. He told stories populated with iconic names such as Al Capone, President Franklin D. Roosevelt, and ''my good friend'' Jimmy Page. He talked about the four amplifier and two guitar designs he was currently working on, and how, while many of his peers resisted change in music, technology and life, his unending sense of wonder about what was next helped get him out of bed each morning. Though he never needed to work another day in his life, Paul loved his longstanding Monday gigs at a Manhattan nightclub. Paul truly loved Monday nights in part because they gave him a chance to mingle with many of his famous guitar-playing friends and talk to fans. ''It's great to have all these friends come in,'' he told me. ''You find out there are so many people from every place on the planet that come there. We have people from all over the world, and after the show, I always sign autographs and talk to the people and get feedback as to what they like and what they don't like,'' he said, apparently unaware that most folks were just glad to be in the same room with him. ''It keeps me going. ... The most important thing for me is to look forward to playing on Monday night. It's very important.'' At the tribute concert, after guests such as Slash, Steve Lukather, Billy Gibbons and Richie Sambora paid their musical homages, Paul and his band took center stage. After effusively thanking all of the ''great guitar players and singers,'' Paul, seated on a small riser and holding a vintage Les Paul that is now priceless, picked out melodies and improvised on a few of his favorite tunes. Though not nearly as fast or dexterous as he was in his salad days, his right foot kept time perfectly and he had a big joyful smile on his face. That feeling quickly infected the crowd, and Paul sent home everyone who was lucky enough to be in the room with him that night with the same smile and possibly just a bit of the zest for life that Paul possessed for 94 years. http://www.ohio.com/news/top_stories/53169172.html

By Doug Magditch Story Created: Aug 13, 2009 at 6:22 PM CDT Story Updated: Aug 13, 2009 at 6:22 PM CDT A music legend died Thursday. Les Paul, known for inventing "multi-track recording" and a "special gibson guitar design", died at ninety-four. Tom Wittrock of Springfield's Third Eye Musictells us a Les Paul guitar is the best there is. He collects the guitars - and has one from '58, '59, and '60. The 1960 guitar was his first vintage Les Paul. He bought it in Springfield for $2,000, now it's worth 100's of thousands. "it seems like much better than the stock market. What a lot of people don't realize is, of course, if you never sell it, you never reap that financial gain, but there are dividends these instruments pay and that's the music you get from them and the enjoyment you have from owning them," says Wittrock. http://www.kspr.com/news/local/53176842.html

Collecting Vintage Guitars Worth The Money Zachary Fuhrer, 08.06.09, 07:30 PM EDT Along with the stock market, prices of iconic axes have dropped as well. Now is the time to snap up the instruments associated with legendary performances. In Depth: Vintage Guitars Worth The Money At midnight on Sunday, Aug. 17, 1969, Jimi Hendrix should have been plugging in his white Fender Stratocaster in front of a crowd of 500,000 at Max Yasgur's farm in Bethel, N.Y. His performance, meant to close out the three-day Woodstock festival, didn't start until 8:30 a.m. on Aug. 18. By that point, more than 300,000 concert-goers were trekking down the New York State Thruway. They missed Hendrix's interpretation of "The Star-Spangled Banner," which still resonates as one of the most important musical performances of the 20th century. The 1968 Olympic White Strat that Hendrix played that morning currently sits in Paul Allen's Experience Music Project/Science Fiction Museum and Hall of Fame, after the Microsoft ( MSFT - news - people ) co-founder spent an estimated $2 million to acquire it. In Depth: Guitars As Investments Those with slightly less buying power than Allen were every bit as inspired, as thousands of enthusiasts began seeking out vintage Fender Stratocasters in the 1970s. A late-'60s Strat, originally worth a couple hundred bucks, could be sold for as much as $30,000 more recently, according to Harvey Moltz of Rainbow Guitars, an Arizona-based vintage and modern instrument dealership that opened in 1975. For the past 35 years, collectors with cash have invested in 1950s and '60s electric guitars, with some items, such as a '60s Gibson Les Paul Jr., appreciating by as much as 500% after six months of ownership. Currently, however, the vintage guitar market is down, alongside stock prices--which means opportunity for those eager to get in the game. "Now, the baby boomers that bought the guitars are selling them back," says Moltz. With prices dropping as much as 40%, Moltz finds himself stocking his storage room with vintage guitars for the first time in 30 years. But Moltz doesn't buy just any old guitar. Besides being in mint condition (with original parts, electronics and paint), the guitars must be tied to an artist or event that resonates in the modern popular conscience. Reader Comments Comment On This Story That sometimes means stocking up on 1980s ESP guitars, like those played by Metallica. While such guitars hold value now, particularly with today's wealthy who loved metal in their youth, the value of shred-friendly guitars is likely to fade as the collectors themselves age. But Woodstock- and other classic-rock-associated guitars are likely to increase in value yet again. This is due in part to a slew of musical releases and merchandising efforts put forth by Warner Bros. and event founders Joel Rosenman and Michael Lang in preparation for the 40th anniversary of the Woodstock festival. Even with prices currently more affordable than in the past, with a '56 Gibson P-90 Les Paul Gold Top dropping from $80,000 in 2007 to as little as $35,000 now, be cautious with your cash: A year's difference in a guitar's manufacturing date can affect the value dramatically. After the Beatles' 1965 North American tour, electric guitar production increased astronomically, and manufacturers often cut corners to meet demand. Specific guitars with a connection to history, however, have a better chance at holding their value. Jefferson Airplane's Jorma Kaukonen, for example, was known for his early '60s Gibson ES-345, a jazz guitar with a stereo output and a varitone, a device that hollows out the guitar's sound in the mid-range. "The neck pickup would have had my fuzz tone doohicky, and the bridge pickup would have the VOX cry baby [wah wah pedal]," says Kaukonen. While he usually played a red ES-345, at Woodstock he opted for a mid-'60s Black ES-345, a much rarer find due to its color. Red or black, however, use of the guitar resulted in a haunting lead on "White Rabbit." While some guitars may increase in value over time, few instruments will exhibit the long-term value or prestige that Woodstock instruments will, despite their current (relatively) low prices. Says Woodstock creator Michael Lang, "It was the right message at the right time, and the right sensibility." In Depth: Guitars As Investments

