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tube fanatic

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  • Interests
    extracting the best possible sound from single ended tube amps using modestly priced designs and tubes.
  • My System
    Now specializing in extreme near-field desk top systems using flea power SEPs and SETs. This mode of listening must be experienced as it can be totally enveloping.

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Community Answers

  1. Henry is quite well! At present he is pursuing other interests . Maynard
  2. Here’s the original thread. The schematic is a pdf between the pictures in the first post. https://community.klipsch.com/index.php?/topic/159805-the-long-awaited-little-sweetie-mono-sets/ Maynard
  3. If I recall correctly this was a decent unit which could provide around 12 watts output per channel. Certainly enough power for most Klipsch speakers in my opinion. It would need to be thoroughly checked by a good technician and will need to be restored. Maynard
  4. https://community.klipsch.com/index.php?/topic/183116-triode-guys-why-use-a-46-over-a-45-tube-adapters/ Maynard
  5. Two excellent solo performances with Hour of Power choir Maynard
  6. Recent gem by Gaither Vocal Band Maynard
  7. Wonderful classic by the Steeles! Maynard
  8. Another beautiful rendition from Hour of Power Choir! Maynard
  9. Magnificent! Tabernacle Choir Maynard
  10. I speak with Henry almost daily and he is quite well but is pursuing other interests at the moment . Maynard
  11. Another great performance by First Baptist Dallas! Maynard
  12. Very powerful voice of Todd Strange with Hour of Power choir! Maynard
  13. In my mind the question is what can we do to make poorly mastered recordings sound pleasing? It reminds me of those with the dreaded 10 db boost at 10 kHz. Tone controls do allow such recordings to be more listenable. Years back, if I recall correctly, there was a guy on the forum who remastered his music library to make the recordings sound as he wanted them to. Is that any different? Maynard
  14. I don’t consider shaping of frequency response to be a non-audiophile endeavor. There is a reason why the high quality, now vintage, amps and preamps had tone controls. For years I have included an “ear bleed filter” in all my designs to allow the high frequency response to be altered to suit individual taste. Besides, many consider all tube amps to be nothing more than tone controls with gain. Maynard
  15. The less “stuff” in the signal path the better, especially if the device is powered. As long as you can drive the amps to the levels you desire all is well. If a source has variable output, direct connection to the amps would be ideal. Maynard
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