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Full Range

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1 hour ago, dirtmudd said:

high and mighty with wetton

 

From what I can remember John Wetton joined in 75 and did not gel well with the band and left a couple of years later 

 

The only Uriah Heep album I own and think it's there best is Look At Yourself from 71 

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10 minutes ago, Full Range said:

 

From what I can remember John Wetton joined in 75 and did not gel well with the band and left a couple of years later 

 

The only Uriah Heep album I own and think it's there best is Look At Yourself from 71 

and Roxy music and did some initial bass tracks for fripps exposure

with Phil Collins drumming..it's posted on the crimson web site.

with a audio link and it's a killer combo!

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11 hours ago, dirtmudd said:

and Roxy music and did some initial bass tracks for fripps exposure

with Phil Collins drumming..it's posted on the crimson web site.

with a audio link and it's a killer combo!

https://www.dgmlive.com/tour-dates/2018

 

 
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DGM's tribute to the mighty bass guitarist that was John Wetton. Compiled from a Fripp, Wetton and Collins session recorded prior to the making of Exposure, this is quite easily the best jazz-rock power trio that never existed, with the famous Wetton crunching bass well to the fore. Astonishing to think that John made his huge contribution to King Crimson in just three brief years before moving on to UK, Roxy Music and Asia. The comments section below leaves a space where we can collect tributes.
 
King Crimson
John Wetton

AUDIO SOURCE: Studio Monitor Mixes

DGM AUDIO QUALITY

audio-rating-white.png audio-rating-white.png audio-rating-white.png audio-rating-white.png audio-rating-white.png

AVERAGE CUSTOMER RATING

 
 
 
 
TRACK
TIME
01
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John Wetton 
04:35
 
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Written by John Luijten
    
Best jazzrock trio?
No. That was McLaughlin-Pastorius-Williams. Maybe Fripp-Wetton-Bruford could have been almost as great, but not with Collins.
fb1d73519789e668dc667ed0a56b2fee.jpg
Written by Mark D Gaines
    
Open and Expanded
John's contribution to music will never be forgotten. His musical legacy will continue long after most have withered away. Thanks to John for opening my ears long ago to what possibilities within and outside music can present when one truly listens.
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Written by Steven Nathan
    
Really Great to Hear
Gone too soon. Thanks for all the memories, and for one more.
daba72fd656fcece73e00f41cc505f5a.jpg
Written by John Bobela III
    
Wow - John will be missed
John Wetton was a huge part of my musical influence, and really help shape the landscape of music from the late 60's to his powerful contributions with Asia. We all will miss you, thankfully the music lives on.
 
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Yes man! Only saw the Heep once but, well worth it. Got at least one, the Live double LP. All their albums were/are popular with fans, of course.

Al Stewart Year of the cat, simply amazing as other albums by.

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tubes are warming, coffee is a brewing

up next is the lamb lies down on broadway..

New virgin vinyl...I have not listened to the 

lamb on new virgin vinyl..since the copy

that my friends sister brought back from

her trip to England...she also pick up

selling England by the pound ...1988

IMG_20170520_173852.jpg

IMG_20170520_174008.jpg

IMG_20170520_173944.jpg

 
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There's something solid forming in the air,
The wall of death is lowered in Times Square.
No-one seems to care,
They carry on as if nothing was there.
The wind is blowing harder now,
Blowing dust into my eyes.
The dust settles on my skin,
Making a crust I cannot move in
And I'm hovering like a fly, waiting for the windshield on the freeway.
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There's sunshine in my stomach
Like I just rocked my baby to sleep.
There's sunshine in my stomach
And I can't keep me from creeping sleep,
Sleep, deep in the deep.

Rockface moves to press my skin
White liquids turn sour within
Turn fast-turn sour
Turn sweat-turn sour.
Must tell myself that I'm not here.
I'm drowning in a liquid fear.
Bottled in a strong compression,
My distortion shows obsession
In the cave.
Get me out of this cave!

If I keep my self-control,
I'll be safe in my soul.
And the childhood belief
Brings a moment's relief,
But my cynic soon returns
And the lifeboat burns.
My spirit just never learns.

Stalactites, stalagmites
Shut me in, lock me tight.
Lips are dry, throat is dry.
Feel like burning, stomach churning,
I'm dressed up in a white costume
Padding out leftover room.
Body stretching, feel the wretching
In the cage
Get me out of this cage!

In the glare of a light,
I see a strange kind of sight;
Of cages joined to form a star
Each person can't go very far;
All tied to their things
They are netted by their strings,
Free to flutter in memories of their wasted wings.