Hi Dallar Bill, Welcome to the Klipsch Forum. There are lots of experts here to answer your Klipsch Questions. As far as the Pro gear what are the general limitations on dimension that you are thinking?

Sorry for your loss. She must have been needed in a better place.

Have her invite me as a friend if you would like, so I can give Klipsch updates. You can find me as: Name: Mark Blanchard Employer: Klipsch Or have her search Klipsch to find our fan club where we post info...That way if she shares the information we can get Klipsch out on the web more. Thanks...

From the great forum you recommended, here is the definintion for the 1991. It is basically an entry level 1911 80 series http://forums.1911forum.com/showthread.php?t=15201 1991 vs. 1911 For those wondering what the difference is between these pistols, the fact is there really is none. Back in 1991 Colt decided to market an economy version of their basic Series 80 Government Model. The polished blue was changed to an all-matte parkerized (later matte blue) finish, checkered rubber grip panels were used, and the serial number sequence was a resumption of the ones originally given to US military M1911A1 pistols. The resulting pistol was cleverly named "M1991A1", after the year of introduction. Mechanically however they are the same as any other Colt Series 80, 1911-type pistol. Around 2001 or so Colt upgraded these pistols with polished slide and frame flats, nicer-looking slide rollmarks, stainless barrels, and wood grips (blued models only). The newer ones are commonly called "New Rollmark (NRM)" pistols by Colt enthusiasts, to differentiate them from the "Old Rollmark (ORM)" 1991 pistols. The earlier guns are easily identified by having "COLT M1991A1" in large block letters across the left face of the slide. The NRM Colts will have three smaller lines of text saying "COLT'S-GOVERNMENT MODEL-.45 AUTOMATIC CALIBER", along with Colt's rampant horse logo.

So what is the story on the 1991 version Colt. Is this a poor mans model that is overpriced or is it a reliable model? I have a possible chance to trade a Rem 1100 12 gauge for one. I am trying to understand if this is a nice pistol. Anyone familiar with this model?

After the fall... This article suggests that values have dropped by 30% from 2007. You can see the article here in this free digital copy of Premier Guitar. http://digital.premierguitar.com/premierguitar/200908_1/?u1=texterity

