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Mothership Headed to the Smithsonian


thebes

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Great news for all you funksters out there, the funkiest spaceship in the entire galaxy is going to the same place as the lesser effort made by the Wright Brothers:



The Mothership — the iconic stage prop made famous by legendary funk
collective Parliament-Funkadelic
— has been acquired by the Smithsonian’s National
Museum of African American History and Culture
where it will help anchor a
permanent music exhibition when the museum opens its doors in 2015.



“I’m about to
cry!” Parliament-Funkadelic frontman George Clinton said over the phone from
his home in Tallahassee on Wednesday. “They’re taking the Mothership! They’re
shipping it out! . . . But I’m glad it’s going to have a nice home there.”

It isn’t the original Mothership. This 1,200-pound aluminum spacecraft was
built in the mid-’90s — an indistinguishable replica, Clinton says, of the
smoke-spewing stage prop he first introduced to slack-jawed funk fans in 1976.



But by 1982, Parliament-Funkadelic’s towering debts forced the group’s
Washington-based management company to trash the Mothership in a Prince
George’s County scrap yard. And what happened next has become
the stuff of myth
. Was it stolen? Did it burn in a fire? Is it still
floating around somewhere in the cosmos?



An
April 2010 Washington Post story
about the Mothership’s disappearance sent
the Smithsonian searching for it. Kevin Strait, project historian for the
museum, didn’t get very far. “All signs pointed to the fact that we weren’t
going to find the original,” Strait said. “So that’s when we essentially put
our attentions toward the new one.”



Strait contacted Clinton’s management, and the bandleader eventually decided
to donate the piece. The ship has been picked up from Clinton’s Tallahassee
recording studio and is scheduled to arrive at a Smithsonian storage facility
in suburban Maryland at noon on Thursday.



It’ll be somewhat of a homecoming. The group first formed as the Parliaments
in Plainfield, New Jersey in the late 1950’s, but after morphing into a
two-group collective — Parliament
and Funkadelic
— it would go on to enjoy one of its most loyal followings in Washington.
Parliament’s 1975 album “Chocolate
City
” gave the nation’s capital an unofficial nickname that still sticks
today.



When the band lowered the Mothership from the rafters of the Capital Centre
in Landover in 1977, the response was rapturous. Not only was it instantly
stunning — it felt like a cosmic metaphor for the sense of possibility that
followed the civil rights movement.



That symbolism isn’t lost on the Smithsonian.



“With large iconic objects like this, we can tap into . . . themes of
movement and liberation that are a constant in African-American culture,” says
Dwandalyn R. Reece, curator of music and performing arts for the museum. “The
Mothership as this mode of transport really fits into this musical trope in
African American culture about travel and transit.”



It will be exhibited alongside other artifacts from American music history —
Louis Armstrong’s trumpet, James Brown’s stage costumes, Lena Horne’s evening
gowns. But it will be the only spaceship.



“It definitely fits in,” said Reece. “Funk is not just a good groove, it was
its own kind of social protest movement.”



And while the original Mothership’s whereabouts remain a mystery, Clinton
thinks this one will serve the Smithsonian just fine.



The second ship “went out on the road for a long time,” he says. “Nobody
knew the difference!”











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How about this gem?

We Want The Funk---(George Clinton)