Outside the cage I see my Brother John,
He turns his head so slowly round.
I cry out help! before he can be gone,
And he looks at me without a sound.
And I shout 'John please help me!'
But he does not even want to try to speak.
I'm helpless in my violent rage
And a silent tear of blood dribbles down his cheek,
And I watch him turn away and leave the cage.
My little runaway.

In a trap, feel a strap
Holding still. Pinned for kill.
Chances narrow that I'll make it,
In the cushioned straight-jacket.
Just like 22nd Street,
When they got me by my neck and feet.
Pressures building, can't take any more.
My headaches charge. My earaches roar.
In the pain
Get me out of this pain.

If I could change to liquid,
I could fill the cracks up in the rock.
But I know that I am solid
And I am my own bad luck.
But outside John disappears and my cage dissolves,
and without any reason my body revolves.

Keep on turning,
Keep on turning,
Turning around,
spinning around.
 

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No-one seems to take up the chase, and with the familiar faces fresh in his mind he moves into a reconstruction of his old life, above ground - Too much time was one thing he didn't need, so he used to cut through it with a little speed. He was better off dead, than slow in the head. His momma and poppa had taken a ride on his back, so he left very quickly to join The Pack.
I see faces and traces of home back in New York City -
So you think I'm a tough kid? Is that what you heard?
Well I like to see some action and it gets into my blood.
The call me the trail blazer - Rael - electric razor
I'm the pitcher in the chain gang, we don't believe in pain
'Cause we're only as strong, yes we're only as strong,
As the weakest link in the chain.
Only after a spell in Pontiac reformatory was he given any respect in the gang.
Let me out of Pontiac when I was just seventeen,
I had to get it out of me, if you know what I mean, what I mean.
You say I must be crazy, 'cause I don't care who I hit, who I hit.
But I know it's me that's hitting out and I'm, I'm not full of shit.
I don't care who I hurt, I don't care who I do wrong.
This is your mess I'm stuck in, I really don't belong.
When I take out my bottle, filled up high with gasoline,
You can tell by the night fires where Rael has been, has been.
Now, walking back home after a raid, he was cuddling a sleeping porcupine.
That night he pictured the removal of his hairy heart and to the accompaniment of very romantic music he watched it being shaved smooth by an anonymous stainless steel razor.
As I cuddled the porcupine
He said I had none to blame, but me.
Held my heart, deep in hair,
Time to shave, shave it off, it off.
No time for romantic escape,
When your fluffy heart is ready for rape. No!
Off we go...
Your sitting in your comfort you don't believe I'm real,
You cannot buy protection from the way that I feel.
Your progressive hypocrites hand out their trash,
But it was mine in the first place, so I'll burn it to ash.
And I've tasted all the strongest meats,
And laid them down in coloured sheets (laid them down in coloured
Sheets).
Who needs illusion of love and affection
When you're out walking the streets with your mainline connection?
Connection.
As I cuddled the porcupine
He said I had none to blame, but me.
Held my heart, deep in hair.
Time to shave, shave it off, it off.
No time for romantic escape,
When your fluffy heart is ready for rape. No!
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The palpitating cherry-red organ was returned to its rightful place and began to beat faster as it led our hero, counting out time, through his first romantic encounter.
I'm counting out time,
Got the whole thing down by numbers.
All those numbers!
Give me guidance!
O Lord I need that now.
The day of judgement's come,
And you can bet that I've been resting,
for this testing,
Digesting every word the experts say.
Erogenous zones I love you.
Without you, what would a poor boy do?
Found a girl I wanted to date,
Thought I'd better get it straight.
Went to buy a book before it's too late.
Don't leave nothing to fate.
I studied every line, every page in the book,
Now, I've got the real thing here, I'm gonna take a look, take a look.
This is Rael!
I'm counting out time, hoping it goes like I planned it,
'cause I understand it. Look! I've found the hotspots, Figs 1-9.
Still counting out time, got my finger on the button,
"Don't say nuttin' just lie there still
And I'll get you turned on just fine."
Erogenous zones I love you.
Without you, what would a poor boy do?
Touch and go with 1-6.
Bit of trouble in zone No. 7.
Gotta remember all of my tricks.
There's heaven ahead in No. 11!
Getting crucial responses, dilation of the pupils.
"Honey get hip! It's time to unzip, to unzip, zip, zip-a-zip-a-zip.
Whipee!"
(Take it away Mr. Guitar)
I'm counting out time, reaction none to happy,
Please don't slap me,
I'm a red blooded male and the book said I could not fail.
I'm counting out time, I got unexpected distress from my mistress,
I'll get my money back from the bookstore right away.
Erongenous zones I question you
Without you, what would a poor boy do?
Without you, what would a poor boy do?
Without you, mankind handkinds through' the blues.