1965 Candy Apple Red Fender Jazz Bass by Dave Rogers and Tim Mullally This 1965 Candy Apple Red Fender Jazz Pass still looks good after all these years. In the middle of 1951, Leo Fender decided that it was time to get upright bass players out of the shadows and closer to the audience. He began experimenting with designs based around his first design, the Telecaster. After tinkering with scale length and pickup placement, Fender decided that the 34” scale length was sufficient to produce the low-end that was required to rival the upright bass. It seemed that the new Precision Bass (named because of the addition of frets, which created a perfect note) was set to send the big “doghouse bass” back to the dogs. Unfortunately, when the new Precision Bass was introduced, it was not very well received. Many players could not get used to the feel of the new instrument; Bill Black, who played with Elvis Presley, even threw his new P-Bass across the floor out of frustration during a recording session. It wasn’t until the early work of Monk Montgomery and Lionel Hampton that the P-Bass started to carve out a niche in the early 1950s. While the P-Bass was updated many times over the next several years, Fender realized it was time to add a new model of electric bass to the world. The first prototype of the new, “sophisticated” bass for the “more advanced” jazz players was slightly different than what was introduced in early 1960. The Jazz Bass prototype actually had two Jazzmaster-style pickups – there was a 5-polepiece pickup in the neck position and one 4-polepiece pickup in the bridge position. This pickup configuration was later changed to the 8-polepiece pickup that we see today. The prototype also featured a Volume, Volume and Tone knob layout; this was eventually changed when production began. Jazz Basses built from 1960 until late 1962 had what are now referred to as “concentric” pots and four individual string mutes under the bridge cover to help emulate the sound of an upright bass. The nut width of the Jazz Bass was 1 7/16”, as opposed to 1 3/4” on the P-Bass. The narrower nut width was a hit with many players, especially among guitar players who doubled on electric bass. Joe Osborn fell in love with his 1960 Jazz Bass when he first received it and put it to good use on his early Ricky Nelson work. By early 1963, the concentric pots, the four foam mutes and the ground strip that ran from the bridge to the bridge pickup were gone. The three-knob layout was back and the Jazz Bass was very much in full swing. The “custom color” 1965 Candy Apple Red Jazz Bass shown here is a perfect example of what Fender was offering at the time. For more information about Fender basses, please check The Fender Bass Book, available through Hal Leonard, and How the Fender Bass Changed the World by Jim Roberts. Dave's Guitar Shop Daves Roger’s Collection Is tended to by Laun Braithwaite & Tim Mullally All photos credit Tim Mullally Dave’s Collection is on dispay at: Dave's Guitar Shop 1227 Third Street South La Crosse, WI 54601 608-785-7704 davesguitar.com

Love the sights Homeboy! I also just found this... http://ingunowners.com/forums/firearms/48139-wts_wtt_colt_1991a1.html "WTS/WTT Colt 1991 A1, has a little holster wear. Unknown round count, comes with original box and 3 mags. Also comes with original grips and set shown in pic. I am looking for a 20ga O/U or a 12 ga auto loader. Also might be interested in a GSG-5. Cash price $575...will also throw in 50 rds of with a cash purchase." Is that a plastic trigger I am seeing? Maybe this guy would trade my 1100 12 ga for this... I don't know though. I shoot trap well with that shotgun.

Well I got good news and I got bad news.... The seller, who is unemployed and has been for quite some time, has sold some other collectables that he had for sale and received considerable money. Good for him... he needed the money. So unfortunately, he is not selling the 1911 at this time. So the search will go on for me. Quote of the day..."There is more anger in America today than at any time I can remember," Sen. Arlen Specter, D-Pa, LEBANON, Pa. – Jeers and taunts drowned out calling for a health care overhaul at town halls Tuesday.

Well Russ, I just recently got rid of my suspenders. People were talking about how out of style I was. I never listen to that popycock but buttons broke on my last good pair of plaid pants and the wife refuses to sew. This forced me to donate my 1970's vintage pants to goodwill. I am not sure why they wouldn't take them. As far as carrying the 1911 I don't think I could carry them in the wasteband of my sweat pants like those fancy football players. I mean the wastband is getting tighter but not that tight. Maybe next year if I keep eating ice cream. I am kind of like a cat (not to be confused with a ***** cat). If the mouse is still wigglin, I will play with it and throw it around, but once it stops moving I loose interest. I got this hot lead on a 1911 cheap. And being the cheap bastard that I am, I got excited! All this talk about needing to wear hip waders is discouraging, because they get hot in the summer but are great for fishing and hunting. The last time I wore them my dog wouldn't get the duck and I was forced to fetch it myself. I ended up getting on the deep end of the swamp which didn't turn out as well as I had wanted. Let's say I was all wet, (and may still be). So where was I going with this. I guess I am longing for my plaid pants and suspender to come back in style so I can carry a 1911. What is the biggest issue for you boys if you gun imprints? Negative reaction from the gals? Or do they all back up? If so, what is wrong with that? I like my elbow room, but maybe it was the suspenders... And what is the spoiler about the mosquito? Just too expensive or does it not shoot well? If shot a Walther P22 recently and decided the grip was too small on that. Cute but not for my hand.

Absolutely need to see my bro...

That is a clean looking weapon! Dan Wesson Valor? I am noticing a trend here...You guys use Big Klipsch Speakers and Big Caliber Pistols. Is that the go big or stay home theory. I can keep the groups on a pie plate at 10 yds in rapid fire mode with the XD9 (16 shot clip). I definately need to shoot more models. "How to do this without buying?"... is an issue. I am not going to go to Don's Guns in INDY and renting them...It is about a $100 shoot since you have to buy their ammo and rent their indoor range. I would love to shoot some combat comitition also. I have found nothing to replace simulated situations when shooting 3D archery. I am sure that pistols would be the same way.

Sorry Bill but that is a pic I grabbed off the web... Actual ones to follow I hope.