Tear the roof off, we're gonna tear the roof off the mother, sucker
Tear the roof off the sucker
(x4)
You've got a real type of thing going down, gettin' down
There's a whole lot of rhythm going round
(x2)
Ow, we want the funk
Give up the funk
Ow, we need the funk
We gotta have that funk
(x2)
La la la la la
Doo doo doo doo doo doo doo, owww!
(x2)
You've got a real type of thing going down, gettin' down
There's a whole lot of rhythm going round
(x2)
Ow, we want the funk
Give up the funk
Ow, we need the funk
We gotta have that funk
(x2)
La la la la la
Doo doo doo doo doo doo doo, owww!
(x2)
We're gonna turn this mother out (x2)
You've got a real type of thing going down, gettin' down
There's a whole lot of rhythm going round
(x4)
Ow, we want the funk
Give up the funk
Ow, we need the funk (let us in we'll tear this mother out {after 3rd & 4th})
We gotta have that funk
(x7)
Ow, we want the funk (we're gonna turn this mother out)
Give up the funk
Ow, we need the funk (we're gonna turn this mother out)
We gotta have that funk
(x2)
Ow, we want the funk
Give up the funk
Ow, we need the funk (let us in we'll tear this mother out {after 2nd & 3rd})
We gotta have that funk
(x2)
We want the funk
Give up the funk
We need the funk
We gotta have that funk
(x3)
La la la la la
Doo doo doo doo doo doo doo, owww!
(x2)
You've got a real type of thing going down, gettin' down (x2)
There's a whole lot of rhythm going down
You've got a real type of thing going down, gettin' down
There's a whole lot of rhythm going down
Ow, we want the funk
Give up the funk
Ow, we need the funk (let us in we'll tear this mother out {after 2nd & 3rd})

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 "Pin The Tail On The Funky (Gloryhallastoopid)"

Oh!

Being aware of the non-ending condition of our radically non-logical necessary

And yet free and responsible nature

It is not only our compulsion

But it is our duty to our booty

To funk you!

Cheaper than discount family therapy

We bring you funk on a couch

>From the doctor

Gloryhallastoopid

Pin the tail on the funky

I can assure this is the beginning of a meaningful relationship

Gloryhallastoopid

Pin the tail on the funky

That fuss was us!

Gloryhallastoopid

Pin the tail on the funky

Multiple reality producing rhythms brings you gloryhallastoopid

Gloryhallastoopid

Pin the tail on the funky

A tale where the nose win in the end

That fuss was us

In the tail end, if you know what I mean

Oh! That fuss was us

He's got a bug, she's got a bug

Debugging, baby

That fuss was us

They bug you, they bug your friends

Until they bug you out

That fuss was us

Yeah, call us the pest control

(Gloryhallastoopid

Pin the tail on the funky)

Yeah, Starchild here

(Gloryhallastoopid

Pin the tail on the funky)

Bringing it to you all the way live

>From deep in the black hole

I'm here with my man, Wellington Wigout

Who says, "If you move, you're dancing

If you're dancing, you're wiggin'

And if you're wiggin', then he's wiggin' out

Gloryhallastoopid

Pin the tail on the funky

And when it comes to making love

He says he's the disco version

He is the long-playing lover, heh-heh

Wellington Wigout

{assorted backwards-recorded nonsense}

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If you want to see the Mothership fastforward 4:30.

George's entrance after the landing which is one of the best in live music history.

It is a shame that rap and hip hop eclipsed funk because funk is much better and much more interesting. Long live FUNK!

I was born too early.

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Give up the funk!

Funk now, funk forever! May the funk find you willing. Are we not one nation.....

Here's my chance to dance my way

out of my constrictions

Givin' you more of what you're funkin' for

(Feet don't fail me now)

(Feet don't fail me now)

Do you promise to funk, the whole funk,

nothin' but the funk

One nation under a groove

Gettin' down just for the funk of it

One nation and we're on the move

Nothin' can stop us now

Nothin' can stop us now

One nation under a groove

Gettin' down just for the funk of it

One nation and we're on the move

Nothin' can stop us now

Nothin' can stop us now

One nation under a groove

Gettin' down just for the funk of it

One nation and we're on the move

Nothin' can stop us now



Do you promise to funk?

Do you promise to funk?

Hah

Do you promise to funk, the whole funk?

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Apparently there is no door in the Smithsonian large enough to move it in, so they're going to have to tear the roof off the sucka. [:D] Haw, haw haw!

Truthfully, in the last two months I have purchased Parliament's greatest hits, Funkadelic's greatest hits, and James Brown's greatest hits. From the looks of this thread, there seems to be a funk zeitgeist.

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