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At the top of the stairs he finds a chamber. It is almost a hemisphere with a great many doors all the way round its circumference. There is a large crowd, huddled in various groups. From the shouting, Rael learns that there are 32 doors, but only one that leads out. Their voices get louder and louder until Rael screams "Shut up!" There is a momentary silence and then Rael finds himself the focus as they direct their advice and commands to their new found recruit. Bred on trash, fed on ash the jigsaw master has got to move faster. Rael sees a quiet corner and rushes to it.
At the top of the stairs, there's hundreds of people,
Running around to all the doors.
They try to find, find themselves an audience;
their deductions need applause.
The rich man stands in front of me,
The poor man behind my back.
They believe they can control the game,
But the juggler holds another pack.
I need someone to believe in, someone to trust.
I need someone to believe in, someone to trust.
I'd rather trust a countryman than a townman,
You can judge by his eyes, take a look if you can,
He'll smile through his guard,
Survival trains hard.
I'd rather trust a man who works with his hands,
He looks at you once, you know he understands,
Don't need any shield,
When you're out in the field.
But down here,
I'm so alone with my fear,
With everything that I hear.
And every single door, that I've walked through
Brings me back here again,
I've got to find my own way.
The priest and the magician,
Singing all the chants that they have ever heard;
and they're all calling out my name,
Even academics, searching printed word.
My father to the left of me,
My mother to the right,
Like everyone else they're pointing
But nowhere feels quite right.
And I need someone to believe in, someone to trust.
I need someone to believe in, someone to trust.
I'd rather trust a man who doesn't shout what he's found,
There's no need to sell if you're homeward bound.
If I choose a side,
He won't take me for a ride.
Back inside
This chamber of so many doors;
I've nowhere, nowhere to hide.
I'd give you all of my dreams, if you'd help me,
Find a door
That doesn't lead me back again
Take me away.
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The chamber was in confusion - all the voices shouting loud.
I could only just hear, a voice quite near say, "Please help me through the crowd:"
I said if I helped her thru' she could help me too, but I could see that she wholly blind.
But from her pale face and her pale skin, a moonlight shined.
Lilywhite Lilith,
She gonna take you thru' the tunnel of night
Lilywhite Lilith,
She gonna lead you right.
When I'd led her through the people, the angry noise began to grow.
She said, "Let me feel the way the breezes blow, and I'll show you where to go."
So I followed her into a big round cave, she said, "They're coming for you, now don't be afraid."
Then she sat me down on a cold stone throne, carved in jade.
Lilywhite Lilith,
She gonna take you thru' the tunnel of night
Lilywhite Lilith,
She gonna lead you right.
She leaves me in my darkness,
I have to face, face my fear,
And the darkness closes in on me,
I can hear a whirring sound growing near.
I can see the corner of the tunnel,
Lit up by whatever's coming here.
Two golden globes float into the room
And a blaze of white light fills the air.
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The scent grows richer, he knows he must be near,
He finds a long passageway lit by chandelier.
Each step he takes, the perfumes change
From familiar fragrance to flavors strange.
A magnificent chamber meets his eye.
Inside, a long rose-water pool is shrouded by fine mist.
Stepping in the moist silence, with a warm breeze he's gently kissed.
Thinking he is quite alone,
He enters the room, as if it were his own,
But ripples on the sweet pink water
Reveal some company unthought of
Rael stands astonished doubting his sight,
Struck by beauty, gripped in fright;
Three vermilion snakes of female face,
The smallest motion, filled with grace.
Muted melodies fill the echoing hall,
But there is no sign of warning in the siren's call:
"Rael welcome, we are the Lamia of the pool.
We have been waiting for our waters to bring you cool."
Putting fear beside him, he trusts in beauty blind,
He slips into the nectar, leaving his shredded clothes behind.
"With their tongues, they test, taste and judge all that is mine.
They move in a series of caresses
That glide up and down my spine.
As they nibble the fruit of my flesh, I feel no pain,
Only a magic that a name would stain.
With the first drop of my blood in their veins
Their faces are convulsed in mortal pains.
The fairest cries, 'We all have loved you Rael'."
Each empty snakelike body floats,
Silent sorrow in empty boats.
A sickly sourness fills the room,
The bitter harvest of a dying bloom.
Looking for motion I know I will not find,
I stroke the curls now turning pale, in which I'd lain entwined
"O Lamia, your flesh that remains I will take as my food"
It is the scent of garlic that lingers on my chocolate fingers.
Looking behind me, the water turns icy blue,
The lights are dimmed and once again the stage is set for you.
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I wandered lonely as a cloud,
Till I came upon this dirty street.
I've never seen a stranger crowd;
Slubberdegullions on a squeaky feet,
Continually pacing,
With nonchalant embracing,
Each orifice disgracing
And one facing me moves to say "hellay".
His skin's all covered in slimy lumps.
With lips that slide across each chin.
His twisted limbs like rubber stamps
Are waved in welcome say 'Please join in.'
My grip must be flipping,
Cos his handshake keeps slipping,
My hopes keep on dipping
And his lips keep on smiling all the time. 

