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About EMRR

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  1. That happens to me at other audio tech forums all the time, and it usually leads to a problem-free sale. Is it a violation here, of is there a history of fraudulent behavior?
  2. The new generation of 32 bit float file recorders will change a lot about the way people work. They capture the mic signal at unity gain, with the file format capable of setting the ideal volume later with no penalties. At least, that's the idea.
  3. EMRR

    NEW or NOS?

    At times it has certainly felt that new production tubes have not had the longevity of true good NOS tubes. Not a scientific observation of course.
  4. Most broadcast gear used those plug-in caps, they were the #1 failure point and stations needed to be able to swap a new one in quickly. Lots of that out there.
  5. I really only think of reforming with electrolytics, not film types. My observation has been that older caps with a lot of mileage may show and/or reform to correct capacitance, but series resistance tends to rise far above that of a new cap, and that is a measurable symptom related to poorer sound. You might not notice it in a hi-Z position, but in a low-Z position it tends to be obvious.
  6. yeah.....the part where that blocks the windows isn't gonna fly with the wife. The La Scala barely do already!
  7. Man, I'm in W-S too, wish I had the space for these.
  8. There is a difference in dielectric absorption, which contributes memory effects like a battery storing voltage, but whether you hear it or not, or care, is a different question.
  9. I have the suspicion that as electrolytics degrade with age, a paralleled film cap comes further into play for maintaining linear response in the upper frequency range. Much less noticeable, if at all, when both are new. Try it with a 20-50 year old electrolytic that otherwise measures and functions fine.
  10. You aren't forcing the amp to put out double power, that is nonsense. Why, let's see, if it did, shouldn't that pop the fuse? Immediately?
  11. OK, they are covering them, but as a tech who mainly works on tube gear, I call complete BS on their claim here. You can be 100% off in impedance match with pretty much any tube amp with not much consequence other than diminished power transfer. An amp like this with higher negative feedback and damping is less susceptible than the average Fender guitar amp mismatch which may do 300 road gigs with no problem. To me this reads like the transformer was faulty from the get-go and causing excessive current draw in the tubes, which would wear them prematurely. You certainly wouldn't have the tube faults described from an impedance mismatch. ....but I don't really know, at a distance with second hand information......
  12. My high school music teacher friend tells me the kids NEVER listen to an entire song when it's music appreciation day, and if it's not their thing, they immediately have their earbuds in masking the 'offending' track with something that is 'their thing'. Heavy channel surfing, and a disinterest in anything outside their normal box. As players of instruments, it's not about playing them in front of people either, it's about posting videos. Many also have no idea why anyone would leave home to hear live music, when it's available online so freely. It's a new universe.....
  13. Yes, but! It's also rare with most instruments for that fundamental frequency to be very strong, frequently the 2nd harmonic 82Hz is predominate. If you really want to freak out, put an analyzer on single low piano notes coming from an upright, it's more like 3rd harmonic that's predominate, yet you still get the sense of the proper note.
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