MicroMara

Back to the roots .....

@jubilee333 welcome in the K.C , keep on spinning with us , have fun .

Loudness or also hearing correct volume correction is intended to compensate for the loss of low frequencies when listening quietly in the activated state. Loudness lifts the treble and bass on what is noticeable at low volume. it sounds fuller.

.......when we were still young and pretty

You´ll need to wait till next year as the 2021 oktoberfest´s are canceld all over germany

A Live without " xrl Balanced outputs " isn´t worth to be lived .....😂

As this is the only cd thread we have here .....well Guys ..it´s done ..the moddy from my Marantz SACDP/ DAC ... That´s what we´ve done ..... *Drive and lens cleaned *mechanical damping of the drive *Mains phase connection revision *Jensen double capacitors *operating voltage blocking with additional film capacitors *replacement of all old electrolytic capacitors against Elna Silmic / Panasonic *Quartz amplification with Masterclock oscillator XO1.1 *Increase of power supply filtering *Improvement of the converter filtering My Model SA11 S-3 Inside pic seriell Marantz model sa11-s3 after ......Elna silmic caps all over ... the new masterclock pcb with Elma Silmic / Wima Caps the new jensen filter elkos and some Elna Silmis How it sound´s ? The production model S 3 is already the further development of the SA 11 S1 / S2 / S3 series and should therefore be sonically mature. Is it also in relation to its predecessors . But now playing in an even higher league. More air between the voices and instruments on stage, an even deeper as well as finer resolution of the mid-highs in the stage, better basic dynamics in the fundamentals, the bass stagger even cleaner, sublime control and composure at high levels. I am even more surprised how the RF7 EvoTec acoustically implements the modifications made to the Marantz SA11-S3 so clearly audible. So I would say .....a senseful audible investment ....

Here I´m Dave ....beeing busi .... A femal DJ is called " DJane" and YESSIRE ! I was a DJ and a very famouse one in Germany . I made the dancefloor a dance cauldron, people were freaking out, dancing till they dropped. Yeah was a great time .

HHHMMM....what about the anti scating or counterweight ? Normally a needle damage happens not so quick ..from one to the other moment ? JMTC ...

Well Guys ..it´s done ..the moddy from my Marantz SACDP/ DAC ... That´s what we´ve done ..... *Drive and lens cleaned *mechanical damping of the drive *Mains phase connection revision *Jensen double capacitors *operating voltage blocking with additional film capacitors *replacement of all old electrolytic capacitors against Elna Silmic / Panasonic *Quartz amplification with Masterclock oscillator XO1.1 *Increase of power supply filtering *Improvement of the converter filtering My Model SA11 S-3 inside pic seriell Marantz model sa11-s3 after ......Elna silmic caps all over ... the new masterclock pcb with Elma Silmic / Wima Caps the new jensen filter elkos and some Elna Silmis How it sound´s ? The production model S 3 is already the further development of the SA 11 S1 / S2 / S3 series and should therefore be sonically mature. Is it also in relation to its predecessors . But now playing in an even higher league. More air between the voices and instruments on stage, an even deeper as well as finer resolution of the mid-highs in the stage, better basic dynamics in the fundamentals, the bass stagger even cleaner, sublime control and composure at high levels. I am even more surprised how the RF7 EvoTec acoustically implements the modifications made to the Marantz SA11-S3 so clearly audible. So I would say .....a senseful audible investment ....

..of course I can share my thoughts ....usually you get anlong with the amp a power cord with max. AWG 16 per phase. I´m using AWG 11 per phase as well as male and female pure copper plugs. Usually an amp recates with a warmer, more stunning stage, better resolution and dynamics in the overall FQ Spectrum. Controlling the plus ( + ) and minus ( - ) phases is also important

took a while ..🙂 because of further in house cable production works and some other moddys on my SACDP that kept me busi the last couple of days.

that´s the point .....

If I send from Germany to the USA by airfreight it is already very expensive, in addition still taxes & duties....this is unfortunately too expensive ...plus exchange rate $ > €

The Klipsch RB 81 MK II enjoys cult status in Germany, Austria and Switzerland. It is still preferable to buy from stock than the successor models.The general crossover frequency is 60 hz if you want to incorporate the subwoofer R110 / 115 R. It is best to add an antimode to optimally integrate the subbass.

Some of my latest Cable Designs ... Single > Bi Wire Loudspeaker Cables My newest developement for Class D Amplifier with Neutrik SpeakOn jackets RCA Cables

Well done ....You look really great Steve, I made myself extra pretty for you, think we are a nice couple

Beautiful Design...but no , never seen before.... you probably need a separate transformer for this..you´ve seen the tec-specs ? just sayin .. AC Consumption is per operating hour .....

Brilliant ...Jan Akkermann & Kaz Lux " ELI "1976 ....

Only aliens know how good Bose headphones can sound....

Everyone has his own way of enjoying coffee ..

....followed by Jeff Beck, Tim Bogert & Carmine Appice 1973

Sounds good Steve ..pitty that we can´t drink it together ....

Spinning Eric Burdon´s " declares WAR " right now ....Great Urban Soul Funk from 1970