Slipperman:
"We like you, have tasted love.
Don't be alarmed at what you see,
You yourself are just the same
As what you see in me."

Rael:
Me, like you? like that!

Slipperman:
"You better watch it son, your sentence has only just begun
You better run and join your brother John."
A VISIT TO THE DOKTOR

Slipperman:
"You're in the colony of slippermen.
There's no who? why? what? or when?
You get out if you've got the gripe
To see, Doktor Dyper, reformed sniper
he'll whip off your windscreenwiper

Rael:
John and I are able
To face the Doktor and his marble table.

The Doktor:
Understand Rael, it's the end of your tail.

Rael:
"Don't delay, dock the dick!"
I watch his countdown timer tick
THE RAVEN
He places the number into a tube,
A yellow plastic "shoobedoobe".
It says: "Though your fingers may tickle
You'll be safe in our pickle."
Suddenly, black cloud comes down from the sky

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As he walks along the gorges edge,
He meets a sense of yesteryear.
A window in the bank above his head
Reveals his home amidst the streets.

Subway sounds, the sounds of complaint
The smell of acid on his gun of paint.
As it carves out anger in a blood-red band,
Destroyed tomorrow by an unknown hand;
My home.
Is this the way out from this endless scene?
Or just an entrance to another dream?
And the light dies down on Broadway.

But as the skylight beckons him to leave,
He hears a scream fro far below.
Within the raging water, writhes the form
Of brother John, he cries for help.

The gate is fading now, but open wide,
But John is drowning, I must decide
Between the freedom I had in the rat-race,
Or to stay forever in this forsaken place;
Hey John!
He makes for the river and the gate is gone,
Back to the void where it came from.
And the light dies down on Broadway.

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Struggling down the slope,
There's not much hope.
I begin to try to ride the scree
But the rocks are tumbling all around me.
If I want John alive,
I've got to ditch my fear - take a dive
While I've still got my drive to survive.
Evel Knievel you got nothing on me.
Here I go!
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Moving down the water
John is drifting out of sight,
Its only at the turning point
That you find out how you fight.
In the cold, feel the cold
All around
And the rush of crashing water
Surrounds me with its sound.
Striking out to reach you
I can't get through to the other side,
When you're racing in the rapids
There's only one way, that's to ride.
Taken down, taken down
By the undertow
I'm spiralled down the river bed,
My fire is burning low.
Catching hold of a rock that's firm,
I'm waiting for John to be carried past.
We hold together, hold together 
And shoot the rapids fast.
And when the waters slow down
The dark and the deep have no-one, no-one, no-one, no-one, no-one left to keep.
Hang on John! We're out of this at last.
Somethings changed, that's not your face. It's mine - it's mine!
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When it's cold, it comes slow.
it is warm, just watch it grow.
-all around me.
it is here. it is now.

Just a little bit of it can bring you up or down.
Like the supper it is cooking in your hometown.
it is chicken, it is eggs,
it is in between your legs.
it is walking on the moon,
leaving your cocoon.

it is the jigsa. it is purple haze.
it never stays in one place, but it's not a passing phase,
it is in the single's bar, in the distance of the face,
it is in between the cages, it is always in a space
it is here. it is now.

Any rock can be made to roll,
If you've enough of it to pay the toll.
it has no home in words or goal,
Not even in your favourite hole.
it is the hope for the dope.
When you ride the horse without a hoof.
it is shaken, not stirred;
Cocktails on the roof.

When you eat right fru it you see everything alive,
it is inside spirit, with enough grit to survive
If you think it's pretentious, you've been taken for a ride.
Look across the mirror, before you chose de cide
it is here. it is now
it is Real. it is Rael

'cos it's only knock and knowall, but I like it.

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