tigerwoodKhorns Posted May 22, 2012 Share Posted May 22, 2012 Now, explain women........... Here you go: http://www.youtube.com/watch?v=vnU7g4m0XmU Quote Link to comment Share on other sites More sharing options...
Daddy Dee Posted May 24, 2012 Share Posted May 24, 2012 Chris, Thanks for posting. I don't really grasp the math, but I became a believer in "loading the room" when I heard the difference between LaScalas and Khorns in my own living room. I was quit skeptical when a friend (who also acquired Khorns after listening to LaScalas for a season) described the difference as "a bigger sound." I couldn't grasp that because all the drivers and crossovers were the same. Even backing a LaScala into a corner cannot bring the same sound as a Khorn. The sound of a Khorn is "bigger" than a LaScala in the same room. I take that to be a demonstration of a difference in the way Khorn and LaScala load the room with sound. Quote Link to comment Share on other sites More sharing options...
Daddy Dee Posted May 24, 2012 Share Posted May 24, 2012 P.S. In my very lay understanding of "loading the room" I also would think that the positioning of speakers for optimal sound is also a demonstration of how a speaker loads the room. Quote Link to comment Share on other sites More sharing options...
Chris A Posted May 24, 2012 Share Posted May 24, 2012 (edited) In my very lay understanding of "loading the room" I also would think that the positioning of speakers for optimal sound is also a demonstration of how a speaker loads the room. Right - the size of the horn's mouth, and its coupling to the room's corner determines the size of the sound, and not only the bass bin, but the midrange as well, as evidenced with the difference in size of the sound of the Jubilee vs. the Khorn. The room itself becomes the last expansion of the horn and it also forms an enclosed space. The dimensions of the room, type of wall, floor, and ceiling materials, and even the structural backing of the walls, ceiling, and floor all contribute to how the speaker "loads the room". PWK's article on corner speaker positioning is also relevant to this discussion: https://community.klipsch.com/index.php?app=core&module=attach§ion=attach&attach_rel_module=post&attach_id=47376 Note that the speaker used in this test was a prototype Cornwall. Chris Edited April 15, 2014 by Chris A Quote Link to comment Share on other sites More sharing options...
Panacea Engineering Posted May 24, 2012 Share Posted May 24, 2012 Want to "Load a Room"....? Sit in a bathroom stall and hum until the particions start to viberate. You have reached the Reasonant Frequency......Very same reason that you sound SOOOOO good, singing in the shower stall.......[] Quote Link to comment Share on other sites More sharing options...
jacksonbart Posted May 24, 2012 Share Posted May 24, 2012 kinda like a baby loading a diaper Quote Link to comment Share on other sites More sharing options...
Moderators dtel Posted May 24, 2012 Moderators Share Posted May 24, 2012 I take that to be a demonstration of a difference in the way Khorn and LaScala load the room with sound. I know exactly what your saying DD, I heard it best in Hope at one of the listening sessions when they went through each Heritage model starting with the Heresy's. When they got to the Khorn it all changed, it was like the walls and ceiling was part of the speaker, the room was enveloped in sound and not directing straight from the speaker, more like the whole front wall. It was the best audition of a Khorn I have ever heard. That audition really woke me up to how room shape and size affects what a speaker can do, not to take away from the Khorn at all, but when it's the right combination it's easy to hear a perfect match. Quote Link to comment Share on other sites More sharing options...
Moderators dtel Posted May 24, 2012 Moderators Share Posted May 24, 2012 Very same reason that you sound SOOOOO good, singing in the shower stall....... I must have a defective shower. [:$] Quote Link to comment Share on other sites More sharing options...
Moderators dtel Posted May 24, 2012 Moderators Share Posted May 24, 2012 kinda like a baby loading a diaper With a better smell. [+o(] Quote Link to comment Share on other sites More sharing options...
Quiet_Hollow Posted May 24, 2012 Share Posted May 24, 2012 When they got to the Khorn it all changed, it was like the walls and ceiling was part of the speaker, the room was enveloped in sound and not directing straight from the speaker, more like the whole front wall. It was the best audition of a Khorn I have ever heard. Makes me wonder how the Heresy were setup? Because I can get them to do this little disapearing act: That audition really woke me up to how room shape and size affects what a speaker can do, not to take away from the Khorn at all, but when it's the right combination it's easy to hear a perfect match. Agreed. I heard Artto's system in comparison to the demo set at Simply Stereo. His room & K-horns can somehow place a snare drum hit at the tip of listener's nose...quite literally...like someone is knocking you in the snout if the drums are mixed just right. Quote Link to comment Share on other sites More sharing options...
Chris A Posted August 16, 2012 Share Posted August 16, 2012 (edited) I have heard the term "loading the room" or some variation ot that, but never really heard a definition. I just remembered this site for an illustration and discussion of bass bins loading room boundaries and each other if used in close proximity: http://billfitzmaurice.info/forum/viewtopic.php?f=10&t=398 Chris Edited April 15, 2014 by Chris A Quote Link to comment Share on other sites More sharing options...
artto Posted August 16, 2012 Share Posted August 16, 2012 they cannot explain it very well. That's because it's a idea to begin with. Actually, its a concept, that some people turn into a [bs] idea. [] FWIW, I see it exactly the opposite. It's the room that's loading the speaker, not the other way around. Quote Link to comment Share on other sites More sharing options...
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